Handel Edition, Vol. 6

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2018 Brilliant Classics

Annotation last modified on 2026-05-25 12:29 UTC.

Tracklist

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1Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Mira Lilla gentile
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: I. Recitativo. Mira Lilla gentile
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
1:09
2Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Non dar più pena o cara
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: II. Aria. Non dar più pena o cara
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
6:23
3Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Ferma deh ferma o bella
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: III. Recitativo. Ferma deh ferma o bella
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
0:41
4Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Consolati mio core
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: IV. Aria. Consolati mio core
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
2:35
5Mira Lilla gentile, cantata à canto solo con violino obbligato: Recitativo. Sogno o son desto
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: V. Recitativo. Sogno o son desto
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
0:49
6Mira Lilla gentile, cantata à canto solo con violino obbligato: Aria. Benché infida tu mi fuggi
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Mira Lilla gentile: VI. Aria. Benché infida tu mi fuggi
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
3:46
7La caduta di Icaro, cantata a canto solo con Violini: Sinfonia
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: I. Sinfonia
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
1:38
8La caduta di Icaro, cantata a canto solo con Violini: Aria. Tra le fiamme tu scherzi per gioco
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: II. Aria. Tra le fiamme tu scherzi per gioco
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
3:02
9La caduta di Icaro, cantata a canto solo con Violini: Recitativo. Dedalo già le fortunate penne
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: III. Recitativo. Dedalo già le fortunate penne
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
0:55
10La caduta di Icaro, cantata a canto solo con Violini: Aria. Pien di nuovo e bel diletto
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: IV. Aria. Pien di nuovo e bel diletto
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
4:03
11La caduta di Icaro, cantata a canto solo con Violini: Recitativo. Si sì, purtroppo è vero
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: V. Recitativo. Si sì, purtroppo è vero
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
0:14
12La caduta di Icaro, cantata a canto solo con Violini: Aria. Impenni l'ali chi può volare
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: VI. Aria. Impenni l'ali chi può volare
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
4:53
13La caduta di Icaro, cantata a canto solo con Violini: Recitativo. L'uomo che nacque per salire al cielo
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: VII. Recitativo. L'uomo che nacque per salire al Cielo
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
0:22
14La caduta di Icaro, cantata a canto solo con Violini: Aria. Tra le fiamme tu scherzi per gioco (Reprise)
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
La caduta di Icaro: VIII. Aria. Tra le fiamme tu scherzi per gioco (Reprise)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Francesco Mancini
part of:
La caduta di Icaro
3:10
15Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Mira Lilla gentile
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: I. Recitativo. Mira Lilla gentile
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
0:50
16Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Non dar più pena o cara
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: II. Aria. Non dar più pena o cara
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
8:11
17Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Ferma deh ferma o bella
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: III. Recitativo. Ferma deh ferma o bella
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
0:38
18Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Consolati mio core
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: IV. Aria. Consolati mio core
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
2:33
19Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Recitativo. Sogno o son desto
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: V. Recitativo. Sogno o son desto
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
0:37
20Mira Lilla gentile, cantata à canto solo con violoncello obbligato: Aria. Benché infida tu mi fuggi
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Millennium Audio Studio in Roma (Rome), Roma, Lazio, Italy (on 2010-11-28)
recording of:
Mira Lilla gentile: VI. Aria. Benché infida tu mi fuggi
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Mira Lilla gentile
2:21
21Tra le fiamme (Il consiglio), HWV 170: Aria. Tra le fiamme tu scherzi per gioco
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: I. Aria "Tra le fiamme tu scherzi"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
5:21
22Tra le fiamme (Il consiglio), HWV 170: Recitativo. Dedalo già le fortunate penne
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: II. Recitativo "Dedalo già le fortunate penne"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
1:00
23Tra le fiamme (Il consiglio), HWV 170: Aria. Pien di nuovo e bel diletto
