A Giant Step in Jazz (digital-only Atlantic recordings compilation/playlist)

~ Veröffentlichung von John Coltrane (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2007 Rhino Entertainment Company, a Warner Music Company»

Anmerkung zuletzt geändert am 2025-11-30 08:55 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Stairway to the Stars
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Stairway to the Stars (am 1959-01-15)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Milt Jackson & John Coltrane3:32
2The Late Late Blues
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
The Late Late Blues (am 1959-01-15)
Komponist(in):
Milt Jackson
Milt Jackson & John Coltrane9:31
3Bags & Trane
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
Bags & Trane (am 1959-01-15)
Komponist(in):
Milt Jackson
Milt Jackson & John Coltrane7:21
4Three Little Words
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Bass und Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Klavier:
Hank Jones (piano) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Three Little Words (am 1959-01-15)
Texter:
Bert Kalmar (in 1930)
Komponist(in):
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell und MPL Music Publishing Inc.
adaptations:
As três palavrinhas
Milt Jackson & John Coltrane7:27
5The Night We Called It a Day
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
The Night We Called It a Day (am 1959-01-15)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. und Dorsey Brothers Music
Milt Jackson & John Coltrane4:19
6Be‐Bop
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Be-Bop (am 1959-01-15)
Komponist(in):
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Milt Jackson & John Coltrane8:00
7Blues Legacy - Alternate Take
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
Blues Legacy (am 1959-01-15)
Komponist(in):
Milt Jackson
Milt Jackson & John Coltrane9:01
8Centerpiece
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Centerpiece (am 1959-01-15)
Texter:
Jon Hendricks
Komponist(in):
Harry “Sweets” Edison
publisher:
Caphryl Music und Carlin Music Corporation
Milt Jackson & John Coltrane7:09
9Giant Steps - Alternate Take
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
John Coltrane4:51
10Naima - Alternate Take
recording engineer:
Tom Dowd (am 1959-03-26) und Phil Iehle (am 1959-03-26)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Cedar Walton (am 1959-03-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-26)
Schlagzeug:
Lex Humphries (am 1959-03-26)
Tenorsaxophon:
John Coltrane (am 1959-03-26)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Naima (original instrumental version) (am 1959-03-26)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane4:31
11Like Sonny - Alternate Take
recording engineer:
Tom Dowd (am 1959-03-26) und Phil Iehle (am 1959-03-26)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Cedar Walton (am 1959-03-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-26)
Schlagzeug:
Lex Humphries (am 1959-03-26)
Tenorsaxophon:
John Coltrane (am 1959-03-26)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Like Sonny (am 1959-03-26)
Komponist(in):
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
John Coltrane6:08
12Spiral
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun (am 1959-05-04)
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Spiral (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane46:03
13Countdown
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Countdown (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane32:25
14Countdown - Alternative Take
recording engineer:
Tom Dowd (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Countdown (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane4:38
15Syeeda’s Song Flute
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Syeeda's Song Flute (am 1959-05-05)
Komponist(in):
John Coltrane
John Coltrane47:06
16Syeeda’s Song Flute - Alternate Take
recording engineer:
Tom Dowd (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Syeeda's Song Flute (am 1959-05-05)
Komponist(in):
John Coltrane
John Coltrane7:11
17Mr. P.C.
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Mr. P.C. (am 1959-05-05)
Komponist(in):
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
John Coltrane46:59
18Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
John Coltrane3.34:43
19Cousin Mary
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane45:50
20Cousin Mary - Alternate Take
recording engineer:
Tom Dowd (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Cousin Mary (original instrumental version) (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane5:50
21I’ll Wait and Pray
recording engineer:
Tom Dowd (am 1959-11-24) und Phil Iehle (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (am 1959-11-24)
Verfasser(in):
Jerry Valentine (trombone, aka Jerry Valentine) und George Treadwell
John Coltrane3:26
22I’ll Wait and Pray - Alternate Take
recording engineer:
Tom Dowd (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental recording of:
I’ll Wait and Pray (am 1959-11-24)
Verfasser(in):
Jerry Valentine (trombone, aka Jerry Valentine) und George Treadwell
John Coltrane3:31
23Little Old Lady
recording engineer:
Tom Dowd (am 1959-11-24) und Phil Iehle (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental cover recording of:
Little Old Lady (am 1959-11-24)
Texter:
Stanley Adams (US lyricist & songwriter) und Hoagy Carmichael
Komponist(in):
Hoagy Carmichael
John Coltrane4:28
24Like Sonny
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Like Sonny (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
John Coltrane5:52
25Harmonique
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Harmonique (am 1959-12-02)
Komponist(in):
John Coltrane
John Coltrane4:14
26My Shining Hour
