TA212 The Technology of Music: Block 4

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1CD
noTitreÉvaluationDurée
1Block 4, Chapter 1, Activity 33: Flanging
0:41
2Block 4, Chapter 1, Activity 35: The Chorus Effect
1:04
3Block 4, Chapter 1, Activity 40: The TA212 Course Tune
0:55
4Block 4, Chapter 2, Activity 1: Plainchant in Context
chœurs :
The Choir of Christ's College, Cambridge
conductor :
David Rowland (chorus master)
0:41
5Block 4, Chapter 2, Activity 2: Guido's Hymn
0:40
6Block 4, Chapter 2, Activity 3: Organum in Context
orchestre :
Early Music Consort of London
conductor :
David Munrow (UK early music historian & musician)
partiel recording of :
Viderunt omnes
parolier :
[traditional] (Traditionnel, special purpose artist)
compositeur :
Pérotin (European composer, fl. c. 1200 CE)
est basée sur :
Viderunt omnes
3:30
7Block 4, Chapter 3, Activity 6: The Loneliness of the Hurdy-Gurdy Man
producteur :
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producteur délégué :
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
piano :
Gerald Moore (pianist) (le 1971-08)
voix de baryton :
Dietrich Fischer‐Dieskau (baritone) (le 1971-08)
régisseur musical :
Hans‐Peter Schweigmann (engineer)
recording of :
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (le 1971-08)
parolier :
Wilhelm Müller (German poet)
compositeur :
Franz Schubert (composer) (le 1827)
partie de :
Winterreise, op. 89, D. 911
3:32
8Block 4, Chapter 3, Activity 18a: The Piano Roll in Context
2:01
9Block 4, Chapter 3, Activity 18b: The Piano Roll in Context
2:02
10Block 4, Chapter 3, Activity 23: The Player Piano in Context 1
1:56
11Block 4, Chapter 3, Activity 24: The Player Piano in Context 2
1:34
12Block 4, Chapter 3, Activity 27: Electronic Music Before MIDI
producteur :
Rachel Elkind et Trans-Electronic Music Productions, Inc.
Moog :
Wendy Carlos (le 1968)
arrangeur :
Wendy Carlos
recording of :
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (catch-all for arrangements) (le 1968)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
recording of :
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (le 1968)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1731)
partie de :
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:26
13Block 4, Chapter 3, Activity 54a: Leonardo Music
1:07
14Block 4, Chapter 3, Activity 54b: Leonardo Music
1:07
15Block 4, Chapter 3, Activity 60a: Simon's Course Tune Arrangements 1
1:20
16Block 4, Chapter 3, Activity 60b: Simon's Course Tune Arrangements 1
1:25
17Block 4, Chapter 3, Activity 60c: Simon's Course Tune Arrangements 1
1:07
18Block 4, Chapter 3, Activity 60d: Simon's Course Tune Arrangements 1
1:07
19Block 4, Chapter 4, Activity 12: Investigating Aliasing
0:39
20Block 4, Chapter 4, Activity 16: The Effect of Adding Dither Noise
0:20
21Block 4, Chapter 4, Activity 43a: Comparing Broadcasting Systems
0:34
22Block 4, Chapter 4, Activity 43b: Comparing Broadcasting Systems
0:33
23Block 4, Chapter 4, Activity 43c: Comparing Broadcasting Systems
0:33
24Block 4, Chapter 5, Activity 4: Edison's Phonograph 1
0:11
25Block 4, Chapter 5, Activity 11a: Berliner's Gramophone
0:17
26Block 4, Chapter 5, Activity 11b: Berliner's Gramophone
0:11
27Block 4, Chapter 5, Activity 15: Fred Gainsberg Records Caruso
producteur :
Fred Gaisberg
piano :
Salvatore Cottone (pianist) (le 1902-04-11)
voix de ténor :
Enrico Caruso (tenor) (le 1902-04-11)
enregistré à :
Milano, Hotel Grande dans Milano, Lombardia, Italie
recording of :
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (le 1902-04-11)
compositeur :
Giuseppe Verdi (Italian opera composer) (du 1850 au 1851-03-11)
librettiste :
Francesco Maria Piave (du 1850 au 1851-03-11)
partie de :
Rigoletto: Atto I
2:17
28Block 4, Chapter 5, Activity 24a: The Steel Tape Recorder
0:25
29Block 4, Chapter 5, Activity 24b: The Steel Tape Recorder
1:15
30Block 4, Chapter 5, Activity 27: Comparing Compact Cassette Tapes 1
1:38
31Block 4, Chapter 5, Activity 30: Hi-Fi in Context
2:39
32Block 4, Chapter 5, Activity 32a: Restoration in Context 1
1:10
33Block 4, Chapter 5, Activity 32b: Restoration in Context 1
1:12
34Block 4, Chapter 5, Activity 35: Restoration in Context 2
0:41
35Block 4, Chapter 5, Activity 49a: Restoration in Context 3
recording of :
So What
compositeur :
Miles Davis (jazz trumpeter, bandleader, songwriter)
éditeur :
Jazz Horn Music
partie de :
The Real Book (compilation of jazz standards, volume I)
8:56
36Block 4, Chapter 5, Activity 49b: Restoration in Context 3
enregistré en :
New York, New York, États-Unis (le 1959-03-02)
ingénieur du son :
Fred Plaut (le 1959-03-02)
producteur :
Irving Townsend
batterie :
Jimmy Cobb (US jazz drummer) (le 1959-03-02)
contrebasse :
Paul Chambers (US jazz bassist) (le 1959-03-02)
piano :
Bill Evans (pianist) (le 1959-03-02)
saxophone alto :
Cannonball Adderley (le 1959-03-02)
saxophone ténor :
John Coltrane (le 1959-03-02)
trompette :
Miles Davis (jazz trumpeter, bandleader, songwriter) (le 1959-03-02)
enregistré à :
Columbia 30th Street Studio dans Manhattan, New York, New York, États-Unis (le 1959-03-02)
remix de :
So What (stereo) par Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of :
So What (le 1959-03-02)
compositeur :
Miles Davis (jazz trumpeter, bandleader, songwriter)
éditeur :
Jazz Horn Music
partie de :
The Real Book (compilation of jazz standards, volume I)
4.29:23