Life Is Music (Glass master @ Mediamotion)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Titelliste

1CD
2CD
3CD
4CD
Nr.TitelKünstlerBewertungLänge
1Last Resort
Techniker(in):
David Dominguez
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
D Rock
Editing:
James Murray (US engineer)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Last Resort von Papa Roach
recording of:
Last Resort
Texter und Komponist(in):
David Buckner, Tobin Esperance, Jerry Horton und Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music und Viva La Cucaracha Music
Papa Roach3.63:20
2Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:57
3Save Tonight
phonographisches Urheberrecht (℗) von:
Diesel Music AB (in 1998)
recording of:
Save Tonight
Texter und Komponist(in):
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing und Warner Chapell
Eagle‐Eye Cherry43:52
4Pump Up the Jam
Produzent(in):
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
Interpret(in):
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographisches Urheberrecht (℗) von:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic3.653:34
5In the Shadows
recording engineer und Produzent(in):
Mikael Nord Andersson (Swedish guitarist, songwriter and producer) und Martin Hansen (Swedish record producer)
Mix:
Martin Hansen (Swedish record producer) und Leif Allanson (Swedish sound engineer/producer)
E-Bass:
Eero Heinonen (bassist)
Gitarre:
Pauli Rantasalmi
Schlagzeug:
Aki Hakala
Sologesang:
Lauri Ylönen (frontman of The Rasmus)
phonographisches Urheberrecht (℗) von:
Playground Music Scandinavia AB (in 2003)
aufgenommen bei und mixed at:
Nord Studios in Stockholms län (Stockholm county), Schweden
produced at:
Nord Studios in Stockholms län (Stockholm county), Schweden
recording of:
In the Shadows
Texter:
Lauri Ylönen (frontman of The Rasmus)
Komponist(in):
Aki Hakala, Eero Heinonen (bassist), Lauri Ylönen (frontman of The Rasmus) und Pauli Rantasalmi
publisher:
Boneless Skeletor Oy, Grotto Entertainment Oy und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Rasmus3.154:12
6Dear God
Mastering:
Ian Cooper (UK mastering engineer)
Techniker(in) und Produzent(in):
Todd Rundgren
Gast vocals:
Jasmine Veillette
Sologesang:
Andy Partridge
Saiteninstrumente arranger:
Dave Gregory (XTC)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 62)
recording of:
Dear God
Texter und Komponist(in):
Andy Partridge
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
XTC4.53:36
7Voor ik vergeet
recording of:
Voor ik vergeet
Texter und Komponist(in):
Erik de Jong (Spinvis)
Spinvis4:25
8My Favourite Game
assistierende(r) Techniker(in):
Lars Göransson (1970s Swedish folk singer)
Techniker(in) und Produzent(in):
Tore Johansson
Mix:
Tore Johansson und Staffan Schöler (engineer)
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Schlagzeug:
Bengt Lagerberg
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und New York City Center in New York, New York, Vereinigte Staaten
engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Teil von:
Cachitos Nochevieja 2022 (Nummer: 57)
recording of:
My Favourite Game
Texter:
Nina Persson
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:38
9Pet Sematary
Assistent recording engineer:
Judy Kirschner und Robbie Norris
recording engineer:
Martin Bisi und Robert Musso (musician, producer and engineer)
zusätzlich recording engineer:
Martin Bisi
assistierende(r) Techniker(in):
Oz Fritz (sound engineer) und Robbie Norris
Techniker(in):
Judy Kirschner und Robert Musso (musician, producer and engineer)
Produzent(in):
Jean Beauvoir und Daniel Rey
assistierende(r) Mix:
Oz Fritz (sound engineer)
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Robert Musso (musician, producer and engineer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Marky Ramone (Marc Bell)
Sologesang:
Joey Ramone
aufgenommen bei:
Sorcerer Sound in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
B.C. Studios in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Platinum Island Studios in New York, New York, Vereinigte Staaten
recording of:
Pet Sematary
Verfasser(in):
Dee Dee Ramone und Daniel Rey
publisher:
Taco Tunes Inc. und Warner/Chappell Music (Warner/Chappell Music, Inc.)
Ramones4.23:29
10Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:17
11Weak
recording engineer und Produzent(in):
Sylvia Massy und Skunk Anansie
Mix:
Andy Wallace (engineer)
Bassgitarre:
