On Broadway Vol. 1, 2, 3, 4, 5

~ Release by Paul Motian (see all versions of this release, 1 available)

Tracklist

1▶CD: Paul Motian on Broadway Volume 1
2▶CD: Paul Motian on Broadway Volume 2
3▶CD: Paul Motian on Broadway Volume 3
4▼CD: Paul Motian on Broadway Volume 4 or the Paradox of Continuity [Trio 2000 + One]
#TitleRatingLength
1The Last Dance
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Masabumi Kikuchi (Japanese jazz pianist)
saxophone:
Chris Potter (jazz saxophonist)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
instrumental recording of:
The Last Dance
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp. and WB Music Corp. (1929–2019)
5:09
2Tea for Two
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
4:04
3In a Shanty in Old Shanty Town
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
In a Shanty in Old Shanty Town
lyricist:
Joe Young (US lyricist)
composer:
Little Jack Little and Ira Schuster
3:05
4Never Let Me Go
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Masabumi Kikuchi (Japanese jazz pianist)
saxophone:
Chris Potter (jazz saxophonist)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
instrumental recording of:
Never Let Me Go
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:08
5Never Let Me Go
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Masabumi Kikuchi (Japanese jazz pianist)
saxophone:
Chris Potter (jazz saxophonist)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
instrumental recording of:
Never Let Me Go
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:53
6Folks Who Live on the Hill
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
The Folks Who Live on the Hill
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
4:52
7Everything Happens to Me
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
Everything Happens to Me
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:54
8Last Night When We Were Young
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Masabumi Kikuchi (Japanese jazz pianist)
saxophone:
Chris Potter (jazz saxophonist)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
instrumental recording of:
Last Night When We Were Young
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
8:02
9Born to Be Blue
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
Born to Be Blue
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
5:34
10Brother Can You Spare a Dime
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
Brother Can You Spare a Dime
lyricist:
Yip Harburg
composer:
Jay Gorney
2:42
11I Loves You Progy
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Masabumi Kikuchi (Japanese jazz pianist)
saxophone:
Chris Potter (jazz saxophonist)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
8:07
12You're Getting to Be a Habit With Me
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
3:49
13How Long Has This Been Going On
double bass [bass]:
Larry Grenadier
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer)
saxophone:
Chris Potter (jazz saxophonist)
vocals:
Rebecca Martin
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 2005-11)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:03
5▶CD: Paul Motian on Broadway Volume 5 [Trio 2000 + Two]