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: III. Aria "Pien di nuovo e bel diletto"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
5:01
24Tra le fiamme (Il consiglio), HWV 170: Recitativo. Si sì, purtroppo è vero
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: IV. Recitativo "Sì, sì, pur troppo è vero"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
0:17
25Tra le fiamme (Il consiglio), HWV 170: Aria. Voli nell'aria chi può volare
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: V. Aria "Voli per l'aria chi può volate"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
2:58
26Tra le fiamme (Il consiglio), HWV 170: Recitativo. L'uomo che nacque per salire al cielo
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: VI. Recitativo "L'uomo, che nacque per salire al cielo"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
0:23
27Tra le fiamme (Il consiglio), HWV 170: Aria. Tra le fiamme tu scherzi per gioco (Reprise)
sound engineer:
Fabio Ferri
producer:
Andrea Dandolo
cello and violoncello piccolo:
Renato Criscuolo
vocals:
Valentina Varriale (soprano)
orchestra:
Musica Perduta
conductor:
Renato Criscuolo
recorded at:
Oratorio dei Padri Barnabiti in Roma (Rome), Roma, Lazio, Italy (from 2011-12-14 until 2012-05-09)
recording of:
Tra le fiamme, HWV 170: VII. Aria da capo "Tra le fiamme tu scherzi"
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
5:25
28Sonata in B Major
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Sonata in B major
composer:
George Frideric Handel (German‐British baroque composer)
1:11
29Quel fior che all'alba ride, HWV 154
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Quel fior che all'alba ride, HWV 154
composer:
George Frideric Handel (German‐British baroque composer) (from 1738 until 1740)
part of:
Händel-Werke-Verzeichnis (number: HWV 154)
5:15
30Preludio in D Minor
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Prelude in D minor, HWV 564
composer:
George Frideric Handel (German‐British baroque composer) (in 1705)
part of:
Händel-Werke-Verzeichnis (number: HWV 564)
1:12
31Và, và, speme infida, pur, HWV 199
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Va', speme infida, HWV 199
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
part of:
Händel-Werke-Verzeichnis (number: HWV 199)
7:12
32Prelude
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Prelude (unspecified)
composer:
George Frideric Handel (German‐British baroque composer)
1:34
33Amor gioie mi porge, HWV 180
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Amor, gioje mi porge, HWV 180
composer:
George Frideric Handel (German‐British baroque composer) (from 1707 until 1709)
part of:
Händel-Werke-Verzeichnis (number: HWV 180)
6:39
34Entreé
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Entreé (unspecified)
composer:
George Frideric Handel (German‐British baroque composer)
1:53
35Caro autor di mia doglia, HWV 181a
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Caro autor di mia doglia, HWV 182a
composer:
George Frideric Handel (German‐British baroque composer) (from 1707 until 1709)
part of:
Händel-Werke-Verzeichnis (number: HWV 182a)
6:07
36Toccata
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Toccata in G minor, HWV 586
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 until 1720)
part of:
Händel-Werke-Verzeichnis (number: HWV 586)
1:26
37Ahi, nelle sorti umane, HWV179
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Ahi, nelle sorti umane, HWV 179
composer:
George Frideric Handel (German‐British baroque composer) (until 1745-08-31)
part of:
Händel-Werke-Verzeichnis (number: HWV 179)
5:37
38Prelude
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Prelude (unspecified)
composer:
George Frideric Handel (German‐British baroque composer)
2:34
39No, di voi non vò fidarmi, HWV 189
harpsichord:
Claudio Astronio
soprano vocals:
Gemma Bertagnolli (soprano) and Susanne Rydén (soprano)
orchestra:
Harmonices Mundi
conductor:
Claudio Astronio
recording of:
Nò, di voi non vo' fidarmi, HWV 189
composer:
George Frideric Handel (German‐British baroque composer) (until 1741-07-03)
part of:
Händel-Werke-Verzeichnis (number: HWV 189)
6:15
40The Alchymist, HWV 43: I. Overture
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: I. Overture
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
4:41
41The Alchymist, HWV 43: II. Air
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: II. Prelude
composer:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
1:14
42The Alchymist, HWV 43: III. Minuet
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: III. Minuet
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
1:09
43The Alchymist, HWV 43: IV. Sarabande
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
4:20
44The Alchymist, HWV 43: V. Bourrée
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: V. Bouree
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
2:15
45The Alchymist, HWV 43: Vi. Air
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: VI. Air
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
0:52
46The Alchymist, HWV 43: VII. Minuet
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: VII. Minuet
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
1:13
47The Alchymist, HWV 43: VIII. Air
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: VIII. Gavotte
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
2:11
48The Alchymist, HWV 43: X. Gigue
harpsichord:
Michael Borgstede
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
The Alchymist, HWV 43: IX. Gigue
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
[anonymous] (special purpose artist)
part of:
The Alchymist, HWV 43
1:03
49Apollo e Dafne (La terra è liberata), HWV 122: Recitative. La terra e liberata
