Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

1CD: Cantatas 150, 4, 71, 196 (1706-1708)
2CD: Cantatas 131, 106, 143, 18 (1708-1713)
3CD: Cantatas 182, 12, 54, 172 (1714)
4CD: Cantatas 21, 199 (1714)
5CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8CD: Cantatas 75, 76, 24 (1723)
9CD: Cantatas 167, 147, 186, 136 (1723)
10CD: Cantatas 105, 46, 179, 50, 69a (1723)
11CD: Cantatas 77, 25, 119, 138 (1723)
12CD: Cantatas 95, 148, 48, 109 (1723)
13CD: Cantatas 89, 60, 90, 70, 40 (1723)
14CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
15CD: Cantatas 73, 81, 83, 144, 181 (1724)
16CD: Cantatas 18, 66, 134, 67 (1724)
17CD: Cantatas 104, 166, 86, 37, 44 (1724)
18CD: Cantatas 173, 184, 194 (1724)
19CD: Cantatas 20, 2, 7, 135 (1724)
20CD: Cantatas 10, 93, 107, 178 (1724)
21CD: Cantatas 94, 101, 113 (1724)
22CD: Cantatas 33, 78, 99, 8 (1724)
23CD: Cantatas 130, 114, 96, 5 (1724)
24CD: Cantatas 180, 38, 115, 139 (1724)
25CD: Cantatas 26, 116, 62, 91, 121 (1724)
26CD: Cantatas 133, 122, 41, 123 (1724-1725)
27CD: Cantatas 124, 3, 111, 92 (1725)
28CD: Cantatas 125, 126, 127 (1725)
29CD: Cantatas 1, 6, 42 (1725)
30CD: Cantatas 85, 103, 108, 87, 128 (1725)
31CD: Cantatas 183, 74, 68, 175, 176 (1725)
32CD: Cantatas 168, 137, 164, 79, 110 (1725)
33CD: Cantatas 57, 151, 28, 16 (1725-1726)
34CD: Cantatas 32, 13, 72, 43 (1726)
35CD: Cantatas 146, 129, 39 (1726)
36CD: Cantatas 88, 170, 187, 45 (1726)
37CD: Cantatas 102, 35, 17, 19 (1726)
38CD: Cantatas 27, 47, 169, 56 (1726)
39CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
40CD: Cantatas 82, 157, 84 (1727)
41CD: Cantatas 34, 193, 117, 188 (1727-1728)
42CD: Cantatas 171, 156, 159, 120a (1729)
43CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
44CD: Cantatas 29, 140, 36 (1731)
45CD: Cantatas 177, 9, 97, 14 (1732-1735)
46CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
47CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
48CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
49CD: 4-Part Chorales, BWV 250-318 AC-GO
50CD: 4-Part Chorales, BWV 319-381 GO-ME
51CD: 4-Part Chorales, BWV 382-438 MI-WO
52CD: Magnificat BWV 243, 243a
53CD: Motets
54CD: Mass in B minor (1 Mortensen)
55CD: Mass in B minor (2 Mortensen)
56CD: Mass in B minor (1 Brüggen)
57CD: Mass in B minor (2 Brüggen) / Missa BWV 233
58CD: Missas BWV 234-236
59CD: St. John Passion (1724) (1 Gardiner)
60CD: St. John Passion (1724) (2 Gardiner)
61CD: St. John Passion (1749) (1 Suzuki)
62CD: St. John Passion (1749) (2 Suzuki)
63CD: St. Matthew Passion (1 Gardiner)
64CD: St. Matthew Passion (2 Gardiner)
65CD: St. Matthew Passion (1 McCreesh)
66CD: St. Matthew Passion (2 McCreesh)
67CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
68CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
69CD: Christmas Oratorio (1 Gardiner)
70CD: Christmas Oratorio (2 Gardiner)
71CD: Christmas Oratorio (1 Chailly)
72CD: Christmas Oratorio (2 Chailly)
73CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
74CD: Cantatas 134a, 203, 173a (1719-c. 1723)
75CD: Cantatas 36c, 205, 34a (1725-1726)
76CD: Cantatas 207, 204, 216a (1726-1728)
77CD: Cantatas 198, 201 (1727-1729)
78CD: Cantatas 213, 214 (1733)
79CD: Cantatas 211, 215 (1734)
80CD: Cantatas 206, 30a (1736-1737)
81CD: Cantatas 209, 210, 212 (1730s-1740s)
82CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
83CD: Cantatas 56, 82, 4
84CD: Cantatas 31, 104, 57
85CD: Cantatas 199, 173, 74, 151
86CD: Easter Oratorio / Cantata 140
87CD: Cantatas 170, 159, 102
88CD: Cantatas 80, 52, 84, 209
89CD: Cantatas 82, 158, 56
90CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
91CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
92CD: Cantatas 92, 126, 182 (Easter)
93CD: Cantatas 1, 4, 67, 104 (Easter)
94CD: Cantatas 34, 68, 39 (Whitsun)
95CD: Cantatas 30, 147 (Whitsun)
96CD: Cantatas 76, 21 (Trinity)
97CD: Cantatas 135, 10, 45, 105 (Trinity)
98CD: Cantatas 51, 78, 8, 130 (Trinity)
99CD: Cantatas 27, 5, 60, 26 (Trinity)
100CD: St. Matthew Passion (1 Richter)
101CD: St. Matthew Passion (2 Richter)
102CD: St. Matthew Passion (3 Richter)
103CD: Great Singers (1952-1965)
104CD: Great Singers (1967-2011)
105CD: Great Singers (Period Instruments)
106CD: Organ Works (Introduction 1)
107CD: Organ Works (Introduction 2)
108CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
109CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
110CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
111CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
112CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
113CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
114CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
115CD: Early Chorale Preludes / Chorale Partitas
116CD: Chorale Preludes (Mühlhausen & Weimar)
117CD: Breitkopf Collection, BWV 690-713
118CD: Orgelbüchlein (Preston)
119CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
120CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
121CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
122CD: Clavier-Übung III (1) (Preston)
123CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
124CD: Free Works of Unproven Authenticity
125CD: Chorale-Based Works of Unproven Authenticity (Fragments)
126CD: Keyboard Works (Introduction 1: Harpsichord)
127CD: Keyboard Works (Introduction 2: Piano)
128CD: Early Fugues & Capriccios
129CD: Early Suites & Sonatas
130CD: Toccatas, BWV 910-916
131CD: Virtuoso Fantasias & Fugues
132CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
133CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
134CD: English Suites 1-3 (Dreyfus)
135CD: English Suites 4-6 (Dreyfus)
136CD: French Suites 1-4 (Hogwood)
137CD: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
138CD: Partitas 1, 2, 6 (Rousset)
139CD: Partitas 3-5 (Rousset)
140CD: Italian Concerto / French Overture / 4 Duets (Rousset)
141CD: The Well-Tempered Clavier, Book I (1 Gilbert)
142CD: The Well-Tempered Clavier, Book I (2 Gilbert)
143CD: The Well-Tempered Clavier, Book II (1 Gilbert)
144CD: The Well-Tempered Clavier, Book II (2 Gilbert)
145CD: Goldberg Variations (Rousset)
146CD: Goldberg Variations (Esfahani)
147CD: English Suites 1-3 (Pogorelich / Schiff / Argerich)
148CD: English Suites 4-6 (Schiff / Bahrami / Hewitt)
149CD: French Suites 1-3 (Perahia)
150CD: French Suites 4-6 (Perahia)
151CD: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
152CD: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
153CD: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
154CD: The Well-Tempered Clavier, Book I (1 Pollini)
155CD: The Well-Tempered Clavier, Book I (2 Pollini)
156CD: The Well-Tempered Clavier, Book II (1 Schiff)
157CD: The Well-Tempered Clavier, Book II (2 Schiff)
158CD: Goldberg Variations (Schiff)
159CD: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
160CD: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
161CD: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
162CD: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
163CD: Orgelbüchlein (Walcha)
164CD: Brandenburg Concertos 1-6 (Goebel)
165CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
166CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
167CD: Orchestral Suites 1-3 (Goebel)
168CD: Orchestral Suites 2-4 (Goebel / Hogwood)
169CD: Orchestral Suites 1-4 (Pinnock)
170CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
171CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
172CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
173CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
174CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
175CD: Brandenburg Concertos (Landmark Performances 1935-1964)
176CD: Brandenburg Concertos (Landmark Performances 1967-2013)
177CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
178CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
179CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
180CD: Concertos (Alternative Instrumentations)
181CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
182CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
183CD: Suites for "Lute"
184CD: Cello Suites 1, 3, 5 (Watkin)
185CD: Cello Suites 2, 4, 6 (Watkin)
186CD: Violin Sonatas BWV 1014-1018
187CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
188CD: 5 Flute Sonatas / Partita for Solo Flute
189CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
190CD: Musical Offering / Canons (Goebel)
191CD: The Art of Fugue (Accademia Bizantina, Dantone)
192CD: The Art of Fugue (Aimard)
193CD: The Art of Fugue (1742) (Gilbert)
194CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
195CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
196CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
197CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
198CD: Cello Suites 1-3 (Fournier)
199CD: Cello Suites 4-6 (Fournier)
200CD: Solo & Chamber Works (Alternative Instrumentations)
201CD: Clavier-Büchlein W. F. Bach (1)
202CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
203CD: Notenbüchlein A. M. Bach (1725) (1)
204CD: Notenbüchlein A. M. Bach (1725) (2)
205CD: Schemelli Gesangbuch BWV 439-474
206CD: Schemelli Gesangbuch BWV 475-507
207CD: Bach: Early Influences
208CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
