Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca 4

~ Release by Herbert von Karajan (see all versions of this release, 6 available)

Tracklist

95▶CD: Robert Schumann: Symphonien Nr. 1 "Frühling" ("Spring"), Nr. 4
96▶CD: Robert Schumann: Symphonie Nr. 2 / Ouvertüre, Scherzo und Finale E-dur (in E major), op. 52
98▶CD: Peter Tschaikowsky: Schwanensee (Swan Lake) / Dornröschen (The Sleeping Beauty)
99▶CD: Offenbach: Gaité Parisienne / Gounod: Ballettmusik und Walzer aus Margarete (Faust)
100▶CD: Opernballette
101▶CD: Edvard Grieg: Peer Gynt-Suiten 1 & 2 / Sigurd Jorsalfar
102▶CD: Weber, Berlioz, Liszt, Smetana, Dvorak: Aufforderung zum Tanz
103▶CD: The European Anthem / National Anthems / Beethoven: Symphony No. 9 in D minor, op. 125 (Final Chorus)
104▶CD: Giuseppe Verdi: Messa da Requiem (1)
105▶CD: Giuseppe Verdi: Messa da Requiem (2)
106▶CD: Antonio Vivaldi: Le Quattro Stagioni
107▶CD: Carl Maria von Weber: Ouvertüren
108▶CD: Richard Strauss: Till Eulenspiegel / Salomes Tanz / Don Juan / Tod und Verklärung
109▶CD: Richard Strauss: Also sprach Zarathustra / Vier letzte Lieder
110▶CD: Gustav Mahler: 5. Symphonie
111▶CD: Gustav Mahler: Das Lied von der Erde
112▶CD: Felix Mendelssohn: Symphonie Nr. 1
113▶CD: Felix Mendelssohn: Symphonie Nr. 2 "Lobgesang"
114▶CD: Johann Sebastian Bach: Matthäus-Passion (1)
115▶CD: Johann Sebastian Bach: Matthäus-Passion (3)
116▼CD: Johann Sebastian Bach: Matthäus-Passion (2)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Part I: 27a. Duet: "So ist mein Jesus nun gefangen!" (soprano, contralto, chorus) / 27b. Chorus: "Sind Blitze, sind Donner, in Wolken verschwunden"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:25
2Matthäus-Passion, BWV 244: Part I: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren" (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:57
3Matthäus-Passion, BWV 244: Part I: 29. Chorale: "O Mensch, bewein dein Sünde groß"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:35
4Matthäus-Passion, BWV 244: Part II: 30. Aria "Ach nun ist mein Jesu hin!" (contralto, chorus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:51
5Matthäus-Passion, BWV 244: Part II: 31. Recitative: "Die aber Jesum gegriffen hatten" (Evangelist)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
6Matthäus-Passion, BWV 244: Part II: 32. Chorale: "Mir hat die Welt trüglich gericht"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1971-12-14 until 1972-11-01)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
7Matthäus-Passion, BWV 244: Part II: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Witnesses I/II, High Priest)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
8Matthäus-Passion, BWV 244: Part II: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille" (tenor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
9Matthäus-Passion, BWV 244: Part II: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen" (tenor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:22
10Matthäus-Passion, BWV 244: Part II: 36a. Recitative: "Und der Hohepriester antwortete" (Evangelist) / 36b. Chorus: "Und der Hohepriester antwortete"
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:46
11Matthäus-Passion, BWV 244: Part II: 36c. Recitative: "Da speieten sie aus in sein Angesicht" (Evangelist) / 36d. Chorus: "Weissage uns"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:36
12Matthäus-Passion, BWV 244: Part II: 37. Choral: "Wer hat dich so geschlagen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
13Matthäus-Passion, BWV 244: Part II: 38a. Recitative: "Petrus aber saß draußen im Palast" (Evangelist, Maids, Peter) / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "da hub er an, sich zu verfluchen"
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:54
14Matthäus-Passion, BWV 244: Part II: 39. Aria: "Erbarme dich, mein Gott" (contralto)
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1971-12-14 until 1972-11-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1971-12-14 until 1972-11-01)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:13
15Matthäus-Passion, BWV 244: Part II: 40. Chorale: "Bin ich gleich von dir gewichen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
16Matthäus-Passion, BWV 244: Part II: 41a. Recitative: "Des Morgens aber hielten all Hohepriester" (Evangelist, Judas) / 41b. Chorus: "Was gehet uns das an?" (High Priests) / 41c. Recitative: "Und er warf die Silberlinge in den Tempel" (Evangelist)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:52
17Matthäus-Passion, BWV 244: Part II: 42. Aria: "Gebt mir meinen Jesum wieder!" (bass)
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass‐baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
18Matthäus-Passion, BWV 244: Part II: 43. Recitative: "Sie hielten aber einen Rat" (Evangelist, Pilate, Pilate's Wife)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:22
19Matthäus-Passion, BWV 244: Part II: 44. Choral: "Befiel du deine Wege"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:41
20Matthäus-Passion, BWV 244: Part II: 45a. Recitative: "Auf das Fest aber hatte der Landpfleger" (Evangelist, Pilate, Pilate's Wife) / 45b. Chorus: "Lass ihn kreuzigen"
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:28
21Matthäus-Passion, BWV 244: Part II: 46. Chorale: "Wie wunderbarlich ist doch diese Strafe"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
22Matthäus-Passion, BWV 244: Part II: 47. Recitative: "Der Landpfleger sagte" (Evangelist, Pilate)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:19
23Matthäus-Passion, BWV 244: Part II: 48. Recitative: "Er hat uns allen wohlgetan" (soprano)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
24Matthäus-Passion, BWV 244: Part II: 49. Aria: "Aus Liebe will mein Heiland Sterben" (soprano) 0
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:36
117▶CD: Felix Mendelssohn Bartholdy: Symphonie Nr. 4 / Symphonie Nr. 5

Credits