The Complete Studio Recordings 1949-1969

~ Uitgave van Maria Callas (Bekijk alle versies van deze uitgave, 3 beschikbaar)

Nummerlijst

1▶digitale media: The First Recordings (1949)
2▶digitale media: Amilcare Ponchielli: La Gioconda (Act 1) (1952)
3▶digitale media: Amilcare Ponchielli: La Gioconda (Act 2) (1952)
4▶digitale media: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1952)
5▶digitale media: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1953)
6▶digitale media: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1953)
7▶digitale media: Vincenzo Bellini: I puritani (Act 1) (1953)
8▶digitale media: Vincenzo Bellini: I puritani (Acts 2 & 3) (1953)
9▶digitale media: Pietro Mascagni: Cavalleria rusticana (1953)
10▶digitale media: Giacomo Puccini: Tosca (Act 1) (1953)
11▶digitale media: Giacomo Puccini: Tosca (Acts 2 & 3) (1953)
12▶digitale media: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (1953)
13▶digitale media: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (1953)
14▶digitale media: Norma: Act 1, Scene 1 (1954)
15▶digitale media: Vincenzo Bellini: Norma (Act 1, Scene 2) (1954)
16▶digitale media: Vincenzo Bellini: Norma (Act 2) (1954)
17▶digitale media: Ruggero Leoncavallo: I pagliacci (1954)
18▶digitale media: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (1954)
19▶digitale media: Giuseppe Verdi: La forza del destino (Act 3) (1954)
20▶digitale media: Giuseppe Verdi: La forza del destino (Act 4) (1954)
21▶digitale media: Gioachino Rossini: Il turco in Italia (Act 1) (1954)
22▶digitale media: Gioachino Rossini: Il turco in Italia (Act 2) (1954)
23▶digitale media: Puccini Arias (1954)
24▶digitale media: Lyric and Coloratura Arias (1954)
25▶digitale media: Callas at La Scala (1955)
26▶digitale media: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (1955)
27▶digitale media: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (1955)
28▶digitale media: Giuseppe Verdi: Aida (Acts 1 & 2) (1955)
29▶digitale media: Giuseppe Verdi: Aida (Acts 3 & 4) (1955)
30▶digitale media: Giuseppe Verdi: Rigoletto (Act 1) (1955)
31▶digitale media: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (1955)
32▼digitale media: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (1956)
#TitelArtiestWaarderingDuur
1Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, Coro)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:03
2Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, Coro)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:45
3Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliardo!” (Ferrando, Coro)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:35
4Il trovatore: Atto I, scena 1. “Brevi e tristi giorni visse” (Ferrando, Coro)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:57
5Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, Coro)
producent:
Walter Legge (British classical producer)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:21
6Il trovatore: Atto I, scena 2. “Che più l'arresti?” (Ines, Leonora)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Ines]:
Luisa Villa (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:17
7Il trovatore: Atto I, scena 2. “Tacea la notte placida” (Leonora)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:34
8Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento m'ha piena l'alma!” (Ines, Leonora)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Ines]:
Luisa Villa (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:50
9Il trovatore: Atto I, scena 2. “Di tale amor” (Leonora)
producent:
Walter Legge (British classical producer)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:41
10Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:49
11Il trovatore: Atto I, scena 2. “Il trovator! Io fremo!…Deserto sulla terra” (Conte, Manrico)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:45
12Il trovatore: Atto I, scena 2. “Anima mia!…Più dell'usato” (Conte, Leonora, Manrico)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:59
13Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte, Leonora, Manrico)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
is een opname van:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:41
14Il trovatore: Atto II, scena 1. “Vedi! le fosche notturne spoglie” (Coro delle incudini)
producent:
Walter Legge (British classical producer)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:59
15Il trovatore: Atto II, scena 1. “Stride las vampa!” (Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:41
16Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Zingara)
producent:
Walter Legge (British classical producer)
basvocalen [Uno zingaro]:
Giulio Mauri (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:02
17Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:01
18Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Manrico, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:51
19Il trovatore: Atto II, scena 1. “Non son tuo figlio!” (Manrico, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:28
20Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:09
21Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” (Manrico, Azucena, Messo)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Un messo]:
Renato Ercolani (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:26
22Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
producent:
Walter Legge (British classical producer)
mezzo-sopraanvocalen [Azucena]:
Fedora Barbieri (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:30
23Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte, Ferrando)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:34
24Il trovatore: Atto II, scena 2. “Il balen del suo sorriso” (Conte)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:15
25Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel!” (Conte, Ferrando, Coro)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:50
26Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte, Ferrando, Coro)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
27Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (Conte, Ferrando, Coro)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:01
28Il trovatore: Atto II, scena 2. “Perché piangete?…O dolci amiche” (Leonora, Ines, Conte, Coro)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Ines]:
Luisa Villa (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:17
29Il trovatore: Atto II, scena 2. “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ines, Coro, Ferrando, Ruiz)
producent:
Walter Legge (British classical producer)
baritonvocalen [Il conte di Luna]:
Rolando Panerai (baritone) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
basvocalen [Ferrando]:
Nicola Zaccaria (operatic bass) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
koor:
Coro del Teatro alla Scala di Milano (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
mezzo-sopraanvocalen [Ines]:
Luisa Villa (mezzo-soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
sopraanvocalen [Leonora]:
Maria Callas (soprano) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Manrico]:
Giuseppe Di Stefano (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
tenorvocalen [Ruiz]:
Renato Ercolani (tenor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
orkest:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was dirigent:
Herbert von Karajan (conductor) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
was koorleider:
Norberto Mola (chorus master) (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
balanstechnicus:
Robert Beckett (classical recording engineer, EMI mainly)
opgenomen bij:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italië (van 1956-08-03 tot 1956-08-04, van 1956-08-06 tot 1956-08-09)
is een opname van:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (van 1956-08-03 tot 1956-08-04)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
is een opname van:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (van 1956-08-06 tot 1956-08-09)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
deel van:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:46
33▶digitale media: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (1956)
34▶digitale media: Giacomo Puccini: La bohème (Acts 1 & 2) (1956)
35▶digitale media: Giacomo Puccini: La bohème (Acts 3 & 4) (1956)
36▶digitale media: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (1956)
37▶digitale media: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (1956)
38▶digitale media: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (1957)
39▶digitale media: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (1957)
40▶digitale media: Vincenzo Bellini: La sonnambula (Act 1) (1957)
41▶digitale media: Vincenzo Bellini: La sonnambula (Act 2) (1957)
42▶digitale media: Giacomo Puccini: Turandot (Acts 1 & 2) (1957)
43▶digitale media: Giacomo Puccini: Turandot (Acts 3) (1957)
44▶digitale media: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (1957)
45▶digitale media: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (1957)
46▶digitale media: Luigi Cherubini: Medea (Act 1) (1957)
47▶digitale media: Luigi Cherubini: Medea (Acts 2 & 3) (1957)
48▶digitale media: Callas Portrays Verdi Heroines (Verdi Arias I) (1958)
49▶digitale media: Mad Scenes (1958)
50▶digitale media: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1959)
51▶digitale media: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1959)
52▶digitale media: Amilcare Ponchielli: La Gioconda (Act 1) (1959)
53▶digitale media: Amilcare Ponchielli: La Gioconda (Act 2) (1959)
54▶digitale media: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1959)
55▶digitale media: Vincenzo Bellini: Norma (Act 1 beginning) (1960)
56▶digitale media: Vincenzo Bellini: Norma (Act 1 conclusion) (1960)
57▶digitale media: Vincenzo Bellini: Norma (Act 2) (1960)
58▶digitale media: Great Arias from French Opera (Callas à Paris I) (1961)
59▶digitale media: More Arias from French Opera (Callas à Paris II) (1963)
60▶digitale media: Mozart, Beethoven, Weber Recital (1963 & 1964)
61▶digitale media: Verdi Arias II (1963 & 1964)
62▶digitale media: Rossini & Donizetti Arias (1963 & 1964)
63▶digitale media: Georges Bizet: Carmen (Act 1, Act 2 beginning) (1964)
64▶digitale media: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (1964)
65▶digitale media: Giacomo Puccini: Tosca (Act 1) (1964 & 1965)
66▶digitale media: Giacomo Puccini: Tosca (Acts 2 & 3) (1964 & 1965)
67▶digitale media: Verdi Arias III (1965 & 1969)
68▶digitale media: The Callas Rarities (1953-1969) (1953, 1958, 1960 & 1961)
69▶digitale media: The Callas Rarities (1953-1969) (1962, 1964, 1965 & 1969)

