Buddy

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, 30 vorhanden)

Anmerkung

LP (original album "Buddy Holly" plus songs recorded 1956 in Nashville) plus CD with the same tracks

Anmerkung zuletzt geändert am 2011-11-18 17:57 UTC.

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1I’m Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:15
A2Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:31
A3Look at Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
Vi Petty (am 1957-12-19)
Perkussion [cardboard box]:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
recording of:
Look at Me (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
52:06
A4Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:22
A5Valley of Tears
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Orgel:
Norman Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
Valley of Tears (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
2:10
A6Ready Teddy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
Ready Teddy (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
51:33
A7Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Schlagzeug:
Jerry Allison
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:07
A8Mailman, Bring Me No More Blues
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-04-08)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
Klavier:
Vi Petty (am 1957-04-08)
Schlagzeug:
Jerry Allison (am 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (am 1957-04-08)
Verfasser(in):
Bill Katz, Ruth Roberts und Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:13
A9Words of Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-04-08)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
Schlagzeug:
Jerry Allison (am 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (am 1957-04-08)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
41:57
A10You’re So Square (Baby I Don’t Care)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
51:37
A11Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:50
A12Little Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
C. W. Kendall (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Little Baby (von 1957-05 bis 1957-07)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall und Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:55
B1You Are My One Desire
recording of:
You Are My One Desire
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. und Valley Music Ltd (publisher)
?:??
B2Blue Days Black Nights
recording of:
Blue Days, Black Nights
Texter und Komponist(in):
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
?:??
B3Modern Don Juan
recording of:
Modern Don Juan
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Cedarwood Music und Universal Cedarwood Publishing
?:??
B4Rock Around With Ollie Vee
recording of:
Rock Around With Ollie Vee
Verfasser(in):
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
?:??
B5Ting a Ling
cover recording of:
Ting-a-Ling
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
Verfasser(in):
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music und Unichappell Music, Inc.
?:??
B6Girl on My Mind
recording of:
Girl on My Mind
Verfasser(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
?:??
B7That’ll Be the Day
cover recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
?:??
B8Love Me
recording of:
Love Me (Buddy Holly Song)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
?:??
B9I’m Changing All Those Changes
recording of:
I’m Changing All These Changes
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music und Cedarwood Pub. Co., Inc.
?:??
B10Don’t Come Back Knocking
recording of:
Don’t Come Back Knockin’
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
?:??
B11Midnight Shift
recording of:
Midnight Shift
Verfasser(in):
Jimmie Ainsworth und Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) und Sony Tree Publishing Co., Inc.
?:??
2▶CD

Nennungen

Veröffentlichungsgruppe

enthalten in:Buddy Holly & That’ll Be The Day
The “Chirping” Crickets / Buddy Holly von The Crickets (band originally with Buddy Holly) / Buddy Holly (1950s rock & roll singer‐songwriter)
The First Three Albums von Buddy Holly (1950s rock & roll singer‐songwriter) & The Crickets (band originally with Buddy Holly)
Discogs:https://www.discogs.com/master/252597 [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/buddy_holly/buddy_holly/ [Info]
Allmusic:https://www.allmusic.com/album/mw0000198743 [Info]
Wikidata:Q1957053 [Info]