Decca Sound: The Analogue Years 1954 – 1968

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
4Digital Media
5Digital Media
6Digital Media
7Digital Media
8Digital Media
#TitleArtistRatingLength
1La bohème: Act 3. "Ohè, là, le guardie!" - "Aprite!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Chi nel ber trovò il piacer” (Musetta, coro) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. La barriera d’Enfer (orchestra) (in 1959-08)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 15. “Ohè là, le guardie! Aprite!” (Spazzini [Coro], un doganiere) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini4:21
2La bohème: Act 3. "Sa dirmi, scusi"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sergente]:
Attilio D'Orazi (Italian baritone) (in 1959-08)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:10
3La bohème: Act 3. "Mimì!" - "Rodolfo m'ama e mi fugge"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 16. “Mimì! Speravo di trovarti qui” (Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini5:21
4La bohème: Act 3. "Marcello. Finalmente!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:19
5La bohème: Act 3. "Mimì è una civetta"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è una civetta” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:20
6La bohème: Act 3. "Mimì è tanto malata!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:20
7La bohème: Act 3. "Donde lieta uscì"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:27
8La bohème: Act 3. :"Dunque: è proprio finita!...Addio, dolce svegliare"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. “Che facevi, che dicevi” (Marcello, Musetta, Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini6:25
9La bohème: Act 4. "In un coupé?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini1:52
10La bohème: Act 4. "O Mimì, tu più non torni" (Duetto) - "Che ora sia"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 22. “Che ora sia?” – “Eccoci – Ebben?” (Rodolfo, Marcello, Schaunard, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini5:08
11La bohème: Act 4. "Gavotta"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. (Quadrille, Duel) “La danza con musica vocale!” (Schaunard, Colline, Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini1:46
12La bohème: Act 4. "C'è Mimì..."
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 23. “C’è Mimì che mi segue” (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini6:01
13La bohème: Act 4. "Vecchia zimarra, senti"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini2:30
14La bohème: Act 4. "Sono andati"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini6:06
15La bohème: Act 4. "Che avvien?...Che ha detto il medico?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini5:40
9Digital Media
10Digital Media
11Digital Media
12Digital Media
13Digital Media
14Digital Media
15Digital Media
16Digital Media
17Digital Media
18Digital Media
19Digital Media
20Digital Media
21Digital Media
22Digital Media
23Digital Media
24Digital Media
25Digital Media
26Digital Media