209CD: Concertos at Weimar (Vivaldi)
210CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
211CD: The Bach Family
212CD: Bach & Other Composers (c. 1715-1730)
213CD: Bach & Other Composers (c. 1730-1742)
214CD: Bach & Other Composers (1742-1750)
215CD: Bach Renewed (From Bach's Sons to Mahler)
#TitleArtistRatingLength
1Gaudete omnes populi – Manebit verbum Domini, F 103 (after Cantata "Ein feste Burg ist unser Gott", BWV 80): 1. Gaudete omnes populi after BWV 80/1
producer:
Jens Schünemann
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir) (from 2014-10 until 2014-11)
orchestra:
Das Neue Orchester (from 2014-10 until 2014-11)
conductor:
Christoph Spering (conductor and organist) (from 2014-10 until 2014-11)
balance engineer:
Christoph Rieseberg (engineer)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2014-10 until 2014-11)
partial recording of:
Gaudete omnes populi, F. 103 (after Cantata “Ein feste Burg ist unser Gott” BWV 80)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Wilhelm Friedemann Bach. Studien zur Musikgeschichte (Falck [F.]) (number: F. 103)
Wilhelm Friedemann Bach5:10
2Gaudete omnes populi – Manebit verbum Domini, F 103 (after Cantata "Ein feste Burg ist unser Gott", BWV 80): 2. Manebit verbum Domini after BWV 80/5
producer:
Jens Schünemann
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir) (from 2014-10 until 2014-11)
orchestra:
Das Neue Orchester (from 2014-10 until 2014-11)
conductor:
Christoph Spering (conductor and organist) (from 2014-10 until 2014-11)
balance engineer:
Christoph Rieseberg (engineer)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2014-10 until 2014-11)
partial recording of:
Gaudete omnes populi, F. 103 (after Cantata “Ein feste Burg ist unser Gott” BWV 80)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Wilhelm Friedemann Bach. Studien zur Musikgeschichte (Falck [F.]) (number: F. 103)
Wilhelm Friedemann Bach3:36
3"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 1. [Aria:] Jauchzet Gott in allen Landen!
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:52
4"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 2. Recitative: Wir beten zu dem Tempel an
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:07
5"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 3. Aria: Höchster, Höchster, mache deine Güte
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:12
6"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 4. Chorale: Sei Lob und Preis mit Ehren
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:11
7"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): [Aria:] Halleluja
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:13
8Introduction to the Credo, H 848 (of the Mass in B minor, BWV 232)
producer:
Sebastian Braun (classical engineer and producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2014-06)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-06)
conductor:
Hans-Christoph Rademann (choral conductor) (in 2014-06)
balance engineer:
Toine Mertens (Dutch recording engineer)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 2014-06)
recording of:
Einleitung zum Credo, H 848
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 848)
Carl Philipp Emanuel Bach1:31
9Credo in unum Deum (from Mass in B minor, BWV 232)
producer:
Sebastian Braun (classical engineer and producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2014-06)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-06)
conductor:
Hans-Christoph Rademann (choral conductor) (in 2014-06)
balance engineer:
Toine Mertens (Dutch recording engineer)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 2014-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Carl Philipp Emanuel Bach2:01
10Iphigénie en Tauride, Wq 46: Accompagnato & Aria (Act 4): Non, cet affreux devoir – Je t’implore et je tremble after Gigue from Partita, BWV 825
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Mireille Delunsch (soprano) (in 1999-03)
orchestra:
Les Musiciens du Louvre (in 1999-03)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1999-03)
balance engineer:
Joël Soupiron
recorded at:
Radio France (unknown studio of Radio France) in Paris, Île-de-France, France (in 1999-03)
recording of:
Iphigénie en Tauride, Wq. 46: Act IV. Aria "Non, cet affreux devoir"
composer:
Christoph Willibald Gluck (composer)
librettist:
Nicolas-François Guillard
part of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck3:41
115 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in C minor after BWV 871
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 2 in C minor, BWV 871: Fugue
