Wedding Cantata / Peasant Cantata / Masses BWV 233, 234, 236

~ Release by J.S. Bach (see all versions of this release, 1 available)

Annotation

I had to "guess" a lot of the tracks. Based on IMSLP search. They are not listed on the CD or the insert.

Annotation last modified on 2017-08-06 08:26 UTC.

Tracklist

1▶CD
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#TitleArtistRatingLength
1Mass in G major, BWV 236: Kyrie eleison
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:21
2Mass in G major, BWV 236: Gloria in excelsis
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:19
3Mass in G major, BWV 236: Gratias
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:58
4Mass in G major, BWV 236: Domine Deus
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:11
5Mass in G major, BWV 236: Quoniam
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach7:04
6Mass in G major, BWV 236: Cum sancto Spiritu
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
tenor vocals:
John van Kesteren (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:59
7Mass in F major, BWV 233: Kyrie eleison
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:51
8Mass in F major, BWV 233: Gloria in excelsis
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach6:35
9Mass in F major, BWV 233: Domine Deus
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach8:44
10Mass in F major, BWV 233: Qui tollis
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:11
11Mass in F major, BWV 233: Quoniam
alto vocals:
Ingeborg Russ (alto)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer)
choir vocals:
Gächinger Kantorei
soprano vocals:
Elisabeth Speiser
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:22