Broadway and Hollywood… Basie’s Way

~ Veröffentlichung von Count Basie and His Orchestra featuring Roy Eldridge, Eddie “Lockjaw” Davis, Harry “Sweets” Edison, Billy Mitchell (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hello Young Lovers (from “The King and I”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-08-18)
Bass:
Norman Keenan (am 1966-08-18)
Gitarre:
Freddie Green (am 1966-08-18)
Holzblasinstrumente:
Eric Dixon (woodwind) (am 1966-08-18) und Bobby Plater (am 1966-08-18)
Klavier:
Count Basie (pianist) (am 1966-08-18)
Posaune:
Dick Boone (am 1966-08-18), Harlan Floyd (am 1966-08-18) und Grover Mitchell (trombone) (am 1966-08-18)
Rohrblattinstrumente:
Marshall Royal (am 1966-08-18)
Schlagzeug:
Ed Shaughnessy (am 1966-08-18)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1966-08-18)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-08-18), Sonny Cohn (am 1966-08-18), Roy Eldridge (am 1966-08-18) und Gene Goe (am 1966-08-18)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-08-18)
instrumental recording of:
Hello, Young Lovers (The King and I) (am 1966-08-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:09
2A Lot of Livin’ to Do (from “Bye Bye Birdie”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
A Lot of Livin’ to Do (from “Bye Bye Birdie”) (von 1966-09-07 bis 1966-09-08)
Texter:
Lee Adams (US musical theatre lyricist & librettist)
Komponist(in):
Charles Strouse
Teil von:
Bye Bye Birdie
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:04
3Just in Time (from “Bells Are Ringing”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-08-18)
Bass:
Norman Keenan (am 1966-08-18)
Gitarre:
Freddie Green (am 1966-08-18)
Holzblasinstrumente:
Eric Dixon (woodwind) (am 1966-08-18) und Bobby Plater (am 1966-08-18)
Klavier:
Count Basie (pianist) (am 1966-08-18)
Posaune:
Dick Boone (am 1966-08-18), Harlan Floyd (am 1966-08-18) und Grover Mitchell (trombone) (am 1966-08-18)
Rohrblattinstrumente:
Marshall Royal (am 1966-08-18)
Schlagzeug:
Ed Shaughnessy (am 1966-08-18)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1966-08-18)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-08-18), Sonny Cohn (am 1966-08-18), Roy Eldridge (am 1966-08-18) und Gene Goe (am 1966-08-18)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-08-18)
instrumental recording of:
Just in Time (Bells Are Ringing) (am 1966-08-18)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:08
4Mame (from “Mame”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
Mame (von 1966-09-07 bis 1966-09-08)
Texter und Komponist(in):
Jerry Herman
Teil von:
Mame (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:16
5On a Clear Day (from “On a Clear Day You Can See Forever”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-08-18)
Bass:
Norman Keenan (am 1966-08-18)
Gitarre:
Freddie Green (am 1966-08-18)
Holzblasinstrumente:
Eric Dixon (woodwind) (am 1966-08-18) und Bobby Plater (am 1966-08-18)
Klavier:
Count Basie (pianist) (am 1966-08-18)
Posaune:
Dick Boone (am 1966-08-18), Harlan Floyd (am 1966-08-18) und Grover Mitchell (trombone) (am 1966-08-18)
Rohrblattinstrumente:
Marshall Royal (am 1966-08-18)
Schlagzeug:
Ed Shaughnessy (am 1966-08-18)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1966-08-18)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-08-18), Sonny Cohn (am 1966-08-18), Roy Eldridge (am 1966-08-18) und Gene Goe (am 1966-08-18)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-08-18)
instrumental recording of:
Melinda (On a Clear Day You Can See Forever) (am 1966-08-18)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:44
6It’s All Right With Me (from “Can Can”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (von 1966-09-07 bis 1966-09-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:36
7On the Street Where You Live (from “My Fair Lady”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-08-18)
Bass:
Norman Keenan (am 1966-08-18)
Gitarre:
Freddie Green (am 1966-08-18)
Holzblasinstrumente:
Eric Dixon (woodwind) (am 1966-08-18) und Bobby Plater (am 1966-08-18)
Klavier:
Count Basie (pianist) (am 1966-08-18)
Posaune:
Dick Boone (am 1966-08-18), Harlan Floyd (am 1966-08-18) und Grover Mitchell (trombone) (am 1966-08-18)
Rohrblattinstrumente:
Marshall Royal (am 1966-08-18)
Schlagzeug:
Ed Shaughnessy (am 1966-08-18)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1966-08-18)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-08-18), Sonny Cohn (am 1966-08-18), Roy Eldridge (am 1966-08-18) und Gene Goe (am 1966-08-18)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-08-18)
instrumental recording of:
On the Street Where You Live (My Fair Lady) (am 1966-08-18)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:49
8Here’s That Rainy Day (from “Carnival in Flanders”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
Here’s That Rainy Day (von 1966-09-07 bis 1966-09-08)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:23
9From This Moment On (from “Out of This World”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (von 1966-09-07 bis 1966-09-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:43
