The Best of Ray Charles

~ Veröffentlichung von Ray Charles (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1I Can't Stop Loving You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-15)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
arranger:
Marty Paich
cover recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
4:18
2Hallelujah, I Love Her So
recorded in:
New York, New York, Vereinigte Staaten (am 1955-11-30)
baritone saxophone:
Cecil Payne
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass [bass]:
Paul West (bass)
Schlagzeug:
Panama Francis (US swing jazz drummer)
Tenorsaxophon:
Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Joe Bridgewater und Joshua Willis (trumpet)
recording of:
Hallelujah, I Love Her So
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
2:35
3Hit the Road, Jack
recorded in:
New York, New York, Vereinigte Staaten (am 1961-07-05)
baritone saxophone:
Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass [bass]:
Edgar Willis (bass)
Schlagzeug:
Bruno Carr
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Phillip Guilbeau und John Hunt (trumpeter)
Hintergrundgesang [backing vocals]:
The Raelettes
recording of:
Hit the Road Jack
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
1:59
4Unchain My Heart
recorded in:
New York, New York, Vereinigte Staaten (am 1961-07-05)
baritone saxophone:
Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass [bass]:
Edgar Willis (bass)
Schlagzeug:
Bruno Carr
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Phillip Guilbeau und John Hunt (trumpeter)
Hintergrundgesang [backing vocals]:
The Raelettes
recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:52
5What'd I Say (Parts I & II)
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-18)
baritone saxophone:
Bennie Crawford
Conga:
Mongo Santamaría (Cuban jazz percussionist)
Instrumente:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave
Wurlitzer Electric Piano und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Hintergrundgesang:
The Raelettes
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
6:29
6Georgia on My Mind
recorded in:
New York, New York, Vereinigte Staaten (am 1960-03-25)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist) und Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:40
7But on the Other Hand, Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1961-07-05)
baritone saxophone:
Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass [bass]:
Edgar Willis (bass)
Schlagzeug:
Bruno Carr
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Phillip Guilbeau und John Hunt (trumpeter)
Hintergrundgesang [backing vocals]:
The Raelettes
recording of:
But on the Other Hand
Verfasser(in):
Percy Mayfield
publisher:
Tangerine Music
3:15
8Hide nor Hair
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-12)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Bruno Carr
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist) und Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Phillip Guilbeau und John Hunt (trumpeter)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Hide nor Hair
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music Corp.
3:11
9At the Club
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-12)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Bruno Carr
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist) und Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Phillip Guilbeau und John Hunt (trumpeter)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
At the Club
Verfasser(in):
Percy Mayfield
3:00
10Who You Gonna Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-12-29)
alto saxophone und Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
baritone saxophone:
Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Teagle Fleming
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
Hintergrundgesang:
The Raelettes
2:05
11Don't Let the Sun Catch You Cryin'
recorded in:
New York, New York, Vereinigte Staaten (vom 1959-05-06 bis heute)
Gitarre:
Allen Hanlon (jazz guitarist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Wendell Marshall
Schlagzeug:
Ted Sommer
Ventilposaune:
Bob Brookmeyer
recording of:
Don’t Let the Sun Catch You Cryin’
Texter und Komponist(in):
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) und Universal Music Corp. (USA, affiliated with ASCAP)
3:46
12(Night Time Is) The Right Time
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
baritone saxophone:
Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Teagle Fleming
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
cover recording of:
Night Time Is the Right Time
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
3:26
13Carry Me Back to Old Virginny
recorded in:
New York, New York, Vereinigte Staaten (am 1960-03-29)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist) und Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
conductor:
Ralph Burns
arranger:
Ralph Burns
cover recording of:
Carry Me Back to Old Virginny
Komponist(in):
James A. Bland
2:01
14California, Here I Come
recorded in:
New York, New York, Vereinigte Staaten (am 1960-03-29)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist) und Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
California Here I Come
Texter:
Buddy DeSylva und Al Jolson
Komponist(in):
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (am 1924-01-07)
2:09