Cass Lewis
Gitarre:
Ace (Member of Skunk Anansie)
Schlagzeug:
Robbie France
Sologesang:
Skin (Skunk Anansie singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
aufgenommen bei:
Great Linford Manor in Milton Keynes, England, Vereinigtes Königreich
Musikvideos:
Weak von Skunk Anansie
recording of:
Weak
Verfasser(in):
Ace (Member of Skunk Anansie), Robbie France, Cass Lewis und Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Skunk Anansie3.83:30
12Mr Doorman
recording of:
Mr. Doorman
Arsenal3:43
13Friday I’m in Love
assistierende(r) Techniker(in):
Chris Bandy
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Steve Whitfield
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und The Cure
assistierende(r) Mix:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple und Mark Warner (UK guitarist for Quantum Jump)
Mix:
Mark Saunders (UK record producer)
Bassgitarre:
Simon Gallup
Bassgitarre [6-string bass]:
Perry Bamonte
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Perry Bamonte und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Friday I’m in Love von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 73)
recording of:
Friday I’m in Love
Texter:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) und Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. und Fiction Songs Ltd.
The Cure4.63:32
14Happy Hour
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
Bassgitarre:
Norman Cook (in 1986)
Chimes:
P.d. Heaton (in 1986)
Gitarre:
Stan Cullimore (in 1986)
Schlagzeug:
Hugh Whitaker (in 1986)
Hintergrundgesang:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) und Hugh Whitaker (in 1986)
Sologesang:
Paul Heaton (in 1986)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Happy Hour (in 1986)
Texter:
Paul Heaton
Komponist(in):
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:21
15Chemistry
recording of:
Chemistry
Texter und Komponist(in):
Dan Wilson (American singer/songwriter)
publisher:
United Packages Music
Semisonic3:53
16Young Folks
Produzent(in):
Björn Yttling
Akustikgitarre [spanish acoustic guitar]:
Peter
Bassgitarre:
Björn Yttling
membranophone:
John (Swedish drummer and percussionist)
Synthesizer [armon]:
Björn Yttling
Gast vocals:
Victoria Bergsman
vocals:
Peter
arranger:
Peter Bjorn and John
phonographisches Urheberrecht (℗) von:
Warp Records Limited
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 202)
recording of:
Young Folks
Verfasser(in):
John Eriksson (Swedish drummer and percussionist), Peter Morén und Björn Yttling
Peter Bjorn and John3.854:38
17Birth, School, Work, Death
Produzent(in):
Vic Maile
Mix:
Steve Brown (engineer/music producer)
Teil von:
Anti-Hit List: June 4, 1996 (Nummer: 4)
recording of:
Birth, School, Work, Death
Verfasser(in):
Chris Coyne, Peter Coyne, Kris Dollimore, Mike Gibson (guitarist for alt. rock group The Godfathers) und George Mazur
The Godfathers54:08
18Troy
recording engineer:
Caroline (Eden) (engineer), Ian (Oasis) (engineer, Oasis Studios?) und Jaybee (engineer)
Techniker(in):
Kevin Moloney
Koproduzent(in):
Kevin Moloney
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Fachtna Ó Ceallaigh, Kevin Moloney und Sinéad O’Connor (Irish singer‐songwriter)
Akustikgitarre [ac. gtrs.] und E-Gitarre [elec. gtrs.]:
Rob Dean (UK guitarist for Japan)
Bassgitarre [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] und Schlagzeug [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
E-Gitarre [elec. gtr.] und Sologesang [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
Keyboard [keyboards] und Synthesizer [synths.]:
Mike Clowes
conductor:
Gavyn Wright (UK violinist, conductor)
Saiteninstrumente arranger:
Mike Clowes
arranger:
Mike Clowes und Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987) und Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
aufgenommen bei:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
recording of:
Troy
Texter und Komponist(in):
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Ensign Records Ltd. (company; do NOT use as release label)
Sinéad O’Connor4.156:25
19Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:19
20Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:33
5CD

Nennungen

Veröffentlichung

Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Belgium (in 2008)
Stamm-Pressung von:MediaMotion (Dutch CD and DVD replication company)
Discogs:https://www.discogs.com/release/23932841 [Info]