101 Ultimate Beer Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
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#TitleArtistRatingLength
1Prisoner of Society
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
phonographic copyright (℗) by:
The Living End Pty. Ltd. (in 1997, in 1998)
recorded at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
music videos:
Prisoner of Society (US version) (film clip) by The Living End (Australian punk band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 41) and Triple J’s Hottest 100: Twenty Years (2013) (number: 20)
recording of:
Prisoner of Society
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and EMI Music Publishing (do not use as a release label!)
The Living End3.653:52
2Hot Chilli Woman
recording of:
Hot Chilli Woman
writer:
Steve Balbi and Justin Stanley
Noiseworks3:24
3Dumb Things
recording of:
Dumb Things
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
Paul Kelly and the Messengers2:30
4He's Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:09
5Early Warning
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
Imago Recording Company (in 2007)
recording of:
Early Warning
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Baby Animals3:57
6Fall of Rome
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
lyricist and composer:
James Reyne
publisher:
Mushroom Music Pty. Ltd. and Mushroom Music Publishing
James Reyne4:58
7Do You See What I See?
phonographic copyright (℗) by:
Human Frailty Pty. Ltd. (in 1987)
recording of:
Do You See What I See?
writer:
Doug Falconer, Jack Howard (trumpeter), Rob Miles (Hunters & Collectors art/design & live sound), Mark Seymour and Michael Waters
publisher:
Mushroom Music Pty. Ltd.
Hunters & Collectors2.53:36
8No Secrets
bass:
Chris Bailey (Australian bassist for The Angels)
drums (drum set):
Graham (Buzz) Bidstrup
guitar:
John Brewster and Rick Brewster
vocals:
Doc Neeson
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Tutankhamen Nominees Pty. Ltd. (in 1980)
recording of:
No Secrets
writer:
Graham "Buzz" Bidstrup and Doc Neeson
publisher:
J. Albert & Son and J. Albert & Son Pty. Ltd.
The Angels4:18
9Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:48
10Come Said the Boy
phonographic copyright (℗) by:
M-Rock Pty. Ltd. (in 1983) and Mondo Rock Records (in 1983)
recording of:
Come Said the Boy
writer:
Eric McCusker
publisher:
Origin Music (publisher) and Origin Music Publishing Pty Ltd
Mondo Rock45:15
11Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (from 1988-08 until 1988-09)
producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell (from 1988-08 until 1988-09)
guitar:
Diesel (Australian pop rock aka Mark Lizotte) (from 1988-08 until 1988-09)
saxophone and background vocals:
Bernie Bremond (from 1988-08 until 1988-09)
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Cry in Shame (from 1988-08 until 1988-09)
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:43
12Down on the Border
engineer and mixer:
Ern Rose
producer:
Little River Band and Ern Rose
acoustic guitar:
Beeb Birtles (in 1982-03) and Graham Goble (in 1982-03)
bass:
Wayne Nelson (in 1982-03)
drums (drum set) and percussion:
Derek Pellicci (in 1982-03)
electric guitar:
Stephen Housden (guitarist) (in 1982-03)
background vocals:
Beeb Birtles (in 1982-03), John Farnham (in 1982-03) and Graham Goble (in 1982-03)
lead vocals:
John Farnham (in 1982-03)
vocals arranger:
Graeham Goble
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recorded at and mixed at:
AAV Australia (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Down on the Border (in 1982-03)
lyricist and composer:
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band2:56
13Helping Hand
recording of:
Helping Hand
writer:
Paul Woseen
The Screaming Jets34:48
14That Ain't Bad
recording of:
That Ain’t Bad
writer:
Simon Day (Australian musician, member of Ratcat)
Ratcat34:03
15Girls Like That (Don't Go for Guys Like Us)
producer and mixer:
Magoo (Australian producer Lachlan Goold)
bass guitar:
Paul Medew
bass synthesizer [roland sh101], membranophone and shakers:
Glenn Thompson
guitar:
David McCormack
guitar [lead]:
Matthew Strong
recorded at:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia (from 1998-07-26 until 1998-07-28)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-08)
music videos:
Girls Like That (Don’t Go for Guys Like Us) by Custard (Australian rock band)
recording of:
Girls Like That (Don’t Go for Guys Like Us)
lyricist and composer:
Trevor J. Ludlow, David McCormack and Dylan McCormack
publisher:
PolyGram Music Publishing (ended), Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
Custard2.53:12
16Miss Freelove '69
mixer:
Ed Stasium (US record producer & audio engineer)
recording of:
Miss Freelove ’69
lyricist, writer and composer:
Dave Faulkner (David Faulkner)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Hoodoo Gurus4:11
17People
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1980)
recording of:
People
writer:
Murray Burns, Steve Gilpin and Kevin Stanton
publisher:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and EMI Songs Australia Pty. Ltd.
Mi‐Sex3:52
18Come On, Come On
assistant engineer:
Cameron Craig and Robin Mai
producer:
Joe Camilleri
mixer:
Ian McKenzie (engineer)
baritone saxophone:
Paul Williamson (Australian jazz saxophonist)
bass guitar:
Steve Hadley (Australian bassist for Professor Ratbaggy)
drums (drum set):
Peter Luscombe
electric guitar:
Jeff Burstin
Hammond organ:
James Black (Australian guitarist and keyboard)
percussion:
Michael Barker (NZ drummer)
slide guitar:
Sam See
background vocals:
Joe Camilleri and Vika & Linda
lead vocals:
Joe Camilleri
recorded at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
recording of:
Come On, Come On
lyricist:
Laurie Polec
writer:
Joe Camilleri
The Black Sorrows4:32
19Now We're Getting Somewhere
recording of:
Now We’re Getting Somewhere
lyricist and composer:
Neil Finn
Crowded House4:07
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Credits

Release group

part of:101 Hits (Australian compilation series) (number: Ultimate Beer Songs) (order: 30)