Sony Classical Great Performances: 1903-1998

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

To do: add performers for Discs 3 and 4 from https://www.discogs.com/release/2881993

Anmerkung zuletzt geändert am 2023-10-01 17:15 UTC.

Titelliste

1CD: Acoustic, Electric, Mono and Early Stereo Years 1903-1959
Nr.TitelKünstlerBewertungLänge
1"Largo al factotum" from The Barber of Seville
Klavier:
Charles A. Prince (conductor, bandleader, pianist and organist)
Baritongesang und Baritongesang [Figaro]:
Giuseppe Campanari (baritone & cellist)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:36
2Mazurka in G major "Obertass", op. 19 no. 1
Geige / Violine:
Eugène Ysaÿe (Belgian violinist, composer and conductor)
Klavier:
Camille de Creus (composer, pianist)
recording of:
Obertass (Mazurka), op. 19 no. 1 (violin and piano)
Komponist(in):
Henryk Wieniawski (Polish composer and violinist) (in 1860)
Teil von:
Works of Henryk Wieniawski by opus number (Nummer: op. 19 no. 1)
Teil von:
2 Mazurkas caractéristiques, op. 19
Henryk Wieniawski2:11
3II. "Pilenö" from Contrasts for Violin, Clarinet and Piano
Geige / Violine:
Joseph Szigeti (violinist)
Klarinette:
Benny Goodman (clarinetist and bandleader)
Klavier:
Bartók Béla (Béla Bartók, composer)
recording of:
Kontrasztok, Sz. 111: II. Pihenő. Lento
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1938)
Teil von:
Kontrasztok, Sz. 111 (Contrasts, Sz. 111)
Béla Bartók4:34
4IV. Allegro - Prestissimo from Quartet in C minor, op. 18 no. 4Ludwig van Beethoven4:17
5Bachiana Brasileira no. 5: Aria - Cantilena
Cello:
Leonard Rose (cellist)
Soprangesang:
Bidu Sayão (soprano)
conductor:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
recording of:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
Version von:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Teil von:
Bachianas Brasileiras nº 5, W391 (for voice and guitar)
Heitor Villa‐Lobos7:05
6III. Allegro molto vivace from Violin Concerto in E minor, op. 64
Geige / Violine:
Nathan Milstein (violinist)
Orchester:
New York Philharmonic
conductor:
Bruno Walter (conductor)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn5:23
7"La donna è mobile" from Rigoletto
Tenor-Gesang:
Richard Tucker (tenor)
Orchester:
Metropolitan Opera Orchestra
conductor:
Emil Cooper (aka Emil Kuper, conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi1:58
8II. Prestissimo, con sordino from String Quartet no. 4
Streichquartett:
Juilliard String Quartet (Juilliard Streichquartett)
recording of:
String Quartet no. 4, Sz. 91, BB 95: II. Prestissimo, con sordino
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1928)
Teil von:
String Quartet no. 4, Sz. 91, BB 95
Béla Bartók2:51
9"Fossils" from "Carnival of the Animals"
Sprecher und Sprecher [Narrator]:
Noël Coward
Orchester:
André Kostelanetz and His Orchestra
conductor:
André Kostelanetz (conductor)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:58
10III. Rondo - Allegro spirituoso from Violin Concerto no. 1, op. 6Niccolò Paganini5:45
11I. Prélude from "Le Tombeau de Couperin"
Klavier:
Robert Casadesus (French pianist/composer)
recording of:
Le tombeau de Couperin: I. Prélude (for solo piano)
Komponist(in):
Maurice Ravel (French composer)
Teil von:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:49
12"The Desire for Hermitage" from Hermit Songs, op. 29
Klavier:
Samuel Barber (American composer)
Soprangesang:
Leontyne Price (soprano)
recording of:
Hermit Songs, op. 29: No. 10. The Desire for Hermitage
Komponist(in):
Samuel Barber (American composer)
Teil von:
Hermit Songs, op. 29
Samuel Barber3:22
13Variation 30 a 1 clav. Quodlibet from "Goldberg" Variations, BWV 988
Klavier:
Glenn Gould (pianist)
recording of:
Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach0:48
14Aria from "Goldberg" Variations, BWV 988
Klavier:
Glenn Gould (pianist)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach2:13
15"Mack the Knife" from The Three Penny Opera
Produzent(in):
H. Gerhard Lichthorn
vocals:
Lotte Lenya
Orchester:
Roger Bean und sein Orchester
conductor:
Roger Bean (German pianist and accordionist)
aufgenommen bei:
Friedrich-Ebert-Halle in Hamburg, Deutschland (von 1955-07-05 bis 1955-07-07)
recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (von 1955-07-05 bis 1955-07-07)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Teil von:
Die Dreigroschenoper: Vorspiel
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Kurt Weill3:06
16III. Menuetto - Trio from Symphony no. 36 "Linz", K. 425Wolfgang Amadeus Mozart4:28
17III. Allegro vivace assai from Piano Concerto no. 21, K. 467
Klavier:
Rudolf Serkin (pianist)
Orchester:
Columbia Symphony Orchestra
conductor:
Alexander Schneider (violinist and conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:28
18V. Rondo (Allegro) from Symphonie Espagnole in D minor, op. 21
Geige / Violine:
Isaac Stern (violinist) (am 1956-01-10)
Orchester:
The Philadelphia Orchestra (am 1956-01-10)
conductor:
Eugene Ormandy (conductor) (am 1956-01-10)
aufgenommen bei:
Academy of Music in Philadelphia, Pennsylvania, Vereinigte Staaten (am 1956-01-10)
recording of:
Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro (am 1956-01-10)
Komponist(in):
Édouard Lalo (French composer) (in 1874)
Teil von:
Symphonie espagnole in D minor, op. 21
Édouard Lalo6:50
19Battle Hymn of the Republic
Chorgesang:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Battle Hymn of the Republic
Texter:
Julia Ward Howe (American poet)
Komponist(in):
William Steffe (in 1856)
Teil von:
Hymns of The Church of Jesus Christ of Latter-day Saints (1985 Hymnal) (Nummer: 60) und Roud Folk Song Index (Nummer: V17636)
basiert auf:
John Brown’s Body (Glory, Glory, Hallelujah)
recording of:
Battle Hymn of the Republic (arr. Wilhousky)
Komponist(in):
William Steffe
arranger:
Peter J. Wilhousky
Arrangement von:
Battle Hymn of the Republic
William Steffe4:44
20"Un bel dì" from Madama Butterfly
Soprangesang:
Eileen Farrell (soprano)
Orchester:
Columbia Symphony Orchestra
conductor:
Max Rudolf (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:42
2CD: The Analog Stereo Years 1960-1975
3CD: Late Stereo and The Introduction of Digital Stereo 1976-1991
4CD: Digital Stereo and Beyond 1990-1998