NOW Yearbook Extra ’84

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Love Kills
Freddie Mercury4:30
2Automatic
Bearbeitung von:
Automatic von Pointer Sisters
recording of:
Automatic
Komponist(in):
Brock Patrick Walsh (singer, producer, songwriter) und Mark Goldenberg
The Pointer Sisters44:46
3The Medicine Song
Stephanie Mills4:53
4Let It All Blow
Dazz Band5:52
5Like to Get to Know You Well
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Programmierung:
Howard Jones (English singer, songwriter)
Produzent(in):
Rupert Hine
Instrumente:
Howard Jones (English singer, songwriter)
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 1983)
aufgenommen bei und mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Like to Get to Know You Well
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:00
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:37
7(Feels Like) Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8Talking Loud and Clear
Orchestral Manoeuvres in the Dark4:22
9Life on Your Own
Programmierung:
The Human League
Techniker(in):
Renate Blauel, Gavin McKillop und Bill Price (UK producer/engineer)
Produzent(in):
The Human League, Hugh Padgham und Chris Thomas (UK record producer / remixer)
Mix:
Hugh Padgham
Perkussion:
The Human League
Hintergrundgesang:
Joanne Catherall und Susan Ann Sulley
Sologesang:
Philip Oakey
vocals:
The Human League
Musikvideos:
Life on Your Own von The Human League
recording of:
Life on Your Own
Texter und Verfasser(in):
Philip Oakey und Philip Adrian Wright (Human League)
Komponist(in):
Jo Callis
The Human League54:05
10Dance Hall Days
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung4:01
11The Politics of Dancing
Re‐Flex3:57
12Speed Your Love to Me
Produzent(in):
Peter Walsh (UK producer)
Remix von:
Speed Your Love to Me (1984 original stereo mix) von Simple Minds (Scottish rock band)
recording of:
Speed Your Love to Me
Verfasser(in):
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) und Michael MacNeil
Simple Minds54:25
13Mothers Talk
recording of:
Mothers Talk
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Tears for Fears5:06
14It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:53
15The Ink in the Well
David Sylvian4:32
16Closest Thing to Heaven
The Kane Gang4:50
17My Ever Changing Moods
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Interpret(in):
Mick Talbot (von 1983-10 bis 1984-01) und Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
aufgenommen bei:
Solid Bond Studio in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
zusätzlich aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
recording of:
My Ever Changing Moods (von 1983-10 bis 1984-01)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
The Style Council43:37
18Half a Minute
Techniker(in) und Mix:
Phil Harding (engineer, producer and remixer)
Produzent(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Perkussion:
Robin Jones (latin jazz percussionist)
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
Verfasser(in):
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco3.253:47
19Joanna
recording of:
Joanna (Kool & the Gang)
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) und Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
publisher:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kool & the Gang4:16
20On the Wings of Love
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1982)
recording of:
On the Wings of Love (in 1982)
Verfasser(in):
Peter Schless (keyboardist and composer) und Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Rondor Music (London) Ltd.
Jeffrey Osborne4:02
3▶Digitales Medium

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Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1984) (Reihenfolge: 25)