Buddy Holly and the Rock ’n’ Roll Giants

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1The Train Kept A‐rollin’
registrazione cover di:
The Train Kept A‐Rollin’
autore:
Tiny Bradshaw, Howard Kay e Lois Mann
editore:
Bienstock Publishing Company (ASCAP affiliated), Fort Knox Music Co, Quartet Music Inc. e Trio Music, Inc. (publisher)
parte di:
Twins (1988)
Johnny Burnette2:16
2Twenty‐flight Rock
registrazione di:
Twenty Flight Rock
autore:
Eddie Cochran (US rock and roll musician active in 1950s) e Ned Fairchild
Eddie Cochran1:41
3Great Balls of Fire
registrazione cover di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Merritt1:53
4Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
5Jailhouse Rock
basso elettrico :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-04-30)
batteria :
D.J. Fontana (il 1957-04-30)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-04-30)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1957-04-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957) e BMG Music (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 67) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 216)
registrazione di:
Jailhouse Rock (il 1957-04-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:27
6Matchbox
registrazione di:
Matchbox
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music e Wren Music Co.
versione di:
Match Box Blues
Carl Perkins2:28
7Shake, Rattle and Roll
registrazione cover di:
Shake, Rattle and Roll
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Bill Haley2:31
8Be‐bop‐a‐lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
9Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:20
10Tutti Frutti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard2:23
11See You Later, Alligator
registrazione di:
See You Later, Alligator
paroliere e compositore:
Robert Guidry (nel 1955-10)
Bobby Charles2:50
12Rockhouse
registrazione di:
Rock House
paroliere e compositore:
Harold Lloyd Jenkins
Roy Orbison2:05
13Rocket 88
batteria :
Willie Sims (il 1951-03-03)
chitarra :
Willie Kizart (il 1951-03-03)
chitarra basso :
Jesse Knight (il 1951-03-03)
pianoforte :
Ike Turner (il 1951-03-03)
sassofono baritono :
Jackie Brenston (il 1951-03-03)
sassofono tenore :
Raymond Hill (il 1951-03-03)
voce:
Jackie Brenston (il 1951-03-03)
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 1991)
registrazione di:
Rocket “88” (il 1951-03-05)
paroliere e compositore:
Jackie Brenston (fino al 1951-03-03)
autore:
Ike Turner
Jackie Brenston42:49
14Rock ’n’ Roll Dance
registrazione di:
Rock ’n’ Roll Dance
autore:
John Marascalco e Lloyd Price (US R&B/soul singer)
Lloyd Price2:16
15Blue Monday
registrazione cover di:
Blue Monday
autore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
editore:
Chappell Music (UK) e Chappell Music Ltd.
Smiley Lewis2:42
16Honey Hush
registrazione di:
Honey Hush
paroliere e compositore:
Big Joe Turner
paroliere aggiunto e compositore aggiunto:
Lou Willie Turner
editore:
Carlin Music Corp.
Big Joe Turner2:39
17Riot in Cell Block #9
basso :
Ralph Hamilton (US jazz/R&B bassist) (nel 1954)
batteria :
Jesse Sailes (nel 1954)
chitarra :
Barney Kessel (nel 1954)
pianoforte :
Mike Stoller (nel 1954)
sassofono :
Gil Bernal (nel 1954)
voce:
Carl Gardner (nel 1954), Bobby Nunn (US doo‐wop/R&B bass vocalist) (nel 1954), Billy Richard (of The Robins) (nel 1954), Roy Richard (from The Robins) (nel 1954) e Ty Terrell (nel 1954)
voce principale:
Richard Berry (US singer/songwriter, composed “Louie Louie”) (nel 1954)
arrangiatore:
Mike Stoller
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1954)
registrazione di:
Riot in Cell Block #9 (nel 1954)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
The Robins2.53:02
18Hound Dog
registrata a:
Los Angeles, California, Stati Uniti (il 1952-08-13)
tecnico di registrazione e tecnico di missaggio:
Joel Moss
assistente tecnico:
Tom Hardisty (film score engineer), Brandon Harris (US engineer) e Sue McLean
produttore:
Hummie Mann, Johnny Otis e Marc Shaiman (American score composer and lyricist)
editor:
Curtis Roush
batteria :
Leard Bell (R&B drummer) (il 1952-08-13)
chitarra :
Pete Lewis (il 1952-08-13)
contrabbasso [bass] :
Albert Winston (R&B bassist) (il 1952-08-13)
pianoforte :
Devonia Williams (US R&B pianist/singer) (il 1952-08-13)
vibrafono [vibes] :
Johnny Otis (il 1952-08-13)
voce:
Big Mama Thornton (il 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (il 1952-08-13)
direttore d'orchestra:
Artie Kane
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 2006)
registrazione di:
Hound Dog (il 1952-08-13)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Big Mama Thornton4.652:50
19Cat Music
registrazione di:
Cat Music
autore:
Tommy Scott (US rockabilly artist, Ramblin’ Tommy Scott)
Tommy Scott2:10
20Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:40

Accreditamenti

Pubblicazione

ASIN:UK: B003JCTII6 [info]