The #1 Album: Power Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
3CD
Nr.TitelKünstlerBewertungLänge
1Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:25
2Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:05
3Theme From M*A*S*H (Suicide Is Painless)
Techniker(in):
Alex Silva
Produzent(in):
Manic Street Preachers
zusätzliche(r) Produzent(in):
Steve Brown (engineer/music producer)
Mix:
Steve Brown (engineer/music producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
sonstige Unterstützung:
140dB (Aufgabe: engineered for)
Bearbeitung von:
Theme From M.A.S.H. (Suicide Is Painless) von Manic Street Preachers
cover recording of:
Suicide Is Painless
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Manic Street Preachers53:28
4Head Over Heels
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Head Over Heels (music video) von Tears for Fears
recording of:
Head Over Heels
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Tears for Fears44:16
5Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:58
6Because I Love You (The Postman Song)
phonographisches Urheberrecht (℗) von:
LMR Records (company, for copyrights purposes) (in 1991)
recording of:
Because I Love You (The Postman Song)
Verfasser(in):
Stevie B (Miami freestyle artist best known for Because I Love You (The Postman Song)) und Warren Allen Brooks
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MyaT Publishing Co. und SHR Publishing Co.
Stevie B55:03
7Suddenly
Produzent(in):
Keith Diamond
Mix:
Keith Diamond und Bryan “Chuck” New (Engineer/ Producer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
Verfasser(in):
Keith Diamond und Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean43:52
8Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:28
9Need You NowLady A3.93:56
10Amazed
Produzent(in):
Dann Huff
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1999)
Musikvideos:
Amazed von Lonestar (US country band)
Teil von:
Holler's Best 2000s Country Songs (Nummer: 83)
recording of:
Amazed
Verfasser(in):
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) und Aimee Mayo (American songwriter)
publisher:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar2.54:00
11If It Makes You Happy
Assistent recording engineer:
Ron Black, S. “Husky” Höskulds, Cappy Japngie und John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo und Trina Shoemaker
Produzent(in):
Sheryl Crow (American singer-songwriter and musician)
Mix:
Tchad Blake
E-Bass [bass]:
Dan Rothchild
Gitarre [guitars]:
Jeff Trott
Keyboard:
Sheryl Crow (American singer-songwriter and musician)
Schlagzeug:
Michael Urbano
vocals:
Sheryl Crow (American singer-songwriter and musician)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1996)
recording of:
If It Makes You Happy
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
live recording of:
If It Makes You Happy
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
Sheryl Crow4.15:23
12I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.354:13
13Toy Soldiers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
Bearbeitung von:
Toy Soldiers von Martika (American singer‐songwriter and actress)
recording of:
Toy Soldiers
Verfasser(in):
Martika (American singer‐songwriter and actress) und Michael Jay (producer/engineer)
publisher:
Sony/ATV Harmony UK, Curley Top Music (in 1988), Ensign Music Corp. (in 1988), Famous Chappell (in 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1988) und Tika Tunes (publisher) (in 1988)
Martika34:19
14Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone und Sharleen Spiteri
zusätzliche Programmierung:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
zusätzliche(r) Produzent(in):
Boilerhouse Boys
Gitarre:
Johnny McElhone und Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
recording of:
Say What You Want
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
EMI 10 Music
Texas3.83:51
15Run
Techniker(in):
Jonathan Shakhovskoy
Produzent(in):
Steve Robson (English songwriter, record producer & multi-instrumentalist)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bass:
Jon Garrison (Johnny Vic)
Gitarre:
Luke Potashnick (British guitarist)
Hammond-Orgel [Hammond]:
Paul Beard (keyboard player)
Klavier:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
Perkussion und Schlagzeug [drums]:
Karl Brazil (UK drummer/songwriter)
Hintergrundgesang:
Alani Gibbon, Chris Ballin, Beverley Brown, Lauraine Bristol, Carmen Reece, Marvin Cotterell, Jewell Elliott, Lincoln Jean-Marie, Ladonna Harley Peters, Joy Malcolm und Vula Malinger
Saiteninstrumente arranger:
Will Malone
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
gemixt für:
365 Artists
mixed at:
Twenty-One Studios in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Run
Texter:
Gary Lightbody
Verfasser(in):
Iain Archer, Nathan Connolly, Mark McClelland und Jonny Quinn
Komponist(in):
Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland und Jonny Quinn
publisher:
Big Life Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Universal Music Publishing BL Limited und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Leona Lewis45:15
16Hallelujah
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (vom 2008 bis heute)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Alexandra Burke3.653:37
17She’s Like the Wind
assistierende(r) Techniker(in):
Dan Nebenzal
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Sologesang:
Patrick Swayze
vocals:
Wendy Fraser
zusätzliche(r) Orchestrator(in):
John D’Andrea
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
Michael Lloyd Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
She’s Like the Wind (music video) von Patrick Swayze
recording of:
She’s Like the Wind
Verfasser(in):
Patrick Swayze (in 1984) und Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) und Troph Productions, Inc. (in 1987)
Patrick Swayze & Wendy Fraser4.353:53
18Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:23
19Two out of Three Ain’t Bad
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bassgitarre:
Kasim Sultan
Gitarre:
Todd Rundgren
Klavier:
Roy Bittan
Schlagzeug:
John Wilcox
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd und Todd Rundgren
Sologesang:
Meat Loaf
Saiteninstrumente arranger:
Kenny Ascher
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:24

Nennungen

Veröffentlichung

hergestellt in:Europa
vertrieben von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2020)
Spectrum Music (Universal Music Group budget label) (in 2020)
Discogs:https://www.discogs.com/release/26861117 [Info]
ASIN:US: B08NYNQCT6 [Info]