15Basin' Street Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1960-03-25)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist) und Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:45
16Alabamy Bound
recorded in:
New York, New York, Vereinigte Staaten (am 1960-03-29)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist) und Bennie Crawford
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Marcus Belgrave und John Hunt (trumpeter)
conductor:
Ralph Burns
arranger:
Ralph Burns
recording of:
Alabamy Bound
Texter:
Buddy DeSylva (in 1924) und Bud Green (in 1924)
Komponist(in):
Ray Henderson (in 1924)
1:54
17Together
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-06-14)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist)
Gitarre:
Bill Pitman
Klavier:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Perkussion:
Bruno Carr
Posaune:
Harry Betts, Dick Nash, Frank Rosolino und Ken Shroyer (trombonist)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Don Fagerquist, Phillip Guilbeau, John Hunt (trumpeter), Al Porcino und Ray Triscari
Sologesang:
Betty Carter und Ray Charles (soul musician, singer and songwriter)
cover recording of:
Together
Texter:
Lew Brown (in 1928) und Buddy DeSylva (in 1928)
Komponist(in):
Ray Henderson (in 1928)
publisher:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. und The Songwriters Guild
1:35
18I Wonder
recorded in:
New York, New York, Vereinigte Staaten (am 1960-04-27)
alto saxophone:
Bennie Crawford
baritone saxophone:
Leroy Cooper (saxophonist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
Milt Turner
Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist)
Trompete:
Martin Banks und John Hunt (trumpeter)
Hintergrundgesang:
The Raelettes
recording of:
I Wonder
Verfasser(in):
Cecil Gant und Raymond Leveen (Composer, songwriter and author)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I Wonder
2:36
19Drown in My Own Tears
recorded in:
New York, New York, Vereinigte Staaten (am 1955-11-30)
baritone saxophone:
Cecil Payne
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass [bass]:
Paul West (bass)
Schlagzeug:
Panama Francis (US swing jazz drummer)
Tenorsaxophon:
Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Joe Bridgewater und Joshua Willis (trumpet)
cover recording of:
Drown in My Own Tears
Texter und Komponist(in):
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music und Trio Music Co., Inc.
3:21
20Mess Around
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-27)
baritone saxophone:
Dave McRae (US clarinetist & saxophonist)
Gitarre:
Mickey Baker
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Lloyd Trotman (US jazz bassist)
Schlagzeug:
Connie Kay
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990)
Trompete:
Jesse Drakes
recording of:
Mess Around
Verfasser(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:41
21This Little Girl of Mine
recorded in:
Miami, Florida, Vereinigte Staaten (am 1955-04-23)
alto saxophone und baritone saxophone:
David “Fathead” Newman (American jazz saxophonist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Joe Bridgewater und Roosevelt Sheffield
Schlagzeug:
William Peeples
Tenorsaxophon:
Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Riley Webb
recording of:
This Little Girl of Mine
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
2:32
22Busted
recorded in:
New York, New York, Vereinigte Staaten (in 1962)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
conductor:
Benny Carter
arranger:
Benny Carter
recording of:
Busted
Texter und Komponist(in):
Harlan Howard
2:12
23You Don't Know Me
recorded in:
New York, New York, Vereinigte Staaten (in 1962-02)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
arranger:
Marty Paich
cover recording of:
You Don’t Know Me
Verfasser(in):
Eddy Arnold und Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (am 1955-08-19) und Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
3:17
24Ain't That Love
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-27)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Richard Payne (jazz bassist)
Hintergrundgesang:
The Raelettes
recording of:
Ain’t That Love
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
2:53
25Let the Good Times Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1959-06-23)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Let the Good Times Roll
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:53
26Swanee River Rock
recorded in:
New York, New York, Vereinigte Staaten (am 1957-05-23)
alto saxophone:
David “Fathead” Newman (American jazz saxophonist)
baritone saxophone:
Emmott Dennis
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Edgar Willis (bass)
Schlagzeug:
William Peeples
Trompete:
Ricky Harper (Lee Harper, trumpet player (Ray Charles))
Hintergrundgesang:
The Raelettes
recording of:
Swanee River Rock
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Stephen Foster (composer)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
publisher:
Unichappell Music, Inc.
2:21
27I've Got a Woman
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist)
Gitarre:
Wesley Jackson (US R&B guitarist)
Klavier und Sologesang:
Ray Charles (soul musician, singer and songwriter)
Kontrabass:
Jimmy Bell (jazz bassist)
Schlagzeug:
Glenn Brooks
Tenorsaxophon:
Don Wilkerson (US jazz/R&B saxophonist)
Trompete:
Joe Bridgewater und Charles "Clanky" Whitley
recording of:
I Got a Woman
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:49

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