EGB: Las tardes de discoteca: Sueltas y agarradas

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
2Rivers of Babylon (2000 remastered version)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.3:30
3Good Times
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic53:44
4September
Earth, Wind & Fire3:13
5Fly Robin Fly
registrazione di:
Fly, Robin, Fly
autore:
Sylvester Levay e Stephan Prager (songwriter, aka Michael Kunze)
editore:
Sounds of Jupiter Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention5:21
6Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:37
7Love Is in the Air
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1978) e Volcano Entertainment III, L.L.C. (nel 1998)
registrazione di:
Love Is in the Air (nel 1978)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:22
8Love in the First Degree
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987)
è stato produttore per:
PWL Productions
registrazione di:
Love in the First Degree
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:31
9Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:55
10Gonna Get Along Without You Now
registrazione di:
Gonna Get Along (Without Ya Now)
paroliere e compositore:
Milton Kellem
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills5:00
11TSOP (The Sound of Philadelphia)
registrazione di:
TSOP (The Sound of Philadelphia)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB & The Three Degrees3:30
12Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:52
13Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:08
14Born to Be Alive
registrazione di:
Born to Be Alive
paroliere e compositore:
Patrick Hernandez
Patrick Hernandez6:20
15Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:05
16A View to a Kill
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) e Bernard Edwards (American bassist and record producer)
campionatore :
Jonathan Elias
voce:
Duran Duran (English rock band)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
A View to a Kill
orchestratore:
John Barry (English score composer)
autore:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
compositore:
John Barry (English score composer) e Duran Duran (English rock band)
editore:
EMI Songs e Gloucester Place Music Ltd.
parte di:
James Bond themes
parte di:
A View to a Kill (from the James Bond film)
Duran Duran3.653:34
17Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus & Chaka Khan3.74:42
18I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
19Lady Marmalade
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
All Saints4:01
20Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:27
21Private Dancer (single edit)
produttore:
Carter
chitarra solista :
Jeff Beck (English rock guitarist)
voce principale:
Tina Turner
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Private Dancer
paroliere e compositore:
Mark Knopfler
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) e Universal Music Publishing, Synch Division
Tina Turner3.54:00
22You Are So Beautiful
produttore:
Don Was
basso :
Hutch Hutchinson (American bassist)
batteria e percussione :
Kenny Aronoff e Jim Keltner
chitarra acustica :
Dean Parks (American session guitarist)
chitarra resofonica [dobro] :
Greg Leisz
organo Hammond [Hammond B3 organ] :
Billy Preston
pianoforte :
Chris Stainton (keyboard player, session musician and songwriter)
sintetizzatore :
Jamie Muhoberac
viola :
Denyse Buffum e Evan Wilson (viola player)
violino :
Peter Kent (violinist) e Sid Page
violoncello :
Suzie Katayama e Rudy Stein
voce di accompagnamento:
Merry Clayton, Portia Griffin, Maxine Sharp e Myrna Smith
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.82:44
23Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.53:47
24Listen to Your Heart
tecnico:
Anders Herrlin (nel 1988-08) e Alar Suurna (nel 1988-08)
produttore:
Clarence Öfwerman
tecnico di missaggio:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
batteria :
Pelle Alsing (nel 1988-08)
chitarra elettrica :
Jonas Isacsson (nel 1988-08)
tastiera :
Clarence Öfwerman (nel 1988-08)
voce di accompagnamento:
Marie Fredriksson (nel 1988-08), Per Gessle (Swedish singer and guitarist) (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
voce principale:
Marie Fredriksson (nel 1988-08)
diritti fonografici (℗) detenuti da:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) e EMI Svenska AB (not for release label use!)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Listen to Your Heart (Roxette song) (nel 1988-08)
paroliere:
Per Gessle (Swedish singer and guitarist)
compositore:
Per Gessle (Swedish singer and guitarist) e Mats Arne Persson (“M.P.”)
editore:
Jimmy Fun Music
Roxette3.65:28
25True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
26Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
27Take My Breath Away
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:09
28No puedo evitar (Pensar en ti)
registrazione di:
No puedo evitar (pensar en ti)
autore:
Mikel Erentxun
Duncan Dhu3:24
29I’ve Been Loving You Too Long
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 25)
registrazione di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Otis Redding32:57
30Is This Love (radio edit)
produttore:
Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
batteria e percussione :
Aynsley Dunbar
chitarra e voce di accompagnamento:
John Sykes
chitarra basso :
Neil Murray (British bass guitar player)
tastiera :
Don Airey
tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Whitesnake Productions (Overseas) Ltd. (nel 1987, nel 2008) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2008)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:43
31Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e Warner Music International (trademark of Warner Music International the company) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.54:50
32Te quiero
registrazione di:
Te quiero
autore:
David Summers
Hombres G3:46
33Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC & the Sunshine Band43:50
34Amiga mía
programmazione:
Emanuele Ruffinengo
assistente produttore:
Pedro Miguel Ledo
produttore:
Miguel Ángel Arenas e Emanuele Ruffinengo
batteria :
Lele Melotti
chitarra acustica :
Joan Bibiloni e Saverio Porciello
chitarra basso :
Paolo Costa (bass guitar player)
chitarra elettrica :
Ludovico Vagnone
pianoforte e tastiera :
Emanuele Ruffinengo
voce di accompagnamento:
Luca Jurman, Paola Repele e Elena Roggero
arrangiatore:
Emanuele Ruffinengo
arrangiatore voce di accompagnamento:
Luca Jurman e Emanuele Ruffinengo
registrazione di:
Amiga mía
paroliere e compositore:
Alejandro Sanz
Alejandro Sanz4:51
35Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
36Pero a tu lado
Los Secretos3:15
37When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
38Yolanda
Danza Invisible4:13
39Arponera (original)
tecnico audio:
Eugenio Muñoz
produttore:
Paco Trinidad
batteria :
Alfonso Pérez
chitarra :
Fernando Mata e Paco Trinidad
chitarra basso :
Coyán Manzano
chitarra ospite :
Miguel Herrero (Spanish guitar performer/producer) e Suso Sáiz
sassofono contralto :
Ignacio Lliso
sassofono tenore :
Pepe “El Víbora” (Spanish saxophonist)
voce principale:
Cristina Lliso
registrazione di:
Arponera
paroliere:
Alfonso Pérez
compositore:
Cristina Lliso, Ignacio Lliso, Coyán Manzano, Fernando Mata e Paco Trinidad
Esclarecidos2:55
40Soul Food to Go (Sina)
tecnico di registrazione:
Ed Thacker
programmazione degli strumenti:
Jeff Lorber
produttore:
Tim Hauser
tecnico di missaggio:
Brian Malouf
batteria :
Buddy Williams (drummer)
chitarra :
Wayne Johnson (jazz and acoustic guitarist)
percussione :
Djalma Corrêa
voce:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) e Janis Siegel
voce ospite:
Djavan (Brazilian singer-songwriter and guitarist)
arrangiatore strumenti:
Jeff Lorber
arrangiatore voci:
Janis Siegel
registrazione di:
Soul Food to Go (Sina)
paroliere:
Doug Fieger (in The Knack)
compositore:
Djavan (Brazilian singer-songwriter and guitarist)
versione di:
Sina
The Manhattan Transfer5:10

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Spain S.L. (2009–; company credits only, file no releases here!) (nel 2016)
streaming gratuito:https://open.spotify.com/album/76qmxRgNu1mRYFe1COYdkD [info]