90s Oldies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ironic
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:49
2Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:16
3Push
Assistent recording engineer:
John Nielsen (engineer)
Techniker(in):
Jeff Tomei
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Malcolm Springer
Mix:
Greg Archilla und Matt Serletic
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
Bassgitarre [bass]:
Brian Yale
Gitarre [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
Gitarre [rhythm guitar]:
Adam Gaynor
Schlagzeug [drums]:
Paul Doucette (member of Matchbox Twenty)
Hintergrundgesang [BG’s]:
Kyle Cook (member of Matchbox Twenty) und Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
aufgenommen bei:
Triclops Recording in Atlanta, Georgia, Vereinigte Staaten
mixed at:
House of Blues Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Push
Verfasser(in):
Matt Serletic und Rob Thomas (Matchbox Twenty)
publisher:
EMI Blackwood Music Inc., Melusic und U Rule Music
matchbox twenty3.353:59
4Baby, I Love Your Way (Tom Lord‐Alge remix)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain34:10
5Return of the Mack (C & J Street mix)
Produzent(in):
Phil Chill und Mark Morrison (r&b vocalist)
zusätzliche(r) Produzent(in):
Cutfather & Joe
remixer:
Cutfather & Joe
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison3.63:33
6Crying in the Rain
recording engineer und Mix:
Nick Davis (producer, engineer)
Produzent(in):
Christopher Neil
Bass:
Jørun Bøgeberg
Schlagzeug:
Per Hillestad
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1990) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 274)
cover recording of:
Crying in the Rain (Everly Brothers song)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
a‐ha3.54:22
7Semi‐Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:29
8Never Ever (radio edit)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3.653:54
9Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) und Eric Rosse
Programmierung:
Eric Rosse
Mix:
Kevin Killen
Bass:
George Porter, Jr. (von 1993-02 bis 1993-10)
guitar family und Mandoline:
Steve Caton (von 1993-02 bis 1993-10)
Klavier und Sologesang:
Tori Amos (von 1993-02 bis 1993-10)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (von 1993-02 bis 1993-10)
Schlagzeug:
Carlo Nuccio (von 1993-02 bis 1993-10)
Gast vocals:
Merry Clayton (von 1993-02 bis 1993-10)
Herausgeber:
Sword and Stone
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
The Fishhouse in New Mexico, Vereinigte Staaten (von 1993-02 bis 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cornflake Girl (von 1993-02 bis 1993-10)
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:05
10Easy
Produzent(in):
Faith No More (von 1992-01 bis 1992-03) und Matt Wallace (US producer & engineer) (von 1992-01 bis 1992-03)
zusätzliche(r) Produzent(in):
Faith No More (in 1993) und Matt Wallace (US producer & engineer) (in 1993)
E-Bass:
Billy Gould (von 1992-01 bis 1992-03)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
Keyboard:
Roddy Bottum (von 1992-01 bis 1992-03)
Schlagzeug:
Mike Bordin (American drummer) (von 1992-01 bis 1992-03)
zusätzlich Keyboard:
Billy Gould (in 1993)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!)
Remix von:
Easy (1992 first version – with spoken word intro) von Faith No More
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1993)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More4.53:08
11Don’t Let Go (Love)
Produzent(in):
Organized Noize (Atlanta hip-hop production group)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1997)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:52
12One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50
13I Swear
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:20
14GloriousAndreas Johnson43:28
15Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
16The Boy Is Mine (radio edit)
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Bearbeitung von:
The Boy Is Mine (album version) von Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
Brandy & Monica44:00
17Good Stuff
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Mike Reiter und Brian Pollack (engineer)
Techniker(in):
Ed Cherney und Tom Durack
zusätzliche(r) Techniker(in):
Patrick Dillett und Rik Pekkonen
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Keyboard:
Pat Irwin (American musician and composer) und Jamie Muhoberac
Gast-Perkussion:
Lenny Castro
Gast-Saxophon:
David McMurray (American jazz musician and saxophonist)
Gast-Schlagzeug:
Zachary Alford (session drummer)
Gitarre:
Keith Strickland
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Keith Strickland
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Good Stuff
Komponist(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Keith Strickland
The B‐52’s45:58
18Freak Like Me
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1995) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995)
Samples:
I’d Rather Be With You von Bootsy Collins (US funk musician & songwriter)
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 370)
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard4.24:14