10Baubles, Bangles and Beads (from “Kismet”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (von 1966-09-07 bis 1966-09-08)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. und Scheffel Music Corp
basiert auf:
String Quartet no. 2 in D major: II. Scherzo. Allegro
Teil von:
Kismet (full musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:03
11People (from “Funny Girl”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
People (Funny Girl) (von 1966-09-07 bis 1966-09-08)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Funny Girl (Broadway musical)
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis2:36
12Everything’s Coming Up Roses (from “Gypsy”)
recording engineer:
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (von 1966-09-07 bis 1966-09-08)
Bass:
Norman Keenan (von 1966-09-07 bis 1966-09-08)
Gitarre:
Freddie Green (von 1966-09-07 bis 1966-09-08)
Holzblasinstrumente:
Eric Dixon (woodwind) (von 1966-09-07 bis 1966-09-08) und Bobby Plater (von 1966-09-07 bis 1966-09-08)
Klavier:
Count Basie (pianist) (von 1966-09-07 bis 1966-09-08)
Posaune:
Dick Boone (von 1966-09-07 bis 1966-09-08), Harlan Floyd (von 1966-09-07 bis 1966-09-08) und Grover Mitchell (trombone) (von 1966-09-07 bis 1966-09-08)
Rohrblattinstrumente:
Marshall Royal (von 1966-09-07 bis 1966-09-08)
Schlagzeug:
Ed Shaughnessy (von 1966-09-07 bis 1966-09-08)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (von 1966-09-07 bis 1966-09-08)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (von 1966-09-07 bis 1966-09-08), Sonny Cohn (von 1966-09-07 bis 1966-09-08), Roy Eldridge (von 1966-09-07 bis 1966-09-08) und Gene Goe (von 1966-09-07 bis 1966-09-08)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1966-09-07 bis 1966-09-08)
instrumental recording of:
Everything’s Coming Up Roses (Gypsy) (von 1966-09-07 bis 1966-09-08)
Texter:
Stephen Sondheim
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Gypsy
Count Basie and His Orchestra featuring Roy Eldridge & Eddie “Lockjaw” Davis3:11
13Secret Love (from “Calamity Jane”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
12 Songs: Secret Love (am 1966-12-14)
Komponist(in):
Sammy Fain
arranger:
武満徹 (Tōru Takemitsu, composer)
Arrangement von:
Secret Love (song from “Calamity Jane”)
Teil von:
12 Songs for guitar
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:49
14Laura (from “Laura”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
Laura (1945 song) (am 1966-12-14)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:25
15In the Still of the Night (from “Rosalie”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
In the Still of the Night (Cole Porter song) (am 1966-12-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell1:58
16A Foggy Day (from “A Damsel in Distress”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
A Foggy Day (in London Town) (am 1966-12-21)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:10
17The Shadow of Your Smile (from “The Sandpiper”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (am 1967-01-16)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell3:21
18The Trolley Song (from “Meet Me in St. Louis”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1966-12-21)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:16
19Strangers in the Night (from “A Man Could Get Killed”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental cover recording of:
Strangers in the Night (am 1967-01-16)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:56
20A Fine Romance (from “Swing Time”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
A Fine Romance (from “Swing Time”) (am 1966-12-21)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:44
21Carioca (from “Flying Down to Rio”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
Carioca (from "Flying Down to Rio") (am 1967-01-16)
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:22
22Hurry Sundown Blues (from “Hurry Sundown”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
Hurry Sundown (am 1967-01-16)
Verfasser(in):
Buddy Kaye und Hugo Montenegro
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:43
23It Might as Well Be Spring (from “State Fair”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
It Might as Well Be Spring (State Fair) (am 1966-12-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:30
24Days of Wine and Roses (from “Days of Wine and Roses”)
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
Days of Wine and Roses (am 1966-12-14)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
Count Basie and His Orchestra featuring Harry “Sweets” Edison & Billy Mitchell2:38

Nennungen

Veröffentlichung

hergestellt in:Spanien
Produzent(in):Jordi Pujol (jazz producer, label owner) (Aufgabe: produced for CD release)
mastering:George Piros
hergestellt von und vertrieben von:Blue Moon producciones discográficas, S.L. (not for release label use! Spanish reissues, with MANY sub-labels; find the right one!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Fresh Sound Records (in 2009)

Veröffentlichungsgruppe

enthält:Hollywood… Basie’s Way von Count Basie and His Orchestra