Massive Hits! Seventies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1All the Way From Memphis
registrazione di:
All the Way From Memphis
paroliere e compositore:
Ian Hunter (Mott the Hoople)
editore:
Island Music Limited (Island Music Ltd.)
Mott the Hoople3:28
2Virginia Plain
tecnico:
Andy Hendriksen (nel 1972-03)
produttore:
Peter Sinfield
basso :
Rik Kenton (production music composer) (nel 1972-03)
arrangiatore:
Roxy Music
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1972), Virgin EG Records Ltd. (nel 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (nel 1999) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
registrata presso:
Command Studios in London (Greater London), England, Regno Unito (nel 1972-03)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 3) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 348)
registrazione di:
Virginia Plain (nel 1972-03)
paroliere e compositore:
Bryan Ferry
arrangiatore:
Roxy Music
editore:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. e Buggane Music, Ltd. (nel 1972)
Roxy Music3.653:00
3Showdown
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Michael d’Albuquerque (nel 1973-04)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1973-04)
chitarra e voce principale:
Jeff Lynne (nel 1973-04)
moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1973-04)
violino :
Wilfred Gibson (UK violinist) (nel 1973-04)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (nel 1973-04) e Colin Walker (English Cellist that was a member of ELO) (nel 1973-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973, nel 2005, nel 2011), Jet Records (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-04)
registrazione di:
Showdown (nel 1973-04)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:13
4Wig Wam Bam
produttore:
Phil Wainman
registrazione di:
Wig Wam Bam
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
The Sweet53:03
5The Cat Crept In
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
registrazione di:
The Cat Crept In
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mud4:05
6Shang‐A‐Lang
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
registrazione di:
Shang‐A‐Lang
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
Martin-Coulter Music Ltd
Bay City Rollers33:06
7Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, “Mr. Cool”)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:29
8California Man
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1971-12-19)
chitarra e voce principale:
Jeff Lynne (il 1971-12-19) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2005)
registrazione di:
California Man (il 1971-12-19)
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. e United Artists Music Ltd.
The Move53:38
9A Touch Too Much
produttore:
Mickie Most (English record producer)
basso e voce principale:
Alan Merrill
batteria :
Paul Varley
chitarra :
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
registrazione di:
Touch Too Much (nel 1974)
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Chinnichap (production company and publisher) e RAK Publishing Ltd.
The Arrows53:04
10My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:02
11Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.353:00
12Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.153:36
13Fancy Pants
registrazione di:
Fancy Pants
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Kenny33:29
14See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard55:00
15Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:27
16All Around My Hat
produttore:
Mike Batt
basso :
Rick Kemp
batteria :
Nigel Pegrum
chitarra :
Tim Hart (UK folk singer and multi-instrumentalist) e Bob Johnson (British guitarist and Steeleye Span member)
mandolino e violino folk :
Peter Knight (Steeleye Span fiddler)
voce:
Maddy Prior
voce di accompagnamento:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) e Peter Knight (Steeleye Span fiddler)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1975)
registrazione di:
All Around My Hat (nel 1975)
autore:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) e Maddy Prior
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited e Steeleye Span Music Ltd.
si basa su:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
si basa su:
The Nobleman’s Wedding
Steeleye Span54:10
17Forever
registrazione di:
Forever
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Roy Wood54:21
18Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
Mink De Ville53:42
19Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
20Oh You Pretty Things
Peter Noone3:07
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parte di:Massive Hits! (ordine: 4)