19I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.94:00
20I Don’t Love You Anymore
Techniker(in):
George Tutko (engineer, producer)
leitende(r) Produzent(in):
Ron Nevison
Produzent(in):
Jim Cregan (producer & member of Family) und George Tutko (engineer, producer)
Mix:
Ron Nevison
recording of:
I Don't Love You Any More
Verfasser(in):
Guy Bailey und Spike (UK singer/songwriter, member of Quireboys)
The Quireboys3.55:02
21Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:52
22Falling
recording engineer:
Art Polhemus
Koproduzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Jay Healy
E-Gitarre:
Vinnie Bell und Eddie Dixon
flute und Klarinette:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) und Al Regni
Klavier:
Angelo Badalamenti (American score composer)
Schlagzeug:
Grady Tate
Synthesizer:
Angelo Badalamenti (American score composer) und Kinny Landrum
Tenorsaxophon:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger und Orchestrator(in):
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Falling (Twin Peaks theme song)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Version von:
Theme from Twin Peaks
Teil von:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
23Only Wanna Be With You
assistierende(r) Techniker(in):
Wade Norton
Techniker(in), Produzent(in) und Mix:
Don Gehman
assistierende(r) Mix:
Liz Sroka
Akustikgitarre und Perkussion:
Mark Bryan und Darius Rucker
Bassgitarre, Clavinet und Klavier:
Dean Felber
E-Gitarre und Mandoline:
Mark Bryan
Schlagzeug [drums]:
Jim “Soni” Sonefeld
vocals:
Mark Bryan, Dean Felber und Jim “Soni” Sonefeld
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
aufgenommen bei:
N.R.G. Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideo für:
Only Wanna Be With You von Hootie & the Blowfish
recording of:
Only Wanna Be With You
Verfasser(in):
Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
Hootie & the Blowfish43:50
24I Wanna Sex You Up (single version)Color Me Badd4.64:02
25Hold On
recording of:
Hold On
Verfasser(in):
Kevin Savigar, Stephanie Tyrell, Steve Tyrell (American producer and vocalist) und Jamie Walters
Jamie Walters44:25
26Feel So Good
recording engineer:
Doug Wilson (engineer)
zusätzliche Programmierung:
J‐Dub (production, real name Jeffrey Walker)
Produzent(in):
Deric “D‐Dot” Angelettie und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Mix:
Michael Patterson (engineer)
zusätzlich Gast vocals:
Kelly Price
Samples:
Hollywood Swinging von Kool & the Gang
recording of:
Feel So Good
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) und Rafael Vigil
Mase3:24
27I’ll Be
recording of:
I'll Be
Komponist(in):
Edwin McCain
Edwin McCain3.254:27
28I Don’t Want to Wait
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole3.25:19
29Ain’t No DoubtJimmy Nail34:08
30Love Shine a Light
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1997) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1997)
recording of:
Love Shine a Light (in 1997)
Texter und Komponist(in):
Kimberley Rew
Katrina and the Waves22:54
31I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
BeBe Winans2.53:35
32Just the Way It Is, Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
Verfasser(in):
Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
The Rembrandts3.54:04
33Mysterious Girl (radio edit)
sonstige Unterstützung:
Bubbler Ranx (Aufgabe: toast)
Produzent(in) und Mix:
Ollie J
Bass, Keyboard [keyboards] und Schlagzeug [drums]:
Ollie J
Saxophon:
Claudio Galdes
Hintergrundgesang [backing vocals]:
Glen Goldsmith, Bubbler Ranx und Samantha Scott
gemixt für und produced for:
Roll Over Productions
aufgenommen bei:
Roll Over Studios London in London (Greater London), England, Vereinigtes Königreich
recording of:
Mysterious Girl
Verfasser(in):
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3.13:39
34Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
35Twisted
Keith Sweat4:21
36Pets
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 456)
recording of:
Pets
Verfasser(in):
Peter DiStefano, Perry Farrell, Martyn LeNoble und Stephen Perkins (American drummer)
Porno for Pyros43:37
37Let’s Go Round Again (Nigel Lowis remix)
cover recording of:
Let’s Go Round Again
Verfasser(in):
Alan Gorrie
publisher:
Hit & Run Music (Publishing) Ltd
Louise33:53
38Far Behind
assistierende(r) Techniker(in):
Jon Plum
Techniker(in):
Kelly Gray
Produzent(in) und Mix:
Candlebox und Kelly Gray
Bass:
Bardi Martin
Gitarre:
Peter Klett
Schlagzeug:
Scott Mercado
vocals:
Kevin Martin (Candlebox vocalist)
aufgenommen bei:
Robert Lang Studios in Shoreline, Washington, Vereinigte Staaten (am 1992-04-19)
recording of:
Far Behind
Texter:
Kevin Martin (Candlebox vocalist)
Komponist(in):
Candlebox
Candlebox4.65:00
39You Don’t Love Me (No, No, No) (extended mix)
recording of:
You Don’t Love Me (No, No, No)
Verfasser(in):
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Dawn Penn
Version von:
You Don’t Love Me
Dawn Penn4:38
40Spaceman
Produzent(in):
Jas Mann und Steve Power
Mix:
Clive Black
Bearbeitung von:
Spaceman von Babylon Zoo
recording of:
Spaceman
Texter und Komponist(in):
Jas Mann
Babylon Zoo3.54:02