Cantatas, Volume 1

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata no. 4, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:12
2Cantata no. 4, BWV 4 "Christ lag in Todesbanden": II. Versus I. Coro "Christ Lag in Todes Banden"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:03
3Cantata no. 4, BWV 4 "Christ lag in Todesbanden": III. Versus II. Duetto "Den Tod niemand zwingen kunnt"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:42
4Cantata no. 4, BWV 4 "Christ lag in Todesbanden": IV. Versus III. Aria "Jesus Christus, Gottes Sohn" (Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Cantata no. 4, BWV 4 "Christ lag in Todesbanden": V. Versus IV. Coro "Es war ein wunderlicher Krieg"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VI. Versus V. Aria "Hier ist das rechte Osterlamm" (Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
7Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VII. Versus VI. Duetto "So feiern wir das hohe Fest" (Soprano, Tenore)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:29
8Cantata no. 4, BWV 4 "Christ lag in Todesbanden": VIII. Versus VII. Choral "Wir essen und leben wohl"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
9Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:40
10Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:29
11Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria "Doch bin und bleibe ich vergnügt" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:28
12Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:47
13Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria "Zedern müssen von den Winden" (Terzetto: Alto, Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
countertenor vocals:
太刀川昭 (Akira Tachikawa) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:12
14Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:03
15Cantata no. 150, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:06
16Cantata no. 196, BWV 196 "Der Herr denket an uns": I. Sinfonia
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:47
17Cantata no. 196, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
performer:
Bach Collegium Japan (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:11
18Cantata no. 196, BWV 196 "Der Herr denket an uns": III. Aria "Er segnet, die den Herrn fürchten" (Soprano)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
soprano vocals:
Yumiko Kurisu (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:30
19Cantata no. 196, BWV 196 "Der Herr denket an uns": IV. Duetto "Der Herr segnet euch" (Tenore, Basso)
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1995-06 until 1995-07)
tenor vocals:
Koki Katano (from 1995-06 until 1995-07)
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
20Cantata no. 196, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
sound engineer:
Hans Kipfer (from 1995-06 until 1995-07)
producer:
Robert von Bahr
orchestra:
Bach Collegium Japan (from 1995-06 until 1995-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1995-06 until 1995-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1995-06 until 1995-07)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (from 1995-06 until 1995-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:11
21Gott ist mein König, BWV 71
sound engineer:
Marion Schwebel (in 1995-11)
producer:
Hans Kipfer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1995-11)
performer:
Bach Collegium Japan (in 1995-11)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1995-11)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:01
22Weinen, Klagen, Sorgen, Zagen, BWV 12
sound engineer:
Jens Braun (classical engineer) (in 1996-04)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-04)
performer:
Bach Collegium Japan (in 1996-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-04)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen” (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach7:03
23Nur jedem das Seine, BWV 163
sound engineer:
Ingo Petry (in 1996-06)
producer:
Jens Braun (classical engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1996-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-06)
performer:
Bach Collegium Japan (in 1996-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-06)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (in 1996-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:13
24Lobe den Herrn, meine Seele, BWV 143
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach3:21
25Ich hatte viel Bekümmernis, BWV 21
sound engineer:
Dirk Lüdemann (in 1999-06)
producer:
Jens Braun (classical engineer)
editor:
Dirk Lüdemann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
performer:
Bach Collegium Japan (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 21.3 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (Leipzig version) (in 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 21.3 "Ich hatte viel Bekümmernis" (Leipzig version)
Johann Sebastian Bach3:37
26Messiah, HWV 56: Part II, XXXIX. Chorus "Hallelujah!"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
27Missa à 10: Kyrie
choir vocals:
Bach Collegium Japan (in 1996-09)
orchestra:
Concerto Palatino (early music wind instruments ensemble) (in 1996-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1996-09)
recorded at:
Oud-Katholieke Kerk (The Hague) in Den Haag (The Hague), Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1996-09)
recording of:
Neu-gepflanzte Thüringische Lust-Garten: Missa à 10: Kyrie (in 1996-09)
composer:
Johann Rudolf Ahle
part of:
Neu-gepflanzte Thüringische Lust-Garten (feigned "part 1")
Johann Rudolf Ahle2:45
28Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396
choir vocals:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recording of:
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 396)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz5:31