Love Songs

~ Release by Diana Krall (see all versions of this release, 1 available)

Annotation

not offical

Annotation last modified on 2019-08-21 16:49 UTC.

Tracklist

1▼CD
#TitleRatingLength
1I Remember You
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
John Pisano
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
I Remember You (in 2001)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
live cover recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
?:??
2Just the Way You Are
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
mixed at:
RPM Studios in New York, New York, United States (on 2002-07-02)
cover recording of:
Just the Way You Are (on 2002-07-02)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
live cover recording of:
Just the Way You Are
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
?:??
3Let’s Face the Music and Dance
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
?:??
4The Girl in the Other Room
recording engineer and mixer:
Al Schmitt
producer:
Diana Krall and Tommy LiPuma
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Anthony Wilson (guitarist and composer)
piano:
Diana Krall
vocals:
Diana Krall
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
The Girl in the Other Room
lyricist and composer:
Elvis Costello and Diana Krall
?:??
5Hit Than Jive Jack
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
double bass:
Paul Keller (bass)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1995-10-03 until 1995-10-08)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Hit That Jive Jack
writer:
John Alston and Skeets Tolbert
3?:??
6They Can’t Take That Away From Me
assistant recording engineer:
Lawrence Manchester
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
Koji Egawa
double bass:
Christian McBride (American jazz bassist)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!) and Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
?:??
7I’ve Got the Under My Skin
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
Ben Wolfe
drums (drum set):
Lewis Nash (American jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
?:??
8Temptation
?:??
9I’m an Errand Girl for Rhythm
?:??
10Departure Bay
recording engineer:
Al Schmitt (in 2004-04)
producer:
Diana Krall and Tommy LiPuma
mixer:
Al Schmitt
double bass:
Christian McBride (American jazz bassist) (in 2004-04)
drums (drum set):
Peter Erskine (US jazz drummer) (in 2004-04)
guitar:
Anthony Wilson (guitarist and composer) (in 2004-04)
piano:
Diana Krall (in 2004-04)
vocals:
Diana Krall (in 2004-04)
recording of:
Departure Bay (in 2004-04)
lyricist:
Elvis Costello and Diana Krall
composer:
Diana Krall
4?:??
11Dancing in the Dark
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Peter Erskine (US jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
Dancing in the Dark (in 2001)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
?:??
12The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Peter Erskine (US jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
?:??
13As Long as I Live
producer:
Jim West (canadian producer, Justin Time Records)
double bass [bass]:
John Clayton (US jazz and classical double bassist) (in 1992-10)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 1992-10)
piano:
Diana Krall (in 1992-10)
vocals:
Diana Krall (in 1992-10)
cover recording of:
As Long as I Live (in 1992-10)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
?:??
14Besame Mucho
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (in 2001)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
?:??
15S’Wonderfull
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Dori Caymmi (the son) (in 2001)
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
’S Wonderful (in 2001)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
?:??
16I’ve Got the World on a String
engineer and mixer:
Al Schmitt (in 1994-09)
producer:
Tommy LiPuma (in 1994-09)
double bass [bass]:
Christian McBride (American jazz bassist) (in 1994-09)
drums (drum set):
Lewis Nash (American jazz drummer) (in 1994-09)
piano:
Diana Krall (in 1994-09)
vocals:
Diana Krall (in 1994-09)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1994-09)
cover recording of:
I’ve Got the World on a String (in 1994-09)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3?:??