Party Power Pack: 70’s Kult

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Survive (single version)
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
2Hot Stuff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:50
3Car Wash (single edit)
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce3:19
4Get Up (I Feel Like Being a) Sex Machine, Parts 1 & 2 (single version)
Produzent(in):
James Brown (The Godfather of Soul)
Bassgitarre:
Bootsy Collins (US funk musician & songwriter)
Gitarre:
Catfish Collins
Klavier:
James Brown (The Godfather of Soul)
Orgel:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Schlagzeug:
John Starks
Tenorsaxophon:
Robert McCollough
Trompete:
Clayton Gunnells und Darryl Hassan Jamison
Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Interpret(in):
The J.B.’s
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 196) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown45:17
5Shake Your Groove Thing
Produzent(in):
Freddie Perren
recording of:
Shake Your Groove Thing
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb2.95:33
6The Breaks
recording of:
The Breaks
Verfasser(in):
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) und Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow7:04
7Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:56
8Contact
recording of:
Contact
Verfasser(in):
Robert Dickerson, Arthur Eugene Pullam und Edwin Starr
Edwin Starr3:58
9Now That We’ve Found Love (single version)
cover recording of:
Now That We Found Love
Texter:
Heavy D. (US rapper)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World3:57
10Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:38
11You’re the Greatest Lover
Produzent(in):
Hans van Hemert
recording of:
You’re the Greatest Lover
Texter und Komponist(in):
Hans van Hemert und Piet Souer (composer)
Luv’2:52
12Hang on in There Baby
recording of:
Hang on in There Baby
Texter und Komponist(in):
Johnny W. Bristol
publisher:
Bushka Music (publishing) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:53
13Oops Upside Your Head
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band4:55
14Ai No Corrida
cover recording of:
Ai no corrida
Verfasser(in):
Chaz Jankel (English musician and songwriter) und Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones4:20
15Celebration
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:41
16You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:24
2▶CD

Nennungen

Veröffentlichung

ASIN:DE: B000A16PK8 [Info]
andere Datenbanken:https://www.musik-sammler.de/media/576416/ [Info]

Veröffentlichungsgruppe

Teil von:Party Power Pack (Polystar, Germany) (Nummer: 2003.1) (Reihenfolge: 9)