100 Gold Jazz Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Honeysuckle Rose
recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Count Basie3:02
2I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:59
3Satin Doll
Jo Jones5:54
4Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
5’S Wonderful
Gitarre:
Steve Jordan (guitar) (in 1953)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (in 1953)
Klavier:
Henderson Chambers (in 1953) und Mel Powell (American composer and jazz pianist) (in 1953)
Kontrabass:
Walter Page (in 1953)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (in 1953)
Trompete:
Buck Clayton (in 1953)
instrumental recording of:
’S Wonderful (in 1953)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Mel Powell4:16
6A Quiet Gass
Gitarre:
Bob Bain (guitarist), Al Hendrickson und Barney Kessel
Holzblasinstrumente:
Paul Horn, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ronny Lang
Klavier:
John Williams (American jazz pianist)
Kontrabass:
Rolly Bundock und Joe Mondragon
Posaune:
Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash und Jimmy Priddy
Rohrblattinstrumente:
Gene Cipriano, Plas Johnson, Ronnie Lang und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
Shelly Manne (US jazz drummer) und Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Pete Candoli und Conrad Gozzo
Vibraphon:
Larry Bunker und Victor Feldman (jazz musician)
Waldhorn:
John Cave (french horn), Vincent DeRosa, John Graas und Richard Perissi
recording of:
A Quiet Gass
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:06
7Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Lionel Hampton4:17
8Let Me Off Uptown
Gene Krupa3:04
9My Melancholy Baby
recording of:
My Melancholy Baby
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Mildred Bailey2:53
10Pennies From Heaven
Jimmy Rushing5:25
11Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman5:05
12Black Coffee
Ed Bentley6:18
13Lullaby of Birdland
Mel Tormé34:50
14A Night in Tunisia
Schlagzeug:
Phil Seamen (am 1955-10-11)
recording of:
Night in Tunisia (instrumental) (am 1955-10-11)
Komponist(in):
Dizzy Gillespie und Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Ronnie Scott3:41
15That’s My Desire
recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
Frankie Laine2:52
16Off Minor
recording of:
Off Minor
Komponist(in):
Thelonious Monk
publisher:
Embassy Music Corporation
Thelonious Monk5:14
17Patterns
Bass:
Jamil Nasser (von 1970-02-02 bis 1970-02-03)
Klavier:
Ahmad Jamal (von 1970-02-02 bis 1970-02-03)
Schlagzeug:
Frank Gant (von 1970-02-02 bis 1970-02-03)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1970-02-02 bis 1970-02-03)
recording of:
Patterns (in 1970-02)
Komponist(in):
Ahmad Jamal
Ahmad Jamal6:15
18I’ve Got You Under My Skin
Stan Getz3:19
19The Lady Is a Tramp
Erroll Garner3:38
20Embraceable You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-18)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-18)
vocals:
Sarah Vaughan (am 1954-12-18)
conductor:
Ernie Wilkins (am 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (am 1954-12-18)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:52
21Moon River
Bass:
Jymie Merritt (am 1961-11-28)
Klavier:
Cedar Walton (am 1961-11-28)
Posaune:
Curtis Fuller (am 1961-11-28)
Schlagzeug:
Art Blakey (am 1961-11-28)
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (am 1961-11-28)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1961-11-28)
instrumental cover recording of:
Moon River (am 1961-11-28)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Art Blakey55:11
22Bewitched, Bothered and Bewildered
Eddie “Lockjaw” Davis3:42
23Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Lena Horne2:35
24Crazy Rhythm
Benny Carter3:26
25Here, There and Everywhere
cover recording of:
Here, There and Everywhere
geschrieben in:
Weybridge, Surrey, England, Vereinigtes Königreich (in 1966-06)
Verfasser(in):
John Lennon (The Beatles) (in 1966-06) und Paul McCartney (The Beatles) (in 1966-06)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
David Benoit4:07
26Dragnet
Ray Anthony and His Orchestra2:49
27Smoke Gets in Your Eyes
Lawrence Welk2:20
28Drummin’ Man
Gene Krupa3:04
29Lullaby in Rhythm
Klavier:
Arnold Ross (am 1946-07-31)
Kontrabass:
Eddie Safranski (am 1946-07-31)
Posaune:
Kai Winding (am 1946-07-31)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1946-07-31)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1946-07-31)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-07-31)
recording of:
Lullaby in Rhythm (am 1946-07-31)
Texter:
Walter Hirsch (in 1938)
Komponist(in):
Benny Goodman (clarinetist and bandleader) (in 1938), Clarence Profit (in 1938) und Edgar Sampson (in 1938)
June Christy2:36
30East of the Sun
Ted Heath3:34
31Tuxedo Junction
Al Hirt2:42
32Begin the Beguine
Artie Shaw3:18
33Jumpin’ at the Woodside
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
Texter:
Jon Hendricks (in 1957)
Komponist(in):
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:12
34Buona Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:59
35The Good Earth
Produzent(in):
Woody Herman
alto saxophone:
John LaPorta (am 1946-03-25) und Sam Marowitz (saxophonist and clarinetist) (am 1946-03-25)
baritone saxophone:
Sam Rubinowitch (US baritone/alto sax player & flautist) (am 1946-03-25)
Bass:
Chubby Jackson (am 1946-03-25)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1946-03-25)
Klavier:
Tony Aless (am 1946-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1946-03-25), Ed Kiefer (am 1946-03-25) und Ralph Pfeffner (am 1946-03-25)
Rohrblattinstrumente:
Woody Herman (am 1946-03-25)
Schlagzeug:
Don Lamond (am 1946-03-25)
Tenorsaxophon:
Mickey Folus (am 1946-03-25) und Flip Phillips (am 1946-03-25)
Trompete:
Sonny Berman (am 1946-03-25), Pete Candoli (am 1946-03-25), Conrad Gozzo (am 1946-03-25), Marky Markowitz (am 1946-03-25) und Shorty Rogers (trumpet) (am 1946-03-25)
Vibraphon:
Red Norvo (am 1946-03-25)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1946-03-25)
recording of:
The Good Earth
Verfasser(in):
Neal Hefti
Woody Herman2:35
36Between the Devil and the Deep Blue Sea
Kontrabass:
Richard Fullbright (am 1937-07-07)
Posaune:
Dicky Wells (am 1937-07-07)
Schlagzeug:
Bill Beason (am 1937-07-07)
Solo-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1937-07-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1937-07-07), Shad Collins (am 1937-07-07) und Bill Dillard (am 1937-07-07)
Teil von:
The Gramophone Company Limited (by matrix number) (Nummer: 0LA 1885-1) und Swing (by matrix number) (Nummer: OLA 1885-1)
instrumental recording of:
Between the Devil and the Deep Blue Sea (am 1937-07-07)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Django Reinhardt2:57
37Route 66
recording of:
(Get Your Kicks on) Route 66
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Nat King Cole3:03
38Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Frankie Laine2:49
39The Entertainer
Klavier:
Scott Joplin (composer and pianist)
recording of:
The Entertainer
Komponist(in):
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) und Multimood Music (publisher)
Teil von:
Classic 100: Piano (2025) (Nummer: 25)
Scott Joplin3:37
40Let’s Do It, Let’s Fall in Love
Orchester:
Henri René & His Orchestra (am 1953-10-05)
recording of:
Let’s Do It (Noël Coward version)
Texter und Komponist(in):
Cole Porter (composer)
zusätzlicher Texter:
Noël Coward
Version von:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:10
41Stranger on the Shore
Acker Bilk3:08
42It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
June Christy42:01
43Toot‐Toot Tootsie
Sonny Rollins4:23
44Six Flats Unfurnished
recording of:
Six Flats Unfurnished
Verfasser(in):
Richard Maltby (Richard Maltby, Sr., 1914-1991)
Benny Goodman3:18
45That Old FeelingGerry Mulligan6:00
46Fly Me to the Moon
Cy Coleman2:53
47On the Sunny Side of the StreetDizzy Gillespie5:41
48Love for Sale
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental cover recording of:
Love for Sale (am 1958-03-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Cannonball Adderley4.57:08
49My Old Flame
Libbie Jo Snyder6:47
50Sentimental Journey
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. und Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Merry Macs3:03
51Yardbird Suite
recording engineer:
Tom Dowd (am 1958-08-03)
Produzent(in):
Nesuhi Ertegun (am 1958-08-03)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1958-08-03)
Kontrabass [bass]:
Percy Heath (am 1958-08-03)
Schlagzeug:
Connie Kay (am 1958-08-03)
Vibraphon:
Milt Jackson (am 1958-08-03)
live recording of:
Yardbird Suite (instrumental version) (am 1958-08-03)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
