The No.1 DJ Collection: 70s (Digital Collection)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶Supporto digitale: 70s Volume 1: Number Ones 281 > 299
2▶Supporto digitale: 70s Volume 2: Number Ones 300 > 318
3▶Supporto digitale: 70s Volume 3: Number Ones 319 > 337
4▶Supporto digitale: 70s Volume 4: Number Ones 338 > 357
5▶Supporto digitale: 70s Volume 5: Number Ones 358 > 376
6▶Supporto digitale: 70s Volume 6: Number Ones 377 > 394
7▶Supporto digitale: 70s Volume 7: Number Ones 395 > 413
8▶Supporto digitale: 70s Volume 8: Number Ones 414 > 430
9▼Supporto digitale: 70s Volume 9: Number Ones 431 > 448
#TitoloArtistaValutazioneDurata
1Y.M.C.A.
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
edit di:
Y.M.C.A. (album version) di Village People
registrazione di:
Y.M.C.A.
paroliere:
Victor Edward Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") e Zomba Music Publishing Ltd.
Village People4.153:44
2Hit Me With Your Rhythm Stick
produttore:
Laurie Latham
basso elettrico :
Norman Watt-Roy (nel 1978)
batteria :
Charley Charles (UK drummer) (nel 1978)
chitarra :
John Turnbull (nel 1978)
organo Hammond :
Mick Gallagher (UK hammond organ player) (nel 1978)
pianoforte :
Chaz Jankel (English musician and songwriter) (nel 1978)
sassofono :
Davey Payne (UK saxophonist) (nel 1978)
voce principale:
Ian Dury (nel 1978)
diritti fonografici (℗) detenuti da:
Templemill Music Ltd (nel 1979)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1978)
registrazione di:
Hit Me With Your Rhythm Stick (nel 1978)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:41
3Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.34:00
4Tragedy
assistente tecnico:
John Blanche e Dennis Hetzendorfer
tecnico:
Karl Richardson
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
corno :
Boneroo Horns (dal 1978-03 al 1978-11), Peter Graves (trombonist) (dal 1978-03 al 1978-11), Kenny Faulk (trumpet player) (dal 1978-03 al 1978-11), Neil Bonsanti (dal 1978-03 al 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (dal 1978-03 al 1978-11), Whit Sidener (dal 1978-03 al 1978-11) e Stan Webb (US jazz saxophone, flute) (dal 1978-03 al 1978-11)
direttore d'orchestra:
Albhy Galuten
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1979), Maurice Gibb (nel 1979), Robin Gibb (nel 1979) e Yvonne Gibb (nel 1979)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1979), PolyGram International Music B.V. (not for release label use!) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1979) e The Estate of Robin Gibb (nel 1979)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (dal 1978-03 al 1978-11)
registrazione di:
Tragedy (dal 1978-03 al 1978-11)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) e Warner/Chappell (Warner/Chappell Music, Inc.)
Bee Gees4.25:04
5I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:17
6Bright Eyes
produttore:
Mike Batt
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1979)
registrazione di:
Bright Eyes
paroliere e compositore:
Mike Batt
editore:
April Music, CBS Songs Ltd., EMI Blackwood Music Inc., EMI Music Publishing Germany GmbH (1967–2001), EMI Songs Australia Pty. Ltd., EMI Songs Ltd., SBK Songs Ltd., Watership Productions Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Art Garfunkel4.53:56
7Sunday Girl
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978, nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Sunday Girl (dal 1978-06 al 1978-07)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie3.83:04
8Ring My Bell
registrazione di:
Ring My Bell (Anita Ward song)
paroliere e compositore:
Frederick Knight
editore:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. e Universal Music Publishers MGB Australia Pty Ltd
Anita Ward43:18
9Are ‘Friends’ Electric?
assistente tecnico:
Harvey Ishiki
tecnico:
Jon Caffery (producer and engineer)
produttore:
Gary Numan
tecnico di missaggio:
Jon Caffery (producer and engineer), Gary Numan e Rikki Sylvan
batteria :
Jess Lidyard
chitarra , tastiera e voce principale:
Gary Numan
chitarra basso :
Paul Gardiner
diritti fonografici (℗) detenuti da:
Beggars Banquet (nel 1979) e Beggars Banquet Records Ltd. (for copyrights purpose) (nel 1979)
registrazione di:
Are ‘Friends’ Electric?
paroliere e compositore:
Gary Numan
editore:
Beggars Banquet Music Ltd., Momentum Music Ltd., Numan Music Ltd., Andrew Heath Music (dal 1979 a oggi) e Beggars Banquet (dal 1979 a oggi)
Tubeway Army3.65:22
10I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:16
11We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:13
12Cars
tecnico e tecnico di missaggio:
Rikki Sylvan e Harvey Webb
produttore:
Gary Numan
batteria , batteria e tamburello e percussione :
Cedric Sharpley
chitarra basso :
Paul Gardiner
percussione [synthetic percussion] :
Gary Numan
tastiera :
Gary Numan e Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
voce principale:
Gary Numan (nel 1979)
diritti fonografici (℗) detenuti da:
Beggars Banquet (, nel 1979) e WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (nel 1979)
registrata presso:
Marcus Recording Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Cars di Gary Numan
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 11), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 16) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 93)
registrazione di:
Cars
paroliere e compositore:
Gary Numan
autore:
Nick Hemming e Gary Numan
editore:
Beggars Banquet Music Ltd. e Momentum Music Ltd.
Gary Numan4.23:55
13Message in a Bottle
tecnico:
Nigel Gray (UK producer)
produttore:
Nigel Gray (UK producer) e The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1979), A&M Records, Ltd. (nel 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1979) e A&M Records, Inc. (nel 1997)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
registrazione di:
Message in a Bottle
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., GM Sumner e Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:52
14Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (English keyboardist) (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:27
15One Day at a Time
registrazione cover di:
One Day at a Time
autore:
Kris Kristofferson e Marijohn Wilkin
editore:
Valentine Music Co
adattamenti:
Un día a la vez
Lena Martell3:14
16When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:53
17Walking on the Moon
registrazione di:
Walking on the Moon
paroliere e compositore:
Gordon Sumner (singer, songwriter & member of The Police)
editore:
EMI Music Publishing (PRS‐affiliated), Virgin Music, Inc. (US arm of Virgin’s publishing company) e Virgin Publishing (nel 1979)
The Police5:03
18Another Brick in the Wall, Part 2
tecnico:
James Guthrie
co-produttore:
James Guthrie
produttore:
Bob Ezrin, David Gilmour (Pink Floyd) e Roger Waters
diritti fonografici (℗) detenuti da:
Pink Floyd Music Ltd. (nel 1979)
registrazione di:
Another Brick in the Wall, Part 2
paroliere e compositore:
Roger Waters
editore:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) e Pink Floyd Music Publishers Inc. (nel 1979)
parte di:
Another Brick in the Wall
Pink Floyd3.53:09