Gone, Just Like a Train

~ Release by Bill Frisell (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Blues for Los Angeles
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Blues for Los Angeles
composer:
Bill Frisell
publisher:
Friz‐Tone Music
5:18
2Verona
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
acoustic guitar and guitar:
Bill Frisell (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set) and percussion:
Jim Keltner (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Verona
composer:
Bill Frisell
publisher:
Friz‐Tone Music
3:09
3Godson Song
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Godson Song
composer:
Bill Frisell
publisher:
Friz‐Tone Music
4:38
4Girl Asks Boy (Part 1)
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Girl Asks Boy, Part 1
composer:
Bill Frisell
publisher:
Friz‐Tone Music
3:36
5Pleased to Meet You
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Pleased to Meet You
composer:
Bill Frisell
publisher:
Friz‐Tone Music
4:12
6Lookout for Hope
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Lookout for Hope
composer:
Bill Frisell
publisher:
Friz‐Tone Music
10:20
7Nature’s Symphony
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Nature’s Symphony
composer:
Bill Frisell
publisher:
Friz‐Tone Music
4:58
8Egg Radio
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Egg Radio
composer:
Bill Frisell
publisher:
Friz‐Tone Music
5:06
9Ballroom
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Mark Slagle (in 1997)
acoustic guitar and guitar:
Bill Frisell (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Ballroom (in 1997)
composer:
Bill Frisell
publisher:
Friz‐Tone Music
3:22
10Girl Asks Boy (Part 2)
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Girl Asks Boy, Part 2
composer:
Bill Frisell
publisher:
Friz‐Tone Music
2:20
11Sherlock Jr.
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Sherlock Jr.
composer:
Bill Frisell
publisher:
Friz‐Tone Music
2:51
12Gone, Just Like a Train
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Gone, Just Like a Train
composer:
Bill Frisell
publisher:
Friz‐Tone Music
5:30
13The Wife and Kid
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
The Wife and Kid
composer:
Bill Frisell
publisher:
Friz‐Tone Music
5:49
14Raccoon Cat
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Mark Slagle (in 1997)
acoustic guitar and guitar:
Bill Frisell (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Raccoon Cat (in 1997)
composer:
Bill Frisell
publisher:
Friz‐Tone Music
3:24
15Lonesome
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Lonesome
composer:
Bill Frisell
publisher:
Friz‐Tone Music
4:17