Wolfgang Amadeus Mozart1:33
125 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in E flat major after BWV 876
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 7 in E-flat major, BWV 876: Fugue
Wolfgang Amadeus Mozart2:03
135 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in E major after BWV 878
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 9 in E major, BWV 878: Fugue
Wolfgang Amadeus Mozart3:07
145 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempred Clavier, Book II): Fugue in D-sharp minor after BWV 877
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 8 in D-sharp minor, BWV 877: Fugue
Wolfgang Amadeus Mozart2:18
155 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in D major after BWV 874
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 5 in D major, BWV 874: Fugue
Wolfgang Amadeus Mozart1:29
16Fugue in B-flat minor, Hess 38 (Arrangement for String Quintet after Fugue, BWV 867 from The Well-Tempered Clavier, Book I)
producer:
Johannes Kammann
orchestra:
Die Kölner Akademie (in 2018-01)
conductor:
Michael Alexander Willens (conductor) (in 2018-01)
balance engineer:
Gunther Rose (engineer)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2018-01)
recording of:
Fugue in B-flat minor, Hess 38 (Arrangement for String Quintet after Fugue BWV 867)
composer:
Ludwig van Beethoven (German composer)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 38)
Ludwig van Beethoven1:58
17St Matthew Passion (1841 version): 39. Aria: Erbarme dich, mein Gott
producer:
Sid McLauchlan (engineer/producer)
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
balance engineer:
Stephan Flock
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
St Matthew Passion, BWV 244: 39. Aria: Erbarme dich, mein Gott (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn6:28
18St Matthew Passion (1841 version): 48. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" / Recitative: "Und es waren viel Weiber da"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 48. Recitative: Und siehe da, der Vorhang im Tempel zerriss (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn1:55
19St Matthew Passion (1841 version): 49. Recitative: "Am Abend, da es kühle war"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 49. Recitative: Am Abend, da es kühle war (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn1:40
20St Matthew Passion (1841 version): 50. Aria: "Mache dich, mein Herze, rein"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 50. Aria: Mache dich, mein Herze, rein (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn2:45
215 Studies for Piano, Anh. 1a/1: No. 3. Presto (1st version)
producer:
Wolfgang Gottschalk
piano:
Georg Friedrich Schenck (pianist) (in 1990-09)
balance engineer:
Geert Puhlmann
recording of:
Five Studies, Anh. Ia/1 no. 3: Presto after J. S. Bach, 1st version
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Johannes Brahms (German composer)
part of:
5 Studies, Anh. 1a
Johannes Brahms2:51
225 Studies for Piano, Anh. 1a/1: No. 4. Presto (2nd version) (after Sonata for Solo Violin No. 1 in G minor, BWV 1001)
producer:
Wolfgang Gottschalk
piano:
Georg Friedrich Schenck (pianist) (in 1990-09)
balance engineer:
Geert Puhlmann
recording of:
Five Studies, Anh. Ia/1 no. 4: Presto after J. S. Bach, 2nd version
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Johannes Brahms (German composer)
part of:
5 Studies, Anh. 1a
Johannes Brahms2:55
23Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 1. Ouverture (BWV 1067)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Ouverture (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler6:33
24Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 2. Rondeau / Badinerie (BWV 1067)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler3:46
25Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 3. Air (BWV 1068)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 3 in D major, BWV 1068: Air (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler5:06
26Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 4. Gavotte I / Gavotte II (BWV 1068)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 3 in D major, BWV 1068: Gavotte 1 & 2 (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler3:37
216CD: Bach Reimagined (Chaconne & Passacaglia)
217CD: Bach Orchestrated (Reger to Stokowski)
218CD: Inspired by Bach (Gounod to Pärt)
219CD: Bach & The Virtuoso Piano (Liszt and Busoni)
220CD: Bach & The Virtuoso Piano (The 20th Century)
221CD: Bach à la Jazz
222CD: New Colours of Bach
223DVD-Video: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]