That's Amore!

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1That's Amore!
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:09
2Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:18
3Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin42:44
4How Do You Speak to an Angel?
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
How Do You Speak to an Angel?
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
Dean Martin3:08
5The Naughty Lady of Shady Lane
vocals:
Dean Martin (American singer/actor)
cover recording of:
The Naughty Lady of Shady Lane
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
Dean Martin52:55
6Kiss
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
Orchester:
Gus Levene and His Orchestra (in 1957)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
Texter:
Haven Gillespie
Komponist(in):
Lionel Newman
Dean Martin52:24
7Mambo Italiano
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1954-11-26)
Orchester:
Dick Stabile and His Orchestra (am 1954-11-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (am 1954-11-26)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:22
8Under the Briges of Paris
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
Orchester:
Dick Stabile and His Orchestra (in 1954)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (am 1954-04-22)
Texter:
Jean Rodor
Komponist(in):
Vincent Scotto
Übersetzer:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music und Zodiac Music Corp.
übersetzte Version von:
Sous les ponts de Paris
Dean Martin52:48
9Let Me Go Lover
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
Texter:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
Komponist(in):
Jenny Lou Carson
basiert auf:
Let Me Go, Devil
Dean Martin53:02
10Young and Foolish
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
Dean Martin2:47
11Innamorata
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
Dean Martin2:25
12Standing on the Corner
Produzent(in):
Lee Gillette und Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
Dean Martin2:49
13Watching the World Go By
Dean Martin2:10
14You Belong to Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price (country music songwriter) und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Dean Martin33:04
15If
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
Orchester:
Paul Weston and His Orchestra (in 1950)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
Texter:
Stanley J. Damerell und Robert Hargreaves (songwriter)
Verfasser(in):
H. Tilsley
Komponist(in):
Tolchard Evans
Dean Martin2:48
16How D'Ya Like Your Eggs in the Morning
recording of:
How D’Ya Like Your Eggs in the Morning?
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Dean Martin with Helen O’Connell2:48
17Power Your Face With Sunshine
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
Orchester:
Paul Weston and His Orchestra (in 1948)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
Verfasser(in):
Carmen Lombardo und Stanley Rochinski
Dean Martin52:34
18I'll Always Love You
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Dick Stabile and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
Dean Martin2:35
19Love Me, Love Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Love Me, Love Me (am 1953-05-04)
Verfasser(in):
Bill Walker (Australian‐born US composer and conductor)
Dean Martin2:35
20I'd Cry Like a Baby
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
recording of:
I’d Cry Like a Baby
Verfasser(in):
Sammy Gallop und Howard Steiner
Dean Martin52:36
21Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
Dean Martin3:02
22Relax-Ay-Voo
vocals:
Line Renaud
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Relax Ay Voo
Texter und Komponist(in):
Sammy Cahn und Arthur Schwartz
publisher:
Columbia ∙ Control
Dean Martin with Line Renaud2:56
23Just One More Chance
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just One More Chance
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
Dean Martin3:17
24Bye Bye Blackbird
recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Dean Martin3:05
25I Love the Way You Say Goodnight
recording of:
I Love the Way You Say Goodnight
Texter:
Eddie Pola (in 1951)
Komponist(in):
George Wyle (in 1951)
Dean Martin3:12
26In the Cool, Cool, Cool of the Evening
vocals:
Dean Martin (American singer/actor) (am 1951-04-09)
conductor:
Dick Stabile (am 1951-04-09)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (am 1951-04-09)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1951 winner)
Dean Martin3:00
27Open Up the Dog House (Two Cats Are Comin' in)
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (am 1954-09-07) und Dean Martin (American singer/actor) (am 1954-09-07)
Orchester:
Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Open Up the Doghouse (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
Dean Martin with Nat King Cole2:28
28Everybody Loves Somebody
cover recording of:
Everybody Loves Somebody
Texter:
Sam Coslow und Irving Taylor
Komponist(in):
Sam Coslow und Ken Lane
publisher:
Sands Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
Dean Martin2:27

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