100% Swing

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Take the ‘a’ Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra2:57
2But Not for Me
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (dal 1954 a oggi, dal 2004 a oggi)
registrazione di:
But Not for Me (il 1954-02-15)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Chet Baker3:03
3Things Are Swingin’
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
registrazione di:
Things Are Swingin’ (il 1958-05-19)
autore:
Peggy Lee (jazz vocalist) e Jack Marshall (US jazz guitarist, composer, arranger & record producer)
Peggy Lee2:11
4I’ve Got You Under My Skin
Danny Williams3:16
5Have You Met Miss Jones
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1960-10-19)
voce:
Sarah Vaughan (il 1960-10-19)
registrata presso:
Capitol Studios (New York City) in New York, New York, Stati Uniti (il 1960-10-19)
registrazione cover di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1960-10-19)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Sarah Vaughan2:21
6Just a Gigolo / I Ain’t Got Nobody
produttore:
Voyle Gilmore
basso :
Amado Rodrigues (il 1956-04-19)
batteria :
Bobby Morris (il 1956-04-19)
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
pianoforte :
Willie McCumber Jr. (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
Jimmy 'Little Red' Blount (il 1956-04-19) e Lou Sineaux (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (il 1956-04-19)
paroliere:
Julius Brammer e Roger Graham
compositore:
Leonello Casucci e Spencer Williams (US jazz composer, pianist & singer)
arrangiatore:
Louis Prima (nel 1956)
traduttore:
Irving Caesar
editore:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America e Wiener Bohème Verlag GmbH
medley di:
Just a Gigolo (English version)
medley di:
I Ain’t Got Nobody
Louis Prima44:43
7On Broadway
Lou Rawls2:26
8My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria e membranofono :
Colin Bailey (drummer) (il 1965-07-12)
chitarra :
Joe Pass (jazz guitarist) (il 1965-07-12)
contrabbasso :
Monty Budwig (il 1965-07-12)
legni :
Bud Shank (il 1965-07-12)
pianoforte :
Russ Freeman (pianist) (il 1965-07-12)
strumenti:
The Bud Shank Quintet (il 1965-07-12)
voce:
Julie London (il 1965-07-12)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (il 1965-07-12)
registrazione cover di:
My Heart Belongs to Daddy (il 1965-07-12)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Julie London2:42
9Crazy
Kay Starr2:57
10Please Don’t Talk About Me When I’m Gone
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter)
registrazione cover di:
Please Don’t Talk About Me When I’m Gone
paroliere:
Sidney Clare
compositore:
Sam H. Stept
editore:
Bourne Co. (not for release label use, this is a music publisher) e Remick Music Corp.
Sammy Davis Jr.42:40
11The Best Things in Life Are Free
Bing Crosby52:25
12Diamonds Are a Girl Best Friend
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:31
13Why Don’t You Do Right
assistente tecnico:
Tommy Civello e Yvonne Yedibalian
tecnico:
Gary Chester (production, engineer)
produttore:
Sinéad O’Connor (Irish singer‐songwriter) e Phil Ramone
tecnico di missaggio:
Gary Chester (production, engineer) e Phil Ramone
voce:
Sinéad O’Connor (Irish singer‐songwriter)
direttore d'orchestra:
Torrie Zito
arrangiatore:
Patrick Williams (composer, arranger)
registrazione cover di:
Why Don’t You Do Right?
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
Sinéad O’Connor42:30
14Music to Watch Girls By
registrazione di:
Music to Watch Girls By
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Matt Monro2:11
15Nature Boy
Johnny Hartman3:30
16Baltimore Oriole
Sheila Jordan2:27
17Cheek to Cheek
registrazione di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Fred Astaire3:47
18Swingin’ the Blues
registrazione di:
Swingin’ the Blues
compositore:
Count Basie (pianist) (nel 1938) e Eddie Durham (American guitarist, trombonist, composer and arranger.) (nel 1938)
Count Basie & His Orchestra3:14
19Hello Young Lovers
produttore:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
voce:
Lena Horne (nel 1965)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
arrangiatore:
Ray Ellis (US producer, arranger and conductor) (nel 1965)
registrazione cover di:
Hello, Young Lovers (The King and I) (nel 1965)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company e Williamson Music, Inc.
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Ltd.
parte di:
The King and I (Rodgers & Hammerstein musical)
Lena Horne2:19
20Strangers in the Night
Vikki Carr2:23
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