Relaties

Uitgavegroep

bevat:Aida (1955 studio cast) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Callas à Paris (Album II) van Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Callas à Paris I van Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
Callas at La Scala van Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Callas sings Rossini and Donizetti Arias van Rossini (composer), Donizetti (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Callas Sings Verdi Arias van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Carmen (1964 studio cast) van Georges Bizet (French composer); Maria Callas (soprano), Nicolai Gedda (tenor), Andréa Guiot (soprano), Robert Massard (baritone), Nadine Sautereau (French soprano), Jane Berbié (mezzo-soprano), Claude Calès (French baritone), Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre (French conductor)
Cavalleria rusticana (1953 EMI recording) van Pietro Mascagni (composer & conductor); Maria Callas (soprano) - Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
I puritani (1953 Milan studio cast) van Vincenzo Bellini (Sicilian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Nicola Rossi‐Lemeni (operatic bass), Rolando Panerai (baritone), Coro & Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Il barbiere di Siviglia (1957 studio recording) van Rossini (composer); Maria Callas (soprano), Tito Gobbi (baritone), Alva (tenor), Carturan (mezzo-soprano), Ollendorff (operatic bass), Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Alceo Galliera (organist, conductor and composer)
Il trovatore (1956 recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
Il turco in Italia (1954 studio cast) van Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
La bohème (1956 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Anna Moffo (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
La forza del destino (1954 Milan recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Richard Tucker (tenor), Carlo Tagliabue (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
La Gioconda (1959 recording) van Ponchielli (composer); Callas (soprano), Cossotto (mezzo-soprano), Companeez (mezzo-soprano / contralto), Vinco (operatic bass), Ferraro (tenor), Cappuccilli (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La Gioconda (1952 recording) van Amilcare Ponchielli (composer); Maria Callas (soprano), Fedora Barbieri (mezzo-soprano), Giulio Neroni, Maria Amadini (mezzo-soprano), Gianni Poggi (tenor), Paolo Silveri (baritone), Piero Poldi (bass vocalist), Armando Benzi (operatic tenor), Orchestra Sinfonica di Torino della RAI, Antonino Votto (conductor)
La sonnambula (1957 studio cast) van Vincenzo Bellini (Sicilian opera composer); Nicola Zaccaria (operatic bass), Fiorenza Cossotto (mezzo-soprano), Maria Meneghini Callas (soprano), Eugenia Ratti (soprano), Nicola Monti (tenor), Giuseppe Morresi (operatic bass), Franco Ricciardi (Italian tenor), Coro e Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La traviata (1953 studio recording) van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Francesco Albanese (tenor), Ugo Savarese (Italian baritone), Coro Cetra, Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Gabriele Santini (conductor)
Lucia di Lammermoor (1959 London Recording) van Donizetti (Italian opera composer); Maria Callas (soprano), Ferruccio Tagliavini (tenor), Piero Cappuccilli (baritone), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Tullio Serafin (conductor)
Lucia di Lammermoor (1953 Florence Recording) van Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)
Lyric and Coloratura Arias van Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Manon Lescaut (1957 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani van Wagner (Richard Wagner, composer), Bellini (Sicilian opera composer); Maria Meneghini Callas (soprano), Orchestra Sinfonica di Torino della RAI, Arturo Basile (Italian opera conductor)
Maria Meneghini Callas Sings Operatic Arias by Puccini van Puccini (Italian composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Medea (1957 Milan recording) van Luigi Cherubini (composer); Maria Callas (soprano), Renata Scotto (operatic soprano), Miriam Pirazzini (mezzo soprano), Mirto Picchi (tenor), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mozart, Beethoven & Weber Arias van Mozart (Wolfgang Amadeus Mozart, classical composer), Beethoven (Ludwig van Beethoven, German composer), Weber (composer); Maria Callas (soprano), Paris Conservatoire Orchestra, Nicola Rescigno (conductor)
Norma (1960 studio cast) van Bellini (Sicilian opera composer); Maria Callas (soprano), Franco Corelli (tenor), Christa Ludwig (mezzo-soprano), Nicola Zaccaria (operatic bass), Piero de Palma (tenor), Edda Vincenzi (soprano), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Norma (1954 studio cast) van Bellini (Sicilian opera composer); Maria Callas (soprano), Mario Filippeschi (tenor), Ebe Stignani (mezzo soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Pagliacci (1954 Scala cast) van Leoncavallo (composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Nicola Monti (tenor), Orchestra (Orchestra of La Scala, Milan) and Chorus of La Scala, Milan, Tullio Serafin (conductor)
Rigoletto (1955 studio cast) van Giuseppe Verdi (Italian opera composer); Giuseppe di Stefano (tenor), Tito Gobbi (baritone), Maria Meneghini Callas (soprano), Nicola Zaccaria (operatic bass), Adriana Lazzarini (mezzo-soprano), Giuse Gerbino (Italian mezzo-soprano), Plinio Clabassi (operatic bass), William Dickie (british bass-baritone), Renato Ercolani (tenor), Carlo Forti (operatic bass), Elvira Galassi (soprano / mezzo-soprano), Tullio Serafin (conductor), Norberto Mola (chorus master), L'Ente Autonomo del Teatro alla Scala (Orchestra of La Scala, Milan)
The Callas Rarities
Tosca (1964 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Carlo Bergonzi (tenor), Tito Gobbi (baritone), Chœurs du Théâtre National de l'Opéra de Paris (Paris National Opera Chorus), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Turandot (1957 studio cast) van Giacomo Puccini (Italian composer); Maria Callas (soprano), Eugenio Fernandi (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Un ballo in maschera (1956 studio cast) van Verdi (Giuseppe Verdi, Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Fedora Barbieri (mezzo-soprano), Eugenia Ratti (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
Verdi Arias I van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
Verdi Arias III van Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (conductor)