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'La terra e liberata'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:44
50Apollo e Dafne (La terra è liberata), HWV 122: Aria. Pende il ben dell'universo
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Pende il ben'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
4:09
51Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Ch'il superbetto Amore
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Ch'il superbetto Amore'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:37
52Apollo e Dafne (La terra è liberata), HWV 122: Aria. Spezza l'arco e getta l'armi
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Spezza l'arco'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
3:07
53Apollo e Dafne (La terra è liberata), HWV 122: Aria. Felicissima quest'alma
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Felicissima quest'alma'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
5:25
54Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Che voce
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Che voce! Che belta!'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:59
55Apollo e Dafne (La terra è liberata), HWV 122: Aria. Ardi, adori, e preghi in vano
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Ardi,adori'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
3:08
56Apollo e Dafne (La terra è liberata), HWV 122: Recitative Che crudel
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Che crudel!'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:18
57Apollo e Dafne (La terra è liberata), HWV 122: Duet. Una guerra ho dentro il seno
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Duo 'Una guerra ho dentro il seno'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
1:58
58Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Placati al fin, o cara
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Placati al fin, o cara'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:23
59Apollo e Dafne (La terra è liberata), HWV 122: Aria. Come rosa in su la spina
bass vocals and bass-baritone vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Come rosa in so la spina'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
2:22
60Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Ah, ch' un Dio non dovrebbe
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitaitve 'Ah! ch'un Dio'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:23
61Apollo e Dafne (La terra è liberata), HWV 122: Aria. Come in Ciel benigna stella
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Come in ciel benigna stella'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
2:45
62Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Odi la mia ragion
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Odi la mia ragion'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:24
63Apollo e Dafne (La terra è liberata), HWV 122: Duet. Deh, lascia addolcire
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Duo 'Deh! lascia addolcire'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
3:00
64Apollo e Dafne (La terra è liberata), HWV 122: Recitative. Sempre t'adorero
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Recitative 'Sempre t'adorero!'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
0:20
65Apollo e Dafne (La terra è liberata), HWV 122: Aria - Recitative. Mie piante correte
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Mie piante correte'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
3:06
66Apollo e Dafne (La terra è liberata), HWV 122: Aria. Cara pianta
bass vocals:
Tom Sol (bass-baritone)
soprano vocals:
Nicola Wemyss (soprano)
orchestra:
Musica ad Rhenum (Dutch classical/baroque ensemble)
conductor:
Jed Wentz (flautist/conductor)
recording of:
Apollo e Dafne, HWV 122: Aria 'Cara pianta, co'miei pianti'
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Apollo e Dafne, HWV 122
6:04
67Aci, Galatea e Polifemo, HWV 72: Duetto. Sorge il dì
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Duetto: Sorge il dì (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
3:14
68Aci, Galatea e Polifemo, HWV 72: Recitativo. Vanti, o cara, il ruscello
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Vanti, o cara, il ruscello (Aci/Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
1:13
69Aci, Galatea e Polifemo, HWV 72: Aria. Sforzano a piangere con più dolor
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Sforzano a piangere con più dolor (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
5:14
70Aci, Galatea e Polifemo, HWV 72: Recitativo. E qual nuova sventura
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: E qual nuova sventura (Aci/Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
1:06
71Aci, Galatea e Polifemo, HWV 72: Aria. Che non può la gelosia
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Che non può la gelosia (Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
3:55
72Aci, Galatea e Polifemo, HWV 72: Accompagnato. Ma qual orrido suono
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo accompagnato: Ma qual orrido suono (Galatea/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
0:31
73Aci, Galatea e Polifemo, HWV 72: Recitativo. Ahi, che dall'ombre eterne
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Ahi! che da l'ombre eterne (Galatea/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:07
74Aci, Galatea e Polifemo, HWV 72: Aria. Sibilar l'angui d'Aletto
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Sibilar l'angui d'Aletto (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
4:23
75Aci, Galatea e Polifemo, HWV 72: Recitativo. Deh lascia, o Polifemo
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Deh lascia, o Polifemo (Galatea/Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
