| # | Title | Rating | Length |
|---|
| A1 | The Footstomper | | 5:16 |
| A2 | You'll Never Know- recorded in:
- Hollywood, Los Angeles, California, United States (from 1976-07-29 until 1976-07-30)
- recording engineer:
- Ron Hitchcock (from 1976-07-29 until 1976-07-30)
- producer:
- Lincoln Mayorga and Doug Sax
- bass:
- Dave Stone (from 1976-07-29 until 1976-07-30)
- bass trombone:
- Houghton Peterson (from 1976-07-29 until 1976-07-30)
- drums (drum set):
- Les DeMerle (from 1976-07-29 until 1976-07-30)
- piano:
- Tommy Todd (from 1976-07-29 until 1976-07-30)
- saxophone:
- Quin Davis (from 1976-07-29 until 1976-07-30), Mel Kunkle (from 1976-07-29 until 1976-07-30), Bob Lawson (from 1976-07-29 until 1976-07-30), Pat Longo (from 1976-07-29 until 1976-07-30) and Norman Smith (from 1976-07-29 until 1976-07-30)
- trombone:
- Chuck Anderson (from 1976-07-29 until 1976-07-30) and Tom Padveen (from 1976-07-29 until 1976-07-30)
- trumpet:
- Robert Berrenson (from 1976-07-29 until 1976-07-30), Gino Bozzacco (from 1976-07-29 until 1976-07-30), Nick Buono (from 1976-07-29 until 1976-07-30), William Hicks (from 1976-07-29 until 1976-07-30) and Harry James (from 1976-07-29 until 1976-07-30)
- phonographic copyright (℗) by:
- Sheffield Lab Inc.
- recording of:
- You’ll Never Know
- lyricist:
- Mack Gordon
- composer:
- Harry Warren
- publisher:
- Copyright Control (ended), EMI Blackwood Music Inc. and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ワーナー・チャペル音楽出版 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
| | 3:53 |
| A3 | Moten Swing- recorded in:
- Hollywood, Los Angeles, California, United States (from 1976-07-29 until 1976-07-30)
- recording engineer:
- Ron Hitchcock (from 1976-07-29 until 1976-07-30)
- producer:
- Lincoln Mayorga and Doug Sax
- bass:
- Dave Stone (from 1976-07-29 until 1976-07-30)
- bass trombone:
- Houghton Peterson (from 1976-07-29 until 1976-07-30)
- drums (drum set):
- Les DeMerle (from 1976-07-29 until 1976-07-30)
- piano:
- Tommy Todd (from 1976-07-29 until 1976-07-30)
- saxophone:
- Quin Davis (from 1976-07-29 until 1976-07-30), Mel Kunkle (from 1976-07-29 until 1976-07-30), Bob Lawson (from 1976-07-29 until 1976-07-30), Pat Longo (from 1976-07-29 until 1976-07-30) and Norman Smith (from 1976-07-29 until 1976-07-30)
- trombone:
- Chuck Anderson (from 1976-07-29 until 1976-07-30) and Tom Padveen (from 1976-07-29 until 1976-07-30)
- trumpet:
- Robert Berrenson (from 1976-07-29 until 1976-07-30), Gino Bozzacco (from 1976-07-29 until 1976-07-30), Nick Buono (from 1976-07-29 until 1976-07-30), William Hicks (from 1976-07-29 until 1976-07-30) and Harry James (from 1976-07-29 until 1976-07-30)
- phonographic copyright (℗) by:
- Sheffield Lab Inc.
- recording of:
- Moten Swing (in 1976-07)
- writer:
- Bennie Moten
- composer:
- Bennie Moten , Ira E. "Buster" Moten, Count Basie (in 1930) and Eddie Durham (in 1930)
| | 4:15 |
| A4 | Two O'Clock Jump- recorded in:
- Hollywood, Los Angeles, California, United States (from 1976-07-29 until 1976-07-30)
- recording engineer:
- Ron Hitchcock (from 1976-07-29 until 1976-07-30)
- producer:
- Lincoln Mayorga and Doug Sax
- bass:
- Dave Stone (from 1976-07-29 until 1976-07-30)
- bass trombone:
- Houghton Peterson (from 1976-07-29 until 1976-07-30)
- drums (drum set):
- Les DeMerle (from 1976-07-29 until 1976-07-30)
- piano:
- Tommy Todd (from 1976-07-29 until 1976-07-30)
- saxophone:
- Quin Davis (from 1976-07-29 until 1976-07-30), Mel Kunkle (from 1976-07-29 until 1976-07-30), Bob Lawson (from 1976-07-29 until 1976-07-30), Pat Longo (from 1976-07-29 until 1976-07-30) and Norman Smith (from 1976-07-29 until 1976-07-30)
- trombone:
- Chuck Anderson (from 1976-07-29 until 1976-07-30) and Tom Padveen (from 1976-07-29 until 1976-07-30)
- trumpet:
- Robert Berrenson (from 1976-07-29 until 1976-07-30), Gino Bozzacco (from 1976-07-29 until 1976-07-30), Nick Buono (from 1976-07-29 until 1976-07-30), William Hicks (from 1976-07-29 until 1976-07-30) and Harry James (from 1976-07-29 until 1976-07-30)
- phonographic copyright (℗) by:
- Sheffield Lab Inc.
- recording of:
- Two O’Clock Jump (in 1976-07)
- composer:
- Count Basie , Benny Goodman and Harry James
| | 2:21 |
| B1 | Watch What Happens | | 2:48 |
| B2 | Tuxedo Junction- recorded in:
- Hollywood, Los Angeles, California, United States (from 1976-07-29 until 1976-07-30)
- recording engineer:
- Ron Hitchcock (from 1976-07-29 until 1976-07-30)
- producer:
- Lincoln Mayorga and Doug Sax
- bass:
- Dave Stone (from 1976-07-29 until 1976-07-30)
- bass trombone:
- Houghton Peterson (from 1976-07-29 until 1976-07-30)
- drums (drum set):
- Les DeMerle (from 1976-07-29 until 1976-07-30)
- piano:
- Tommy Todd (from 1976-07-29 until 1976-07-30)
- saxophone:
- Quin Davis (from 1976-07-29 until 1976-07-30), Mel Kunkle (from 1976-07-29 until 1976-07-30), Bob Lawson (from 1976-07-29 until 1976-07-30), Pat Longo (from 1976-07-29 until 1976-07-30) and Norman Smith (from 1976-07-29 until 1976-07-30)
- trombone:
- Chuck Anderson (from 1976-07-29 until 1976-07-30) and Tom Padveen (from 1976-07-29 until 1976-07-30)
- trumpet:
- Robert Berrenson (from 1976-07-29 until 1976-07-30), Gino Bozzacco (from 1976-07-29 until 1976-07-30), Nick Buono (from 1976-07-29 until 1976-07-30), William Hicks (from 1976-07-29 until 1976-07-30) and Harry James (from 1976-07-29 until 1976-07-30)
- phonographic copyright (℗) by:
- Sheffield Lab Inc.
- recording of:
- Tuxedo Junction (in 1976-07)
- lyricist:
- Buddy Feyne
- writer:
- Dash, Feyne, Hawkins and Johnson
- composer:
- Bill Johnson , Julian Dash, Buddy Feyne and Erskine Hawkins
| | 3:04 |
| B3 | Opus Number One | | 2:15 |
| B4 | Make the World Go Away | | 2:20 |
| B5 | Blues for Sale | | 4:03 |