111 Rock ’n’ Roll Superhits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Bye Bye Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1957-03-01)
Bass:
Floyd D. 'Lightnin'' Chance (am 1957-03-01)
E-Gitarre:
Chet Atkins (am 1957-03-01)
Gitarre:
Don Everly (am 1957-03-01), Phil Everly (am 1957-03-01) und Hank Garland (am 1957-03-01)
Klavier:
Floyd Cramer (am 1957-03-01)
Schlagzeug:
Murrey Harman (Session drummer and songwriter) (am 1957-03-01)
vocals:
Don Everly (am 1957-03-01) und Phil Everly (am 1957-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 207)
recording of:
Bye Bye Love (am 1957-03-01)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:25
2Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Schlagzeug:
Jerry Allison
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:10
3Three Steps to Heaven
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
E-Bass:
Connie “Guybo” Smith (bass player) (am 1960-01-08)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1960-01-08) und Sonny Curtis (am 1960-01-08)
Schlagzeug:
Jerry Allison (am 1960-01-08)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1960-01-08)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-01-08)
recording of:
Three Steps to Heaven (am 1960-01-08)
Verfasser(in):
Bob Cochran und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran32:24
4Sweet Nothin’s
recording of:
Sweet Nothin’s
Texter und Komponist(in):
Ronnie Self (rockabilly singer and songwriter)
publisher:
Champion Music Co. und Leeds Music Ltd.
Brenda Lee2:24
5Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
6Blue Moon
Produzent(in):
Danny und Stu (US TV/film composer, conductor & producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 2004)
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
The Marcels32:18
7Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:40
8Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:11
9Harbor Lights
cover recording of:
Harbour Lights
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
Elvis Presley2:39
10Who’s Sorry Now?
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis4.52:20
11It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:16
12Dedicated to the One I Love
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 39)
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:06
13Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings42:42
14I Only Have Eyes for You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 157) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 175)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Flamingos4.253:25
15That’ll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:18
16I Love You Because
cover recording of:
I Love You Because
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Elvis Presley3:31
17Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.42:21
18Only Sixteen
cover recording of:
Only Sixteen
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music und Ardmore and Beechwood Ltd.
Craig Douglas2:13
19Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:23
20Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:31
21Come Softly to Me
arranger:
Bonnie Guitar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 14)
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:22
22Tomorrow Night
cover recording of:
Tomorrow Night
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
Elvis Presley3:01
23Halfway to Paradise
Billy Fury2:29
24(’Til) I Kissed You
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 28)
recording of:
(’Til) I Kissed You (am 1959-07-07)
Texter und Komponist(in):
Don Everly
The Everly Brothers2:26
25Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:17
26I’ll Never Let You Go
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954)
cover recording of:
I’ll Never Let You Go Little Darlin’ (in 1954)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
Elvis Presley2:23
27Will You Love Me Tomorrow
recording of:
Will You Love Me Tomorrow (Carole King song)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles2:45
28Only the Lonely (Know the Way I Feel)
recording of:
Only the Lonely (Know the Way I Feel)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison2:32
29All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:24
30Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:21
31The Great Pretender
recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters2:42
32Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:37
33Tears on My Pillow
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 30) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 478)
recording of:
Tears on My Pillow
Texter:
Al Lewis (Tin Pan Alley era lyricist)
Komponist(in):
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:17
34Since I Don’t Have You
The Skyliners2:40
35Raining in My Heart
recording of:
Raining in My Heart
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC und Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly2:53
36Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:25
37Hey Paula
vocals:
Ray Hildebrand und Jill Jackson
recording of:
Hey Paula (in 1962)
Texter und Komponist(in):
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:32
38Goodnite, Sweetheart, Goodnite
The Spaniels2:45
39Born Too Late
The Poni-Tails2:22
40The Wanderer
recording of:
The Wanderer
Texter und Komponist(in):
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. und Warner/Chappell North America
Dion2:45
41Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:34
42Donna
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens2:25
43Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:32
44Oh! Carol