1:18
76Aci, Galatea e Polifemo, HWV 72: Aria. Benché tuoni e l'etra avvampi
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Benché tuoni e l'etra avvampi (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
2:47
77Aci, Galatea e Polifemo, HWV 72: Recitativo. Cadrai depressa e vinta
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Cadrai depressa e vinta (Polifemo/Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
0:46
78Aci, Galatea e Polifemo, HWV 72: Aria. Non sempre, no, crudele
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Non sempre, no, crudele (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
2:23
79Aci, Galatea e Polifemo, HWV 72: Recitativo. Folle, quanto mi rido
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Folle, quanto mi rido (Galatea, Polifemo/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:07
80Aci, Galatea e Polifemo, HWV 72: Aria. Dell'aquila l'artigli
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Dell' aquila l'artigli (Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
3:17
81Aci, Galatea e Polifemo, HWV 72: Recitativo. Meglio spiega i tuoi sensi
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Meglio spiega i tuoi sensi (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
0:44
82Aci, Galatea e Polifemo, HWV 72: Aria. Precipitoso nel mar che freme
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Precipitoso nel mar che freme (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
2:57
83Aci, Galatea e Polifemo, HWV 72: Recitativo. Sì, t'intendo, inumano
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Sì, t'intendo, inumano (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
0:50
84Aci, Galatea e Polifemo, HWV 72: Aria. S'agita in mezzo all'onde
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: S'agita in mezzo all'onde (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
3:31
85Aci, Galatea e Polifemo, HWV 72: Recitativo. So che le cinosure
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: So che le cinosure (Polifemo/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:37
86Aci, Galatea e Polifemo, HWV 72: Terzetto. Proverà lo sdegno mio
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Terzetto: Proverà lo sdegno mio (Polifemo/Galatea/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
2:02
87Aci, Galatea e Polifemo, HWV 72: Recitativo. Ingrata, se mi nieghi
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Ingrata, se mi nieghi (Polifemo/Galatea/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:49
88Aci, Galatea e Polifemo, HWV 72: Aria. Fra l'ombre e gl'orrori
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Fra l'ombre e gl'orrori (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
4:50
89Aci, Galatea e Polifemo, HWV 72: Recitativo. Ma che? non andrà inulta
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Ma che? non andrà inulta (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
1:24
90Aci, Galatea e Polifemo, HWV 72: Aria. Qui l'augel da pianta in pianta
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Qui l'augel da pianta in pianta (Aci)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Aci, Galatea e Polifemo, HWV 72
7:03
91Aci, Galatea e Polifemo, HWV 72: Recitativo. Giunsi al fin, mio tesoro
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Giunsi al fin mio tesoro (Galatea/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:05
92Aci, Galatea e Polifemo, HWV 72: Aria. Se m'ami, o caro
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Se m'ami, o caro (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
3:47
93Aci, Galatea e Polifemo, HWV 72: Recitativo. Qui sull'alto del monte
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Quì su l'alto del monte (Polifemo/Aci/Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
1:35
94Aci, Galatea e Polifemo, HWV 72: Terzetto. Dolce amico amplesso
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Terzetto: Delce amico amplesso (Aci/Galatea/Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
2:31
95Aci, Galatea e Polifemo, HWV 72: Recitativo. Or poiché sordi sono
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Or poichè sordi sono (Polifemo/Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
1:25
96Aci, Galatea e Polifemo, HWV 72: Aria. Verso già l'alma col sangue
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
soprano vocals [Aci]:
Stefanie True (Canadian soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Verso già l'alma col sangue (Aci)
part of:
Aci, Galatea e Polifemo, HWV 72
3:50
97Aci, Galatea e Polifemo, HWV 72: Recitativo. Misera, e dove sono?
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Misera, e dove sono? (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
1:36
98Aci, Galatea e Polifemo, HWV 72: Aria. Impara, ingrata, impara
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Impara, ingrata, impara (Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
2:16
99Aci, Galatea e Polifemo, HWV 72: Recitativo. Ah, tiranno inumano!
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
bass vocals [Polifemo]:
Mitchell Sandler
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Recitativo: Ah, tiranno, inumano! (Galatea/Polifemo)
part of:
Aci, Galatea e Polifemo, HWV 72
1:34
100Aci, Galatea e Polifemo, HWV 72: Aria. Del mar fra l'onde
recording engineer and editor:
Guido Tichelman (engineer)
producer:
Fabrizio Acanfora (producer)
mezzo-soprano vocals [Galatea]:
Luciana Mancini (Italian mezzo-soprano)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (on 2007-10-15)
recording of:
Aci, Galatea e Polifemo, HWV 72: Aria: Del mar fra l'onde (Galatea)
part of:
Aci, Galatea e Polifemo, HWV 72
1:49
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