Four Classic Albums Plus - Second Set

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Don't Be That Way
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:32
2Let's Face the Music and Dance
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3:15
3I Never Had a Chance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Never Had a Chance
lyricist and composer:
Irving Berlin
3:07
4Stompin' at the Savoy
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Stompin’ at the Savoy (on 1956-12-20)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:04
5Pick Yourself Up
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:16
6Stars Fell on Alabama
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music
3:54
7Sweet Georgia Brown
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Sweet Georgia Brown (on 1956-12-20)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
2:49
8I Won't Dance
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-12-20)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
2:19
9Man With a Horn
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
Man With a Horn (on 1956-12-19)
lyricist:
Eddie DeLange
composer:
Jack Jenney (American jazz trombonist) and Bonnie Lake
4:12
10I Used to Be Color Blind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
4:21
11There's a Lull in My Life
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-19) and Bud Shank (on 1956-12-19)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-19)
double bass [bass]:
Joe Mondragon (on 1956-12-19)
drums (drum set):
Alvin Stoller (on 1956-12-19)
guitar:
Al Hendrickson (on 1956-12-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-19) and George Auld (on 1956-12-19)
trombone:
Milt Bernhart (on 1956-12-19), George Roberts (american bass trombone) (on 1956-12-19), Frank Rosolino (on 1956-12-19) and Lloyd Ulyate (on 1956-12-19)
trumpet:
Conte Candoli (on 1956-12-19), Pete Candoli (on 1956-12-19), Conrad Gozzo (on 1956-12-19) and Ray Linn (on 1956-12-19)
vocals:
Anita O’Day (on 1956-12-19)
conductor:
Buddy Bregman (on 1956-12-19)
recording of:
There’s a Lull in My Life (on 1956-12-19)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
3:17
12Let's Begin
producer:
Norman Granz and Anita O’Day
alto saxophone:
Herb Geller (on 1956-12-20) and Bud Shank (on 1956-12-20)
baritone saxophone:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-12-20)
double bass [bass]:
Joe Mondragon (on 1956-12-20)
drums (drum set):
Alvin Stoller (on 1956-12-20)
guitar:
Al Hendrickson (on 1956-12-20)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-12-20) and George Auld (on 1956-12-20)
trombone:
Milt Bernhart (on 1956-12-20), George Roberts (american bass trombone) (on 1956-12-20), Frank Rosolino (on 1956-12-20) and Lloyd Ulyate (on 1956-12-20)
trumpet:
Conte Candoli (on 1956-12-20), Pete Candoli (on 1956-12-20), Conrad Gozzo (on 1956-12-20) and Ray Linn (on 1956-12-20)
vocals:
Anita O’Day (on 1956-12-20)
conductor:
Buddy Bregman (on 1956-12-20)
recording of:
Let’s Begin (from "Roberta")
lyricist:
Dorothy Fields (American librettist and lyricist) and Otto Harbach (in 1933)
composer:
Jerome Kern (in 1933)
part of:
Roberta
3:25
13Mack the Knife
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
recording of:
Mack the Knife (1954 Blitzstein translation) (in 1959-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:06
14Easy Come, Easy Go
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-04-06)
vocals:
Anita O’Day (on 1959-04-06)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
recording of:
Easy Come, Easy Go (on 1959-04-06)
lyricist:
Edward Heyman (in 1934)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1934)
3:11
15Orphan Annie
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
2:00
16You're a Clown
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
2:30
17Gone With the Wind
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Gone With the Wind (in 1959-04)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:24
18Hooray for Hollywood
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Hooray for Hollywood (in 1959-04)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting (composer)
2:22
19It Had to Be You
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
It Had to Be You (in 1959-04)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
3:11
20Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Come Rain or Come Shine (in 1959-04)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:14
21Hershey Bar
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Hershey Bar (in 1959-04)
composer:
Johnny Mandel (American composer and arranger)
recording of:
Hershey Bar
composer:
Johnny Mandel (American composer and arranger)
2:05
22A Lover Is Blue
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
A Lover Is Blue (in 1959-04)
writer:
Charles Carpenter, James R. Mundy and Trummy Young
3:00
23My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
producer:
Norman Granz
bass:
Buddy Clark (US jazz bassist)
drums (drum set):
Lawrence Marable
piano:
Jimmy Rowles
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
trombone:
Frank Rosolino
trumpet:
Lee Katzman and Jack Sheldon
tuba:
Al Pollan
vocals:
Anita O’Day (from 1959-04-07 to present, in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
My Heart Belongs to Daddy (in 1959-04)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
2:52
24The Way You Look Tonight
recorded in:
Hollywood, Los Angeles, California, United States (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
The Way You Look Tonight (from “Swing Time”) (in 1959-04)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
2:09
25Sweet Georgia Brown
4:30
26Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:44
2▶CD