The Modern Jazz Quartet5:15
52Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:26
53Venus de Milo
alto saxophone:
Lee Konitz (jazz saxophonist) (am 1949-04-22)
baritone saxophone:
Gerry Mulligan (am 1949-04-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-04-22)
Kontrabass:
Nelson Boyd (am 1949-04-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-04-22)
Schlagzeug:
Kenny Clarke (am 1949-04-22)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1949-04-22)
Tuba:
Bill Barber (Jazz tuba player) (am 1949-04-22)
Waldhorn:
Sanford J. Siegelstein (am 1949-04-22)
arranger:
Gerry Mulligan
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1949-04-22)
recording of:
Venus de Milo (am 1949-04-22)
Komponist(in):
Gerry Mulligan
Miles Davis43:12
54Peggy’s Blue Skylight
recording of:
Peggy's Blue Skylight
Komponist(in):
Charles Mingus
Teil von:
The Real Book (compilation of jazz standards, volume I)
Charles Mingus5:20
55S’ Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Quincy Jones3:15
56My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Sammy Davis Jr.3:08
57Blackbird
Dave Valentin6:25
58I Wanna Be Loved
cover recording of:
I Wanna Be Loved
Texter:
Edward Heyman und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) (in 1932)
Dinah Washington2:53
59Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:56
60So What
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-02)
recording engineer:
Fred Plaut (am 1959-03-02)
Produzent(in):
Irving Townsend
alto saxophone:
Cannonball Adderley (am 1959-03-02)
Klavier:
Bill Evans (pianist) (am 1959-03-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-03-02)
Tenorsaxophon:
John Coltrane (am 1959-03-02)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1959-03-02)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-02)
Remix von:
So What (stereo) von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (am 1959-03-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:23
61Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
62Sing Me a Swing Song
cover recording of:
Sing Me a Swing Song (and Let Me Dance)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
Hoagy Carmichael
Ella Fitzgerald2:34
63The Girl From Ipanema
Stan Getz & João Gilberto5:22
64Stolen Moments
New York Voices6:46
65Take Five
alto saxophone:
Paul Desmond (am 1963-02-22)
Klavier:
Dave Brubeck (am 1963-02-22)
Kontrabass:
Eugene Wright (bass) (am 1963-02-22)
Schlagzeug:
Joe Morello (am 1963-02-22)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-02-22)
live recording of:
Take Five (original instrumental version) (am 1963-02-22)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Dave Brubeck Quartet3:24
66Mr. Bojangles
Produzent(in):
Don Costa (US pop music arranger & producer) und Mike Curb
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1971)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:46
67Strangers in the Night
recording of:
Strangers in the Night
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Vaughn1:47
68Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:20
69God Bless the Child
recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:08
70In the Mood
recorded in:
New York, New York, Vereinigte Staaten (am 1939-08-01)
Tenorsaxophon:
Tex Beneke (am 1939-08-01) und Al Klink (am 1939-08-01)
Trompete:
Clyde Hurley (am 1939-08-01)
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:37
71My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:22
72Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (US jazz trombonist) (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Maynard Ferguson2:35
73Is You Is or Is You Ain’t My Baby
Techniker(in) und Mix:
Al Schmitt (in 1994-09)
Produzent(in):
Tommy LiPuma (in 1994-09)
Klavier:
Diana Krall (in 1994-09)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1994-09)
Saxophon:
Stanley Turrentine (in 1994-09)
Schlagzeug:
Lewis Nash (American jazz drummer) (in 1994-09)
vocals:
Diana Krall (in 1994-09)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1994-09)
cover recording of:
Is You Is or Is You Ain’t My Baby? (in 1994-09)
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Diana Krall3.254:57
74Mack the Knife
The Lol Williams Band3:44
75Strange Fruit
Bass:
John Fields (Jazz bassist)
Klavier:
Buster Harding
Schlagzeug:
Marquis Foster
