Magnificat (500 Ans De Musique Sacre) = Magnificat (Grosse Chorwerke Aus 5 Jahrhunderten) = Magnificat (500 Years Of Choral Masterworks)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1The Creation: Part One. The First Day: Introduction. The Representation of Chaos
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn6:19
2The Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:11
3The Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:07
4The Creation: Part One. The Second Day: Accompanied recitative "And God made the firmament" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:02
5The Creation: Part One. The Second Day: Solo with Chorus "The glorious heav'nly hierarchy" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:16
6The Creation: Part One. The Third Day: Recitative "And God said: Let the waters under the heaven be gathered together" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:39
7The Creation: Part One. The Third Day: Aria "Rolling in Foaming Billows" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:10
8The Creation: Part One. The Third Day: Recitative "And God said: Let the earth bring forth grass" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:30
9The Creation: Part One. The Third Day: Aria "With verdure clad the fields appear" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:12
10The Creation: Part One. The Third Day: Recitative "And the heavenly host the third day proclaimed" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:11
11The Creation: Part One. The Third Day: Chorus "Awake the harp, the lyre awake"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:10
12The Creation: Part One. The Fourth Day: Recitative "And God said: Let there be lights in the firmament of heaven" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:40
13The Creation: Part One. The Fourth Day: Accompanied recitative "In brightest splendour rises now the sun" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:06
14The Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (in 2006-10)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:08
15The Creation: Part Two. The Fifth Day: Recitative "And God said: Let the waters bring forth abundantly" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:31
16The Creation: Part Two. The Fifth Day: Aria "On mighty pens uplifted soars the eagle" (Gabriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn8:10
17The Creation: Part Two. The Fifth Day: Accompanied recitative "And God created great whales" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn2:38
18The Creation: Part Two. The Fifth Day: Recitative "And the angels struck their immortal harps" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:18
19The Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great"
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn6:53
20The Creation: Part Two. The Sixth Day: Recitative "And God said: Let the earth bring forth the living creature" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:24
21The Creation: Part Two. The Sixth Day: Accompanied recitative "Straight opening her fertile womb" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:27
22The Creation: Part Two. The Sixth Day: Aria "Now heaven in fullest glory shines" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:38
23The Creation: Part Two. The Sixth Day: Recitative "And God created man" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:49
24The Creation: Part Two. The Sixth Day: Aria "In native worth and honour clad" (Uriel)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:54
25The Creation: Part Two. The Sixth Day: Recitative "And God saw everything that he had made" (Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:21
26The Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael)
recording engineer:
Jonathan Stokes (engineer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals [Raphael]:
Neal Davies (operatic bass) (in 2006-10)
choir vocals:
Chetham's Chamber Choir (in 2006-10)
soprano vocals [Gabriel]:
Sandrine Piau (soprano) (in 2006-10)
tenor vocals [Uriel]:
Mark Padmore (British tenor) (in 2006-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2006-10)
conductor:
Paul McCreesh (conductor) (in 2006-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2006-10)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (in 2006-10)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn9:43
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