Cole Porter: A Great American Songwriter, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Easy to Love
registrazione di:
Easy to Love
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Billie Holiday3:13
2Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw2:59
3I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Dinah Washington5:27
4Night and Day
ance :
Jess Smith (reeds in Leo Reisman & His Orchestra) (il 1932-11-22) e Burt Williams (il 1932-11-22)
tromba :
Lew Sherwood (il 1932-11-22)
trombone :
Ernie Gibbs (il 1932-11-22)
violino :
Lew Conrad (il 1932-11-22) e Sammy Schklar (il 1932-11-22)
voce:
Fred Astaire (il 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (il 1932-11-22)
direttore d'orchestra:
Leo Reisman (violinist, bandleader, arranger) (il 1932-11-22)
registrata presso:
Victor Studio #1 (Cherokee A) in New York, New York, Stati Uniti (il 1932-11-22)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1932-11-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Fred Astaire53:27
5Just One of Those Things
registrazione cover di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Peggy Lee2:16
6Ridin’ High
registrazione di:
Ridin’ High
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Benny Goodman2:39
7My Heart Belongs to Daddy
ance :
Garvin Bushell (il 1939-02-17) e Hilton Jefferson (il 1939-02-17)
batteria :
Chick Webb (il 1939-02-17)
chitarra :
Bobby Johnson (US guitarist) (il 1939-02-17)
contrabbasso :
Beverly Peer (il 1939-02-17)
legni :
Wayman Carver (il 1939-02-17)
pianoforte :
Tommy Fulford (il 1939-02-17)
sassofono tenore :
Teddy McRae (il 1939-02-17)
tromba :
Taft Jordan (il 1939-02-17), Bobby Stark (il 1939-02-17) e Dick Vance (US jazz trumpeter and arranger) (il 1939-02-17)
trombone :
George Matthews (trombone) (il 1939-02-17), Nat Story (il 1939-02-17) e Sandy Williams (American jazz trombonist) (il 1939-02-17)
voce:
Ella Fitzgerald (American jazz singer) (il 1939-02-17)
registrazione cover di:
My Heart Belongs to Daddy (il 1939-02-17)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Ella Fitzgerald43:09
8In the Still of the Night
Billy Eckstine2:54
9You’d Be So Nice to Come Home To
Dinah Washington2:55
10I Concentrate on You
Mel Tormé2:09
11Let’s Do It
registrazione di:
Let’s Do It (Let’s Fall in Love) (Paris musical)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Billie Holiday2:58
12What Is This Thing Called Love
Harry James2:10
13You Do Something to Me
voce:
Marlene Dietrich (actress and singer) (il 1939-12-11)
orchestra:
Victor Young and His Orchestra (il 1939-12-11)
registrata presso:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, Stati Uniti (il 1939-12-11)
registrazione di:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (il 1939-12-19)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
Marlene Dietrich32:59
14I Get a Kick Out of You
Stéphane Grappelli3:35
15Don’t Fence Me In
registrazione cover di:
Don’t Fence Me In
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
Frankie Laine3:09
16From This Moment On
registrazione cover di:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
paroliere e compositore:
Cole Porter (composer) (nel 1950)
parte di:
Kiss Me, Kate (musical)
Chris Connor2:30

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tributo a:Cole Porter (composer)