The Very Best of Musicals, Vol. 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1I Still Believe
tecnico audio:
David Hunt (UK engineer)
voce:
Claire Moore e Lea Salonga
direttore d'orchestra:
Martin Koch (British orchestrator, conductor, and composer)
orchestratore:
William D. Brohn (American arranger and orchestrator)
registrata presso e mixata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
I Still Believe (Miss Saigon)
paroliere:
Alain Boublil e Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
compositore:
Claude‐Michel Schönberg
editore:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. e Éditions Alain Boublil
parte di:
Miss Saigon
Lea Salonga & Claire Moore4:33
2Take That Look Off Your Face
voce:
Marti Webb (actress and singer)
voce principale:
Marti Webb (actress and singer)
registrazione di:
Take That Look Off Your Face
paroliere:
Don Black (English lyricist)
paroliere aggiunto:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e The Really Useful Company Ltd. (The Really Useful Company Limited)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
parte di:
Tell Me on a Sunday (full musical)
Marti Webb3:00
3Any Dream Will Do
tecnico:
Robin Sellars (British recording engineer)
produttore:
Nigel Wright (British producer, orchestrator and songwriter)
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
voce:
Jason Donovan (Australian actor and singer)
voce principale:
Jason Donovan (Australian actor and singer)
video musicali:
Any Dream Will Do di Jason Donovan (Australian actor and singer)
registrazione di:
Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat) (nel 1991)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Music Co. Ltd. (not for release label use!)
parte di:
Finale: Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat)
parte di:
Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)
Jason Donovan43:56
4Seasons of Love
programmazione degli strumenti e co-produttore:
Steve Skinner
produttore:
Arif Mardin
tecnico di missaggio:
Michael O’Reilly (engineer)
batteria e percussione :
Jeff Potter (drummer)
chitarra :
Kenny Brescia e Daniel A. Weiss
chitarra basso :
Steve Mack (bassist)
chitarra elettrica :
Ira Siegel
controfagotto :
Anthony Jackson (contrabassoonist)
pianoforte :
Tim Weil
sintetizzatore :
Tim Weil e Daniel A. Weiss
tastiera :
Steve Skinner
tromba e trombino :
Dominic Derasse
voce:
Taye Diggs, Wilson Jermaine Heredia, Jesse L. Martin, Idina Menzel, Adam Pascal, Anthony Rapp, Daphne Rubin‐Vega (Panamanian‐American actress, dancer & singer‐songwriter), Byron Utley e Fredi Walker
voce principale solista:
Gwen Stewart
arrangiatore:
Steve Skinner
arrangiatore aggiunto:
Tim Weil
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (nel 1996)
registrata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti e Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Seasons of Love (Rent)
paroliere e compositore:
Jonathan Larson
editore:
Finster & Lucy Music Ltd. Co., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Rent (stage musical)
[theatre]2:52
5Whistle Down the Wind
produttore:
Simon Franglen (English score composer) e Angela Lupino
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Jim Steinman
tecnico di missaggio:
Mick Guzauski
voce:
Tina Arena
voce principale:
Tina Arena
arrangiatore:
Simon Franglen (English score composer) e Angela Lupino
materiale grafico:
Simon Franglen (English score composer)
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1998) e The Really Useful Group Ltd. (not for release label use!) (nel 1998)
registrata presso:
FLM Studios in Hollywood, Los Angeles, California, Stati Uniti e Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
mixata presso:
Barking Dog Studios in New York, New York, Stati Uniti
video musicali:
Whistle Down The Wind di Tina Arena
registrazione di:
Whistle Down the Wind (nel 1998)
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Lost Boys Music (BMI affiliated), Songs of PolyGram International, Inc., The Really Useful Group Ltd. (not for release label use!) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Tina Arena3:55
6How Could I Ever Know
Rebecca Luker4:11
7Back to Before
Marin Mazzie3:51
8Send in the Clowns
voce:
Glynis Johns (il 1973-03-18)
direttore d'orchestra:
Harold Hastings (il 1973-03-18)
orchestratore:
Jonathan Tunick
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1973-03-18)
registrazione di:
Send In the Clowns (A Little Night Music) (il 1973-03-18)
paroliere e compositore:
Stephen Sondheim
editore:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
A Little Night Music (musical)
Glynis Johns3:30
9You're Getting to Be A Habbit With Me
tecnico di registrazione:
Paul Goodman (engineer)
produttore:
Thomas Z. Shepard
voce:
Tammy Grimes (actress), Lee Roy Reams e Wanda Richert
arrangiatore voci:
John Lesko
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
registrata presso:
RCA Studio A (New York) in New York, New York, Stati Uniti (il 1980-11-16)
registrazione di:
You’re Getting to Be a Habit With Me
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
Tammy Grimes2:04
10I Could Have Danced All Night
voce:
Julie Andrews (English actress/vocalist) (il 1959-02-01)
direttore d'orchestra:
Cyril Ornadel (il 1959-02-01)
orchestratore:
Robert Russell Bennett (American composer and arranger) e Philip J. Lang
registrata presso:
Theatre Royal (Drury Lane, 1812–present) in London (Greater London), England, Regno Unito (il 1959-02-01)
registrazione di:
I Could Have Danced All Night (My Fair Lady) (il 1959-02-01)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
parte di:
My Fair Lady (full musical)
Julie Andrews3:45
11Guys and Dolls
direttore d'orchestra:
Edward Strauss (broadway conductor (1948-2014)) (il 1992-05-03)
registrata presso:
BMG Studio A in Theater District, New York, New York, Stati Uniti (il 1992-05-03)
registrazione di:
Guys and Dolls (il 1992-05-03)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp.
parte di:
Guys and Dolls (Broadway musical)
parte di:
Guys and Dolls (1955 musical film)
Walter Bobbie3:00
12Fame
Lorraine Velez4:00
13Night FeverAdam Garcia23:37
14A Belle the Sleeping Car
[theatre]3:50
15One
[theatre]4:47
16Cabaret
assistente tecnico:
Chuck Bailey (engineer) e Greg Thompson (engineer, mixer)
tecnico:
James P. Nichols
produttore:
Jay David Saks (producer of classical and musical theatre recordings)
tecnico di missaggio e editor:
Ken Hahn
voce:
Alan Cumming (il 1998-04-13) e Natasha Richardson (il 1998-04-13)
direttore d'orchestra:
Patrick Vaccariello (il 1998-04-13)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1998)
registrata presso:
The Hit Factory Studio 1 in New York, New York, Stati Uniti (il 1998-04-13)
mixata presso:
Sync Sound in New York, New York, Stati Uniti
registrazione di:
Cabaret (title song from the Kander & Ebb musical) (il 1998-04-13)
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
Carlin Music Corp.
parte di:
Cabaret (musical)
Natasha Richardson & Alan Cumming4:17
17Run, Freedom, Run!
Hunter Foster2:50
2CD