Eight Classic Albums

~ Release by Peggy Lee (see all versions of this release, 1 available)

Tracklist

1▶CD: Black Coffee / Things Are Swingin’
2▼CD: Beauty and the Beat / Latin Ala Lee
#TitleArtistRatingLength
1Do I Love You
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
Do I Love You? (on 1959-04-29)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
Peggy Lee with George Shearing3:03
2I Lost My Sugar in Salt Lake City
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
I Lost My Sugar in Salt Lake City (on 1959-04-29)
writer:
Johnny Lange and Leon René
Peggy Lee with George Shearing2:26
3If Dreams Come True
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
If Dreams Come True (on 1959-04-29)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman (clarinetist and bandleader)
Peggy Lee with George Shearing2:20
4All Too Soon
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
All Too Soon (on 1959-04-29)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
Peggy Lee with George Shearing2:34
5Mambo in Miami
recording of:
Mambo in Miami
lyricist and composer:
Armando Peraza (percussionist)
Peggy Lee with George Shearing1:42
6Isn’t It Romantic
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
Peggy Lee with George Shearing2:54
7Blue Prelude
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
Blue Prelude (on 1959-04-29)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
Peggy Lee with George Shearing2:06
8You Came a Long Way From St. Louis
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
You Came a Long Way From St. Louis (on 1959-04-29)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
Peggy Lee with George Shearing2:50
9Always True to You in My Fashion
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
Always True to You in My Fashion (on 1959-04-29)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Peggy Lee with George Shearing1:57
10There’ll Be Another Spring
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
recording of:
There'll Be Another Spring (on 1959-04-29)
writer:
Peggy Lee (jazz vocalist) and Billy Edd Wheeler
Peggy Lee with George Shearing2:23
11Get Out of Town
bongos:
Armando Peraza (percussionist) (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
Get Out of Town (on 1959-04-29)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Peggy Lee with George Shearing1:58
12Satin Doll
Peggy Lee with George Shearing2:46
13Don’t Ever Leave Me
cover recording of:
Don’t Ever Leave Me (from “Sweet Adeline”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Peggy Lee with George Shearing2:58
14Nobody’s Heart
cover recording of:
Nobody’s Heart (Belongs to Me)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
Peggy Lee with George Shearing2:29
15Heart
flute:
Ruben Leon (on 1959-08-13)
piano:
Eddie Cano (on 1959-08-13)
trumpet:
Rudy Loera (on 1959-08-13)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Heart
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
Peggy Lee1:58
16On the Street Where You Live
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-14)
flute:
Ruben Leon (on 1959-08-14)
piano:
Eddie Cano (on 1959-08-14)
trumpet:
Rudy Loera (on 1959-08-14)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
On the Street Where You Live (My Fair Lady) (on 1959-08-14)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Peggy Lee2:11
17Till There Was You
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Till There Was You (The Music Man) (on 1959-08-12)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Peggy Lee2:30
18I Am in Love
flute:
Ruben Leon (on 1959-08-13)
piano:
Eddie Cano (on 1959-08-13)
trumpet:
Rudy Loera (on 1959-08-13)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
I Am in Love (Can-Can musical) (on 1959-08-13)
lyricist and composer:
Cole Porter (composer) (in 1953)
Peggy Lee2:09
19Hey There
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Hey There (The Pajama Game) (on 1959-08-12)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
Peggy Lee2:08
20I Could Have Danced All Night
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-14)
flute:
Ruben Leon (on 1959-08-14)
piano:
Eddie Cano (on 1959-08-14)
trumpet:
Rudy Loera (on 1959-08-14)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (on 1959-08-14)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Peggy Lee2:08
21The Surrey With the Fringe on Top
flute:
Ruben Leon (on 1959-08-13)
piano:
Eddie Cano (on 1959-08-13)
trumpet:
Rudy Loera (on 1959-08-13)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
The Surrey With the Fringe on Top (on 1959-08-13)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Peggy Lee1:58
22The Party’s Over
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-14)
flute:
Ruben Leon (on 1959-08-14)
piano:
Eddie Cano (on 1959-08-14)
trumpet:
Rudy Loera (on 1959-08-14)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
The Party’s Over (Bells Are Ringing) (on 1959-08-14)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
Peggy Lee3:17
23Dance Only With Me
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Dance Only With Me (on 1959-08-12)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
Peggy Lee2:27
24Wish You Were Here
flute:
Ruben Leon (on 1959-08-13)
piano:
Eddie Cano (on 1959-08-13)
trumpet:
Rudy Loera (on 1959-08-13)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Wish You Were Here (1952 song from the musical “Wish You Were Here”) (on 1959-08-13)
lyricist and composer:
Harold Rome
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Wish You Were Here (1952 musical)
Peggy Lee2:45
25C’est magnifique
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (on 1959-08-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
Peggy Lee2:04
26I Enjoy Being a Girl
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-14)
flute:
Ruben Leon (on 1959-08-14)
piano:
Eddie Cano (on 1959-08-14)
trumpet:
Rudy Loera (on 1959-08-14)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
I Enjoy Being a Girl (Flower Drum Song) (on 1959-08-14)
orchestrator:
Don Sebesky
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
premiered by:
Pat Suzuki (American popular singer & actress) (in 1958)
publisher:
Williamson Music Company
part of:
Flower Drum Song (Rodgers & Hammerstein musical)
Peggy Lee2:11
3▶CD: Christmas Carousel / Ole ala Lee
4▶CD: Basin Street East Proudly Presents Miss Peggy Lee / If You Go