The Power of Love: 1977–1981

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:29
2Looking for Clues
recording of:
Looking for Clues
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music
Robert Palmer4:20
3Well All Right
assistierende(r) Techniker(in):
Gary Boatner (engineer)
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1978-07 bis 1978-08)
cover recording of:
Well… All Right (von 1978-07 bis 1978-08)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
Santana2.654:13
4I Can’t Wait
recording of:
I Can't Wait
Verfasser(in):
Stevie Nicks, Rick Nowels und Eric Pressly (Bassist, producer and songwriter)
publisher:
Future Furniture Music und Welsh Witch Music (BMI affiliated)
Stevie Nicks4:24
5Maybe
Thom Pace2:34
6Shine a Little Love
recording of:
Shine a Little Love
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra34:40
7Mirrors
live recording of:
Mirrors
Texter und Komponist(in):
Sally Oldfield
publisher:
Betterbron Music Ltd. (publisher) (in 1978)
Sally Oldfield3:25
8Thank You for Being a Friend
recording of:
Thank You for Being a Friend
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4:01
9Lay Back in the Arms of Someone
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1977)
aufgenommen bei:
Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (von 1977-03 bis 1977-04)
recording of:
Lay Back in the Arms of Someone (von 1977-03 bis 1977-04)
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Musik-Edition Discoton GmbH
Smokie14:05
10Devoted to You
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Bass:
Will Lee (US jazz/rock bassist)
E-Gitarre:
Hugh McCracken
Hybrid-Piano:
Richard Tee
Schlagzeug:
Steve Gadd (drummer)
vocals:
Carly Simon
Interpret(in):
James Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978)
cover recording of:
Devoted to You
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
Carly Simon2:32
11Took the Last Train
alto saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
Dean Parks (American session guitarist)
Klavier und Moog:
Larry Knechtel
Schlagzeug:
Mike Botts
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978)
recording of:
Took the Last Train
Verfasser(in):
David Gates (singer/songwriter, lead singer of Bread)
Komponist(in):
David Gates (singer/songwriter, lead singer of Bread) und Larry Knechtel
David Gates4:31
12Feels So Right
recording of:
Feels So Right
Texter und Komponist(in):
Randy Owen
Alabama3:34
13So Into You
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976)
recording of:
So in to You
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix (drummer)
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section53:15
14Carry on Wayward Son
Produzent(in):
Jeff Glixman
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Carry On Wayward Son
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:29
15Escape (The Pina Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:53

Nennungen

Veröffentlichungsgruppe

Teil von:The Power of Love (Time-Life Music) (Nummer: 18) (Reihenfolge: 18)