Epiphany Mass

~ Release by Johann Sebastian Bach; Gabrieli Consort & Players, Paul McCreesh (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Church Bells
producer:
Christopher Adler (American composer & musician)
performer:
[church chimes] (Special Purpose Artist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[traditional]0:49
2Puer natus in Bethlehem, BWV 603
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Puer natus in Bethlehem, BWV 603 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 5) and Bach-Werke-Verzeichnis (number: BWV 603)
Johann Sebastian Bach1:05
3Puer natus in Bethlehem (Benedictine Processional, 14th C.)
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]3:37
4Fantasia in E-flat major
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Fantasia in E-flat major, P. 127, T. 254 (in 1997-05)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 127), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 182) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 254)
Johann Pachelbel3:32
5Mass in F major, BWV 233: 1. Kyrie
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1997-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:03
6Mass in F major, BWV 233: 2. Gloria in excelcis
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1997-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:09
7Mass in F major, BWV 233: 3. Domine Deus
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1997-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:39
8Mass in F major, BWV 233: 4. Qui tollis peccata
producer:
Christopher Adler (American composer & musician)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1997-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:22
9Mass in F major, BWV 233: 5. Quoniam tu solus sanctus
producer:
Christopher Adler (American composer & musician)
alto vocals:
Angus Davidson (Countertenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Missa in F major, BWV 233: Quoniam tu solus sanctus (for organ, Isoir) (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
organ arranger:
André Isoir (organist)
arrangement of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
Johann Sebastian Bach3:18
10Mass in F major, BWV 233: 6. Cum sancto Spiritu
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1997-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:24
11Salutation and Response: "Dominus vobiscum - Deus illuminator"
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]1:32
12Epistle: So schreibt der Prophet Jesaja
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Matthias Fischer (violinist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]1:40
13Christum wir sollen loben schon, BWV 611
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Christum wir sollen loben schon, BWV 611 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 13) and Bach-Werke-Verzeichnis (number: BWV 611)
Johann Sebastian Bach2:04
14Gradual hymn: Was fürcht'st du, Feind Herodes, sehr
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]6:05
15Gospel: Der Herr sei mit euch - Da Jesus geboren war
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]3:52
16Toccata in B-flat major
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Toccata and Fugue in B-flat major, P. 470, T. 247: I. Toccata (in 1997-05)
composer:
Johann Pachelbel (composer)
part of:
Toccata and Fugue in B-flat major, P. 470, T. 247
Johann Pachelbel1:47
17Sie werden aus Saba alle kommen Cantata, BWV 65: 1. Coro: Sie werden aus Saba alle kommen
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach4:28
18Sie werden aus Saba alle kommen Cantata, BWV 65: 2. Choral: Die Könige aus Saba kamen dar
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:33
19Sie werden aus Saba alle kommen Cantata, BWV 65: 3. Recitativo: Was dort Jesaias vorhergesehn
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:44
20Sie werden aus Saba alle kommen Cantata, BWV 65: 4. Aria: Gold und Ophir ist zu schlecht
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:13
21Sie werden aus Saba alle kommen Cantata, BWV 65: 5. Recitativo: Verschmähe nicht, du, meiner Seelen Licht
producer:
Christopher Adler (American composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:21
22Sie werden aus Saba alle kommen Cantata, BWV 65: 6. Aria: Nimm mich dir zu eigen hin
producer:
Christopher Adler (American composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:13
23Sie werden aus Saba alle kommen Cantata, BWV 65: 7. Choral: Ei nun, mein Gott, so fall ich dir getrost
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1997-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:04
24Credal hymn: Wir glauben all an einen Gott
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]5:30
25Salutation: Gnade sei mit euch
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Andreas Vogt (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[unknown]0:28
26Der Tag ist so freudenreich, BWV 719
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
recording of:
Der Tag, der ist so freudenreich, BWV 719 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 11), Emans-Verzeichnis (Emans catalogue) (number: Emans 52) and Bach-Werke-Verzeichnis (number: BWV 719)
Johann Sebastian Bach1:21
27Pulpit hymn: Ein Kindelein so löblich
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[anonymous]1:07
28Sermon: Lesung aus dem Heiligen Evangelisten Matthäo
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Andreas Vogt (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen (Saxony), Germany (in 1997-05)
[anonymous]5:58
2▶Digital Media

Credits

Release

copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
purchase for download and streaming page:https://music.apple.com/gb/album/1452319298 [info]
stream for free:https://open.spotify.com/album/0HqSpb0wtIZ46ci9nYthw8 [info]
https://www.deezer.com/album/6488045 [info]