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (am 1959-12-02)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (beendet), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Harwin Music Corporation
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Sky’s the Limit (1943 film)
John Coltrane4:49
27Naima
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Naima (original instrumental version) (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane44:18
28Some Other Blues
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Some Other Blues (am 1959-12-02)
Komponist(in):
John Coltrane
John Coltrane5:40
29Fifth House
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Fifth House (am 1959-12-02)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane4:44
30Cherryco
recording engineer:
Tom Dowd und Phil Iehle
Produzent(in):
Nesuhi Ertegun
Kontrabass:
Charlie Haden (American jazz bassist) (am 1960-06-28)
Schlagzeug:
Ed Blackwell (am 1960-06-28)
Tenorsaxophon:
John Coltrane (am 1960-06-28)
Trompete:
Don Cherry (jazz trumpeter) (am 1960-06-28)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-06-28)
recording of:
Cherryco (am 1960-06-28)
Komponist(in):
Don Cherry (jazz trumpeter)
publisher:
Eternal River Music (publisher for Don Cherry)
John Coltrane & Don Cherry6:45
31The Blessing
recording engineer:
Tom Dowd und Phil Iehle
Produzent(in):
Nesuhi Ertegun
Kontrabass:
Charlie Haden (American jazz bassist) (am 1960-06-28)
Schlagzeug:
Ed Blackwell (am 1960-06-28)
Sopransaxophon:
John Coltrane (am 1960-06-28)
Trompete:
Don Cherry (jazz trumpeter) (am 1960-06-28)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-06-28)
cover recording of:
The Blessing (am 1960-06-28)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
John Coltrane & Don Cherry7:51
32Focus on Sanity
recording engineer:
Tom Dowd und Phil Iehle
Produzent(in):
Nesuhi Ertegun
Kontrabass:
Percy Heath (am 1960-07-08)
Schlagzeug:
Ed Blackwell (am 1960-07-08)
Tenorsaxophon:
John Coltrane (am 1960-07-08)
Trompete:
Don Cherry (jazz trumpeter) (am 1960-07-08)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-07-08)
cover recording of:
Focus on Sanity (am 1960-07-08)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music, Inc.
John Coltrane & Don Cherry12:12
33The Invisible
recording engineer:
Tom Dowd und Phil Iehle
Produzent(in):
Nesuhi Ertegun
Kontrabass:
Percy Heath (am 1960-07-08)
Schlagzeug:
Ed Blackwell (am 1960-07-08)
Sopransaxophon und Tenorsaxophon:
John Coltrane (am 1960-07-08)
Trompete:
Don Cherry (jazz trumpeter) (am 1960-07-08)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-07-08)
cover recording of:
Invisible (am 1960-07-08)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
Carl Fischer Music
John Coltrane & Don Cherry4:11
34Bemsha Swing
recording engineer:
Tom Dowd und Phil Iehle
Produzent(in):
Nesuhi Ertegun
Kontrabass:
Percy Heath (am 1960-07-08)
Schlagzeug:
Ed Blackwell (am 1960-07-08)
Tenorsaxophon:
John Coltrane (am 1960-07-08)
Trompete:
Don Cherry (jazz trumpeter) (am 1960-07-08)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-07-08)
cover recording of:
Bemsha Swing (instrumental) (am 1960-07-08)
Komponist(in):
Denzil Best und Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music und Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und 日音 Synch事業部 (NICHION, INC. Synch Division)
John Coltrane & Don Cherry5:05
35Village Blues
recording engineer:
Tom Dowd (am 1960-10-21) und Phil Iehle (am 1960-10-21)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Tenorsaxophon:
John Coltrane (am 1960-10-21)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-21)
recording of:
Village Blues (am 1960-10-21)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane5:24
36Village Blues - Alternate Take
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Tenorsaxophon:
John Coltrane (am 1960-10-21)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-21)
recording of:
Village Blues (am 1960-10-21)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane6:18
37My Favorite Things
recording engineer:
Tom Dowd (am 1960-10-21) und Phil Iehle (am 1960-10-21)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Sopransaxophon:
John Coltrane (am 1960-10-21)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-21)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (am 1960-10-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane3.713:42
38Central Park West
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Sopransaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Central Park West (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane4:11
39Mr. Syms
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Sopransaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Mr. Syms (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane5:20
40Untitled Original (Exotica) - Alternate Take
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Sopransaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Exotica (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane5:21
41Summertime
recording engineer:
Tom Dowd (am 1960-10-24) und Phil Iehle (am 1960-10-24)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1960-10-24)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
John Coltrane311:38
42Body and Soul
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
instrumental cover recording of:
Body and Soul (am 1960-10-24)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
John Coltrane5:37
43Body and Soul - Alternate Take
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
instrumental recording of:
Body and Soul (am 1960-10-24)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
John Coltrane6:00
44Mr. Knight
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Mr. Knight (am 1960-10-24)
Komponist(in):
John Coltrane
