La Divina: Maria Callas in All Her Roles

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Anmerkung zuletzt geändert am 2025-01-14 10:48 UTC.

Titelliste

1CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
Nr.TitelKünstlerBewertungLänge
1Ifigenia in Tauride: Act III. “Il voto pago andrà” (Ifigenia)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Il voto pago andrà” (Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck1:12
2Ifigenia in Tauride: Act III. “Io ti veggio ad ogni istante” (Ifigenia)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Io ti veggio ad ogni istante” (Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck2:36
3Ifigenia in Tauride: Act III. “S'avanzano i due prigionier” (Coro, Ifigenia, Oreste, Pilade)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Mezzosoprangesang [Prima sacerdotessa]:
Stefania Malagú (mezzo-soprano) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Soprangesang [Seconda sacerdotessa]:
Eva Perotti (soprano) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “S'avanzano i due prigionier” (Coro, Ifigenia, Oreste, Pilade) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck1:05
4Ifigenia in Tauride: Act III. “Se deluder saprò del re la furia orrenda” (Ifigenia, Oreste, Pilade)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Se deluder saprò del re la furia orrenda” (Ifigenia, Oreste, Pilade) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck3:34
5Ifigenia in Tauride: Act III. “Oh celeste gioir!” (Pilade, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Oh celeste gioir!” (Pilade, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck0:40
6Ifigenia in Tauride: Act III. “E me d'amar, o mio fedel, presumi” (Pilade, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “E me d'amar, o mio fedel, presumi” (Pilade, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck2:17
7Ifigenia in Tauride: Act III. “Che! non saprò domar resistenze funeste?” (Pilade, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Che! non saprò domar resistenze funeste?” (Pilade, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck2:20
8Ifigenia in Tauride: Act III. “Ahi! Qual pietà” (Ifigenia, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Ahi! Qual pietà” (Ifigenia, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck1:16
9Ifigenia in Tauride: Act III. “Che! Me stimi salvar la desiata morte?” (Ifigenia, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Che! Me stimi salvar la desiata morte?” (Ifigenia, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck1:31
10Ifigenia in Tauride: Act III. “Divinità de l'alme grandi” (Pilade)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto III. “Divinità de l'alme grandi” (Pilade) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto III
Christoph Willibald Gluck2:12
11Ifigenia in Tauride: Act IV. “Ah! l'esecrando rito non so perpetrar” (Ifigenia)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Ah! l'esecrando rito non so perpetrar” (Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck0:51
12Ifigenia in Tauride: Act IV. “Io t'imploro anclante, o implacabile Dea!” (Ifigenia)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Io t'imploro anclante, o implacabile Dea!” (Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck2:39
13Ifigenia in Tauride: Act IV. “Sii, Diana, a noi propizia!” (Coro)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Sii, Diana, a noi propizia!” (Coro) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck3:18
14Ifigenia in Tauride: Act IV. “La forza m'abbandona, o condanna crudel!” (Ifigenia, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “La forza m'abbandona, o condanna crudel!” (Ifigenia, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:39
15Ifigenia in Tauride: Act IV. “Casta figlia di Latona” (Coro)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Mezzosoprangesang [Prima sacerdotessa]:
Stefania Malagú (mezzo-soprano) (am 1957-06-01)
Soprangesang [Seconda sacerdotessa]:
Eva Perotti (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Casta figlia di Latona” (Coro) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:25
16Ifigenia in Tauride: Act IV. “Sommi Dei, sommi Dei, soccorso a me!” (Ifigenia, Coro, Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Sommi Dei, sommi Dei, soccorso a me!” (Ifigenia, Coro, Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck2:19
17Ifigenia in Tauride: Act IV. “Non evocar immagini funeste!” (Ifigenia)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Non evocar immagini funeste!” (Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:05
18Ifigenia in Tauride: Act IV. “Sventura! ahimé! Disvelato è il mistero!” (Donna greca, Coro, Ifigenia)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Soprangesang [Una donna greca]:
Edith Martelli (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Sventura! ahimé! Disvelato è il mistero!” (Donna greca, Coro, Ifigenia) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:11
19Ifigenia in Tauride: Act IV. “Scoverti sono alfin tuoi fini pravi … Dunque vuoi che lo tragga all'ara” (Toante, Ifigenia, Oreste, Pilade, Coro)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Baritongesang [Toante]:
Anselmo Colzani (am 1957-06-01)
Chorgesang:
Coro del Teatro alla Scala di Milano (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Tenor-Gesang [Pilade]:
Francesco Albanese (tenor) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
chorus master:
Norberto Mola (chorus master) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Scoverti sono alfin tuoi fini pravi … Dunque vuoi che lo tragga all'ara” (Toante, Ifigenia, Oreste, Pilade, Coro) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck2:42
20Ifigenia in Tauride: Act IV. “V'arrestate e s'ascolti il mio parlar!” (Diana)
Soprangesang [Diana]:
Fiorenza Cossotto (mezzo-soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “V'arrestate e s'ascolti il mio parlar!” (Diana) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:52
21Ifigenia in Tauride: Act IV. “In questa eterea forma” (Oreste)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “In questa eterea forma” (Oreste) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck0:52
22Ifigenia in Tauride: Act IV. “Trascorso il tempo omai” (Tutti)
Baritongesang [Ministro del tempio]:
Costantino Ego (operatic bass-baritone) (am 1957-06-01)
Baritongesang [Oreste]:
Dino Dondi (Italian baritone) (am 1957-06-01)
Baritongesang [Toante]:
Anselmo Colzani (am 1957-06-01)
Mezzosoprangesang [Prima sacerdotessa]:
Stefania Malagú (mezzo-soprano) (am 1957-06-01)
Soprangesang [Diana]:
Fiorenza Cossotto (mezzo-soprano) (am 1957-06-01)
Soprangesang [Ifigenia]:
Maria Callas (soprano) (am 1957-06-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (am 1957-06-01)
conductor:
Nino Sanzogno (conductor) (am 1957-06-01)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (am 1957-06-01)
live recording of:
Ifigenia in Tauride, Wq. 46: Atto IV. “Trascorso il tempo omai” (Tutti) (am 1957-06-01)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Nicolas-François Guillard
Übersetzer:
Lorenzo Da Ponte
Teil von:
Ifigenia in Tauride, Wq. 46: Atto IV
Christoph Willibald Gluck1:16
92CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122CD: Live in Paris 1958 (Live, Recorded 1958)
123CD: Live in Hamburg 1959 (Live, Recorded 1959)
124CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131CD: Bonus: Studio alternate takes and working sessions 1960-1964
132CD: Maria Callas at Julliard: the Master Classes - 1
133CD: Maria Callas at Julliard: the Master Classes - 2
134CD: Maria Callas at Julliard: the Master Classes - 3
135Daten-DVD-R: Libretti, Texts, Interviews, Recording sheets