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Oh! Carol (in 1959)
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka32:20
45I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:41
46True Love Ways
recording of:
True Love Ways
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:53
47Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:23
48Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (am 1956-06-29)
Orchester:
Ray Conniff, His Orchestra & Chorus (am 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (am 1956-06-29)
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray42:43
49Only You (and You Alone)
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:39
50When Will I Be Loved
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (am 1960-02-18)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
51Blue Velvet
Bobby Vinton2:53
52Put Your Head on My Shoulder
Paul Anka2:42
53True Love
vocals:
Bing Crosby und Grace Kelly (US film actress)
Orchester:
MGM Studio Orchestra
conductor:
Johnny Green (composer and conductor, often credited as John Green)
recording of:
True Love (High Society) (am 1956-02-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Bing Crosby & Grace Kelly3:05
54Cupid
recording of:
Cupid
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Sam Cooke2:30
55Roses Are Red (My Love)
Bobby Vinton2:38
56Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:13
57Tutti Frutti
cover recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Elvis Presley2:02
58Rock and Roll Music
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 128)
recording of:
Rock and Roll Music (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:34
59Good Golly Miss Molly
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Little Richard2:06
60Sweet Little Sixteen
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
Geffen Records Ltd. (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Sweet Little Sixteen (von 1957-12-09 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:04
61Skinny Minnie
Bill Haley & His Comets2:45
62Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:54
63Ooby Dooby
recording of:
Ooby Dooby
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
Roy Orbison2:15
64Ready Teddy
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
recording of:
Ready Teddy (am 1956-05-09)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Little Richard52:12
65School Days
recording of:
School Day (Ring! Ring! Goes the Bell)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry2:44
66Shake, Rattle and Roll
Bill Haley & His Comets2:32
67Reelin’ and Rockin
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Reelin’ and Rockin’ (von 1957-12-29 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.53:18
68Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
sub-publisher:
Sony/ATV Music Publishing France (beendet), Sony Music Publishing France und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard2:15
69Razzle‐Dazzle
Bill Haley & His Comets2:05
70Honey Don’t
recording of:
Honey, Don’t!
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins2:43
71Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
Jerry Lee Lewis42:43
72Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:23
73Long Tall Sally
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard2:01
74See You Later, Alligator
Bill Haley & His Comets2:47
75Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:17
76Roll Over Beethoven
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
Tenorsaxophon:
Leroy C. Davis (am 1956-04-19)
Trompete:
Vincent Pitts (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1956)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 97)
recording of:
Roll Over Beethoven (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry4.152:27
77Whole Lotta Shakin’ Goin’ On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:55
78Be‐Bop‐a‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:38
79Carol
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-06-12)
Klavier:
Paul Gayten (US R&B) (am 1958-06-12)
Kontrabass:
Willie Dixon (am 1958-06-12)
Perkussion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-06-12)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1958-06-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 10)
recording of:
Carol (am 1958-06-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.82:50
80Mambo Rock
recording of:
Mambo Rock
Verfasser(in):
Jimmy Ayre, Mildred Phillips und Bickley Reichner
Bill Haley & His Comets2:40
81High School Confidential
recording of:
High School Confidential
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
Jerry Lee Lewis2:31
82Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:40
83Gone Gone Gone
recording of:
Gone, Gone, Gone
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc., Knox Music und Wren Music Co.
Carl Perkins2:42
84Pack, Shack and Stack
Billy Nelson2:27
85The Paper Boy (on Main Street U.S.A.)
Bill Haley & His Comets2:31
86Let’s All Rock Together
The Jodimars2:21
87Hello Mary Lou
Ricky Nelson2:20
88Rocket 88
Bill Haley & His Comets2:34
89Honky Tonk Baby
Hardrock Gunter2:34
90Straight Jacket
Bill Haley & His Comets2:51
91Daddy‐O Rock
Luke McDaniel2:19
92Thirteen Women (and Only One Man in Town)
Bill Haley & His Comets2:54
93Honey Love
Bunny Paul2:11
94Pepper Hot Baby
Jaye P. Morgan2:15
95Happy Baby
Bill Haley & His Comets2:37
96You Upset Me Baby
Boyd Bennett & His Rockets2:26
97Head Home Honey
Charlie Gracie2:20
98Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2.452:45
99Rockin’ and a Rollin’
Sonny Fisher2:05
100Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:04
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