Les 20 Tubes de vos 20 ans : 1967

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:55
2The Beat Goes On
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Sonny Bono
direttore d'orchestra:
Harold Battiste
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967)
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Beat Goes On (nel 1967)
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:27
3Puppet on a String
voce:
Sandie Shaw (nel 1967)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1967) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1967)
registrazione di:
Puppet on a String (nel 1967)
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Sandie Shaw52:23
4The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:53
5Hey Joe
registrazione cover di:
Hey Joe (nel 1967)
paroliere e compositore:
Billy Roberts (songwriter)
editore:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music e Third Story Music, Inc.
Jimi Hendrix4:03
6For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:36
7A Whiter Shade of Pale
registrazione di:
A Whiter Shade of Pale (nel 1967)
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum43:57
8Night in White Satin
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4:26
9Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:04
10Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:23
11Harley Davidson
voce:
Brigitte Bardot
direttore d'orchestra:
Michel Colombier (French score composer)
arrangiatore:
Michel Colombier (French score composer)
registrata presso:
Studio Hoche (Barclay) in Paris, Île-de-France, Francia (il 1967-10-19)
video musicali:
Harley Davidson di Brigitte Bardot
registrazione di:
Harley Davidson (il 1967-10-19)
paroliere e compositore:
Serge Gainsbourg
Brigitte Bardot52:29
12J’aime les filles
voce:
Jacques Dutronc (nel 1967)
registrazione di:
J’aime les filles (nel 1967)
paroliere:
Jacques Lanzmann
compositore:
Jacques Dutronc
Jacques Dutronc3:00
13Le Téléfon
voce:
Nino Ferrer (Nino Agostino Arturo Maria Ferrari) (nel 1966)
orchestra:
La Bande à Ferrer (nel 1966)
registrazione di:
Le Téléfon (nel 1966)
paroliere e compositore:
Nino Ferrer (Nino Agostino Arturo Maria Ferrari)
Nino Ferrer2:48
14Bébé requin
voce:
France Gall (nel 1967)
orchestra:
David Whittaker Orchestra (nel 1967)
registrazione di:
Bébé requin (nel 1967)
paroliere:
Jean‐Michel Rivat e Frank Thomas (French lyricist)
compositore:
Joe Dassin
France Gall2:45
15Amour d’été
voce:
Johnny Hallyday
registrazione di:
Amour d’été (Love Me Tender) (nel 1967)
paroliere:
Georges Aber
versione tradotta di:
Love Me Tender
Johnny Hallyday53:11
16Fille sauvage
voce:
Richard Anthony (French‐Egyptian pop singer)
registrazione di:
Fille sauvage (Ruby Tuesday) (nel 1967)
paroliere:
Richard Anthony (French‐Egyptian pop singer)
compositore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
versione tradotta di:
Ruby Tuesday
Richard Anthony3:13
17Je n’aurai pas le temps
voce:
Michel Fugain
direttore d'orchestra:
Jean Bouchéty (musician, composer and bandleader)
arrangiatore:
Jean Bouchéty (musician, composer and bandleader)
registrazione di:
Je n’aurai pas le temps (nel 1967)
paroliere:
Pierre Delanoë
compositore:
Michel Fugain
editore:
Barclay S.A. (nel 1967) e Warner Chappell Music France (nel 1967)
versione di:
En de tijd staat niet stil
Michel Fugain2:43
18Le monde est gris
registrazione di:
Le monde est gris, le monde est bleu (nel 1967)
paroliere:
Éric Charden e Monty (real name: Jacques Bulostin)
compositore:
Éric Charden
Éric Charden3:02
19Les Neiges du Kilimandjaro
registrazione di:
Kilimandjaro (nel 1967)
paroliere:
Michel Delancray
compositore:
Pascal Danel
Pascal Danel3:16
20Comme d’habitude
voce:
Claude François (nel 1967-11)
orchestra:
David Whitaker et son orchestre (nel 1967-11)
registrazione di:
Comme d’habitude (nel 1967-11)
paroliere:
Claude François e Gilles Thibaut
compositore:
Claude François e Jacques Revaux
editore:
Jeune Musique Éditions
Claude François4:11

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parte di:Les (20) Tubes de vos 20 ans (ordine: 1)