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:18
76Ornithology
recording of:
Ornithology
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker3:04
77Skyliner
recording of:
Skyliner (for brass band, Geldard)
Komponist(in):
Charlie Barnet (saxophonist, bandleader)
arranger:
Bill Geldard (British trombone player and composer)
Arrangement von:
Skyliner
Charlie Barnet3:01
78Softly, as in a Morning Sunrise
Bass:
Tom Kennedy (US double-bass and electric bass player)
Klavier:
Ray Kennedy (Jazz pianist and composer)
Schlagzeug:
Dave Weckl
Dave Weckl5:01
79My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:33
80Giant Steps
Candido Camero5:37
81Put Off
Milt Jackson5:37
82Baby It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Buddy Clark2:22
83What a Difference a Day MakesDinah Washington2:33
84Among My Souvenirs (From the Best Years of Our Lives)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-04-17)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1942-04-17) und Carl Frye (am 1942-04-17)
Gitarre:
Lawrence Lucie (am 1942-04-17)
Klavier:
Luis Russell (am 1942-04-17)
Kontrabass:
John Simmons (bassist) (am 1942-04-17)
Posaune:
Henderson Chambers (am 1942-04-17), George Washington (jazz trombonist) (am 1942-04-17) und James Whitney (US trombonist) (am 1942-04-17)
Schlagzeug:
Sid Catlett (am 1942-04-17)
Tenorsaxophon:
Joe Garland (saxophonist, composer) (am 1942-04-17) und Prince Robinson (am 1942-04-17)
Trompete:
Louis Armstrong (am 1942-04-17), Bernard Flood (am 1942-04-17), Frank Galbreath (am 1942-04-17) und Shelton "Scad" Hemphill (am 1942-04-17)
vocals:
Louis Armstrong (am 1942-04-17)
Orchester:
Louis Armstrong & His Orchestra (am 1942-04-17)
recording of:
Among My Souvenirs (am 1942-04-17)
Texter:
Edgar Leslie
Komponist(in):
Horatio Nicholls
publisher:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (am 1927-10-05), Lawrence Wright Music Co., Ltd. (am 1927-10-05) und Chappell & Co., Inc. (USA) (am 1968-09-23)
Louis Armstrong2:45
85So Long Eric
recording of:
So Long Eric (am 1977-11-06)
Komponist(in):
Charles Mingus
Charles Mingus44:35
86Autumn in New York
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-18)
Bass:
Leroy Vinnegar (am 1955-09-18)
Klavier:
Kenny Drew (am 1955-09-18)
Schlagzeug:
Lawrence Marable (am 1955-09-18)
Tenorsaxophon:
Dexter Gordon (am 1955-09-18)
instrumental cover recording of:
Autumn in New York (1934) (am 1955-09-18)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Dexter Gordon6:33
87Frenesi
The American Patrol Orchestra2:50
88La Mer
Henry Cuesta2:35
89The Entertainer
Chris Barber’s Jazz Band3:52
90Ain’t Misbehavin’
Sidney Bechet2:54
91Baby, It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dinah Shore2:22
92Greenbacks
recording of:
Greenbacks
Texter und Komponist(in):
Renald Richard
Ray Charles2:56
93Manhattan Serenade
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
recording of:
Manhattan Serenade (am 1942-07-30)
Texter:
Harold Adamson
Komponist(in):
Louis Alter
Dinah Shore3:09
94As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:15
95Contrasts
recording of:
Contrasts
Komponist(in):
Jimmy Dorsey
Jimmy Dorsey & His Orchestra3:01
96On the Sunny Side of the Street
The Memphis Belle Orchestra3:25
97Stairway to the Stars
recording engineer:
Bill Schwartau (am 1962-06-02)
Bass:
Chuck Israels (am 1962-06-02)
Klavier:
Bill Evans (pianist) (am 1962-06-02, am 1962-06-05)
Kontrabass [bass]:
Chuck Israels (am 1962-06-02, am 1962-06-05)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-06-02, am 1962-06-05)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-06-02)
instrumental cover recording of:
Stairway to the Stars (am 1962-06-02)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
instrumental recording of:
Stairway to the Stars (am 1962-06-05)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans4:51
98In Other Words (Fly Me to the Moon)Nancy Wilson (with The Billy May Orchestra)2:54
99Rags to Riches
Stimme/Gesang:
Tony Bennett (US jazz/standards vocalist)
vocals:
Tony Bennett (US jazz/standards vocalist)
Orchester:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
recording of:
Rags to Riches (am 1953-03-17)
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
cover recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Tony Bennett2:51
100Harlem Nocturne
Jonny Cooper Orchestra3:17

Nennungen