John Coltrane7:31
45Blues to Elvin
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Blues to Elvin (am 1960-10-24)
Komponist(in):
John Coltrane und Elvin Jones (jazz drummer)
John Coltrane7:51
46Mr. Day
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Mr. Day (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane7:54
47Blues to You - Alternate Take 1
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Blues to You (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane5:34
48Blues to You
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Blues to You (am 1960-10-24)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane6:27
49Blues to Bechet
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Sopransaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Blues to Bechet (am 1960-10-24)
Komponist(in):
John Coltrane
gewidmet:
Sidney Bechet
publisher:
Jowcol Music
John Coltrane5:44
50Satellite
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Kontrabass und Kontrabass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
recording of:
Satellite (am 1960-10-24)
Komponist(in):
John Coltrane
John Coltrane5:51
51Everytime We Say Goodbye
recording engineer:
Tom Dowd (am 1960-10-26) und Phil Iehle (am 1960-10-26)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Sopransaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1960-10-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
John Coltrane35:45
5226-2
recording engineer:
Tom Dowd (am 1960-10-26)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Sopransaxophon und Tenorsaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
recording of:
26-2 (am 1960-10-26)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane6:13
53But Not for Me
recording engineer:
Tom Dowd (am 1960-10-26) und Phil Iehle (am 1960-10-26)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Tenorsaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
instrumental cover recording of:
But Not for Me (am 1960-10-26)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
John Coltrane9:42
54Liberia
recording engineer:
Tom Dowd (am 1960-10-26)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass und Kontrabass [bass]:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Tenorsaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
recording of:
Liberia (original instrumental composition) (am 1960-10-26)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane6:51
55The Night Has a Thousand Eyes
recording engineer:
Tom Dowd (am 1960-10-26)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Tenorsaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
instrumental cover recording of:
The Night Has a Thousand Eyes (am 1960-10-26)
Texter:
Buddy Bernier
Komponist(in):
Buddy Bernier und Jerry Brainin
Teil von:
The Real Book (compilation of jazz standards, volume I)
John Coltrane6:51
56Equinox
recording engineer:
Tom Dowd (am 1960-10-26)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Tenorsaxophon:
John Coltrane (am 1960-10-26)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
Bearbeitung von:
Equinox (studio, 1960-10-26: original stereo master recording) von John Coltrane
recording of:
Equinox (original instrumental version) (am 1960-10-26)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane8:07
57Ole
recording engineer:
Phil Ramone (am 1961-05-25)
Produzent(in):
Nesuhi Ertegun
flute:
George Lane (am 1961-05-25)
Klavier:
McCoy Tyner (jazz pianist) (am 1961-05-25)
Kontrabass:
Art Davis (US jazz double bassist) (am 1961-05-25) und Reggie Workman (am 1961-05-25)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1961-05-25)
Sopransaxophon:
John Coltrane (am 1961-05-25)
Trompete:
Freddie Hubbard (am 1961-05-25)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1961-05-25)
recording of:
Olé (am 1961-05-25)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
basiert auf:
El vito (traditional Andalusian)
John Coltrane18:19
58Dahomey Dance
recording engineer:
Phil Ramone (am 1961-05-25)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
George Lane (am 1961-05-25)
Klavier:
McCoy Tyner (jazz pianist) (am 1961-05-25)
Kontrabass:
Art Davis (US jazz double bassist) (am 1961-05-25) und Reggie Workman (am 1961-05-25)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1961-05-25)
Tenorsaxophon:
John Coltrane (am 1961-05-25)
Trompete:
Freddie Hubbard (am 1961-05-25)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1961-05-25)
recording of:
Dahomey Dance (am 1961-05-25)
Komponist(in):
John Coltrane
John Coltrane10:50
59Aisha
recording engineer:
Phil Ramone (am 1961-05-25)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
George Lane (am 1961-05-25)
Klavier:
McCoy Tyner (jazz pianist) (am 1961-05-25)
Kontrabass:
Reggie Workman (am 1961-05-25)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1961-05-25)
Tenorsaxophon:
John Coltrane (am 1961-05-25)
Trompete:
Freddie Hubbard (am 1961-05-25)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1961-05-25)
recording of:
Aisha (am 1961-05-25)
Komponist(in):
McCoy Tyner (jazz pianist)
John Coltrane57:45
60To Her Ladyship - Original Untitled Ballad
recording engineer:
Phil Ramone (am 1961-05-25)
Produzent(in):
Nesuhi Ertegun
alto saxophone und Sopransaxophon, Sopransaxophon und Tenorsaxophon:
John Coltrane (am 1961-05-25)
flute:
George Lane (am 1961-05-25)
Klavier:
McCoy Tyner (jazz pianist) (am 1961-05-25)
Kontrabass:
Art Davis (US jazz double bassist) (am 1961-05-25)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1961-05-25)
Trompete:
Freddie Hubbard (am 1961-05-25)
phonographisches Urheberrecht (℗) von:
Essential Jazz Classics (in 2014)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1961-05-25)
cover recording of:
To Her Ladyship (am 1961-05-25)
Verfasser(in):
Billy Frazier (jazz saxophonist)
John Coltrane9:00