Hollywood… Basie’s Way

~ Veröffentlichung von Count Basie and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Secret Love
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
12 Songs: Secret Love (am 1966-12-14)
Komponist(in):
Sammy Fain
arranger:
武満徹 (Tōru Takemitsu, composer)
Arrangement von:
Secret Love (song from “Calamity Jane”)
Teil von:
12 Songs for guitar
2:54
A2Laura
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
Laura (1945 song) (am 1966-12-14)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
2:27
A3In the Still of the Night
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
In the Still of the Night (Cole Porter song) (am 1966-12-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
1:59
A4A Foggy Day
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
A Foggy Day (in London Town) (am 1966-12-21)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:14
A5The Shadow of Your Smile
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (am 1967-01-16)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
3:24
A6The Trolley Song
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1966-12-21)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
2:17
B1Strangers in the Night
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental cover recording of:
Strangers in the Night (am 1967-01-16)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
B2A Fine Romance
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
A Fine Romance (from “Swing Time”) (am 1966-12-21)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
2:47
B3Carioca
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
Carioca (from "Flying Down to Rio") (am 1967-01-16)
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
2:24
B4Hurry Sundown Blues
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Bobby Plater (am 1967-01-16) und Marshall Royal (am 1967-01-16)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1967-01-16)
Bass:
Norman Keenan (am 1967-01-16)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1967-01-16)
Gitarre:
Freddie Green (am 1967-01-16)
Klavier:
Count Basie (pianist) (am 1967-01-16)
membranophone:
Ed Shaughnessy (am 1967-01-16)
Posaune:
Dick Boone (am 1967-01-16), Harlan Floyd (am 1967-01-16), Bill Hughes (jazz trombonist) (am 1967-01-16) und Grover Mitchell (trombone) (am 1967-01-16)
Schlagzeug:
Eddie Shaughnessy (am 1967-01-16)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1967-01-16) und Billy Mitchell (US jazz saxophonist) (am 1967-01-16)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1967-01-16), Sonny Cohn (am 1967-01-16), Harry “Sweets” Edison (am 1967-01-16) und Gene Goe (am 1967-01-16)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1967-01-16)
instrumental recording of:
Hurry Sundown (am 1967-01-16)
Verfasser(in):
Buddy Kaye und Hugo Montenegro
2:45
B5It Might as Well Be Spring
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-21), Bobby Plater (am 1966-12-21) und Marshall Royal (am 1966-12-21)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-21)
Bass:
Norman Keenan (am 1966-12-21)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-21)
Gitarre:
Freddie Green (am 1966-12-21)
Klavier:
Count Basie (pianist) (am 1966-12-21)
membranophone:
Ed Shaughnessy (am 1966-12-21)
Posaune:
Dick Boone (am 1966-12-21), Harlan Floyd (am 1966-12-21), Bill Hughes (jazz trombonist) (am 1966-12-21) und Grover Mitchell (trombone) (am 1966-12-21)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-21)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-21) und Billy Mitchell (US jazz saxophonist) (am 1966-12-21)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-21), Sonny Cohn (am 1966-12-21), Harry “Sweets” Edison (am 1966-12-21) und Gene Goe (am 1966-12-21)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-21)
instrumental recording of:
It Might as Well Be Spring (State Fair) (am 1966-12-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
2:32
B6Days of Wine and Roses
recording engineer und Techniker(in):
C. Robert Fine
Produzent(in):
Loren Becker, Teddy Reig und Robert Byrne
alto saxophone:
Jerry Dodgion (am 1966-12-14) und Marshall Royal (am 1966-12-14)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1966-12-14)
Bass:
Norman Keenan (am 1966-12-14)
Bassposaune:
Bill Hughes (jazz trombonist) (am 1966-12-14)
Gitarre:
Freddie Green (am 1966-12-14)
Klavier:
Count Basie (pianist) (am 1966-12-14)
membranophone:
Ed Shaughnessy (am 1966-12-14)
Posaune:
Dick Boone (am 1966-12-14), Harlan Floyd (am 1966-12-14), Bill Hughes (jazz trombonist) (am 1966-12-14) und Grover Mitchell (trombone) (am 1966-12-14)
Schlagzeug:
Eddie Shaughnessy (am 1966-12-14)
Tenorsaxophon:
Eric Dixon (woodwind) (am 1966-12-14) und Billy Mitchell (US jazz saxophonist) (am 1966-12-14)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1966-12-14), Sonny Cohn (am 1966-12-14), Harry “Sweets” Edison (am 1966-12-14) und Gene Goe (am 1966-12-14)
arranger:
Chico O’Farrill
aufgenommen bei:
Finesound Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1966-12-14)
instrumental recording of:
Days of Wine and Roses (am 1966-12-14)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
2:39

Nennungen

Veröffentlichung

art direction:Daniel Pezza
Design/Illustrationen:Charles E. Murphy
Fotografie:Sigrid Owen
Produzent(in):Loren Becker
Teddy Reig
Robert Byrne
mastering:George Piros

Veröffentlichungsgruppe

enthalten in:Broadway and Hollywood… Basie’s Way von Count Basie and His Orchestra featuring Roy Eldridge, Eddie “Lockjaw” Davis (jazz saxophonist), Harry “Sweets” Edison, Billy Mitchell (US jazz saxophonist)