Camille Saint-Saëns Edition

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Annotation

A 34-CD collection of a variety of works from Camille Saint-Saëns' oeuvre performed by various artists.

Annotation last modified on 2022-08-26 09:11 UTC.

Tracklist

1▶CD: Orchestral Works: Symphony in A major / Symphonies nos. 1 & 2
2▶CD: Orchestral Works: Symphony “Urbs Roma” / Symphony no. 3 “Organ Symphony”
3▶CD: Orchestral Works: Danse macabre / La Jeunesse d'Hercule / Phaéton / Le Rouet d'Omphale / La Foi
4▶CD: Orchestral Works: Le Carnaval des Animaux / Suite for orchestra / Une nuit à Lisbonne / Spartacus, Overture
5▶CD: Concertante Music: Piano Concertos nos. 1, 2 & 4
6▶CD: Concertante Music: Piano Concertos nos. 3 & 5 / Wedding Cake / Africa
7▶CD: Concertante Music: Violin Concertos nos. 1 & 2 / 2 Romances for Violin / Morceau de concert / Caprice andalou / Prélude pour “Le Déluge”
8▶CD: Concertante Music: Violin Concerto no. 3 / La Muse et le poète / Introduction et Rondo capriccioso / Havanaise / Valse-caprice
9▶CD: Concertante Music: Odelette / Tarentelle / 2 Romances / 2 Morceaux de concert / Cyprès et lauriers / Rhapsodie d'Auvergne / Allegro appassionato
10▶CD: Concertante Music: Cello Concerto no. 1 / Allegro appassionato / Chamber Music: Violin Sonatas nos. 1 & 2
11▶CD: Chamber Music: Berceuse / 2 Élégies / 4 Romances / Fantaisie / Celle Sonata no. 1 / Élégie no. 2 / Allegro appassionato / Prière
12▶CD: Chamber Music: Cello Sonata no. 2 / Sérénade / Clarinet Sonata / Oboe Sonata / Bassoon Sonata
13▶CD: Chamber Music: Cavatine / Piano Trios nos. 1 & 2 / Caprice sur des airs danois et russes
14▶CD: Chamber Music: String Quartets nos. 1 & 2
15▶CD: Chamber Music: Piano Quartet / Piano Quintet
16▶CD: Chamber Music: Le Carnaval des Animaux / Septet / Instrumental Music: Fantaisie / Allegro appassionato / Valse nonchalante
17▶CD: Instrumental Music: Piano Works: Six Études, op. 52 / Six Études, op. 111 / Mazurka no. 3 / Valse mignonne / Valse gaie / Six Études pour la main gauche seule
18▶CD: Instrumental Music: Piano Works: Scherzo / Introduction et Rondo capriccioso / Caprice pour piano sur les airs de ballet d'Alceste de Glück / Symphony no. 2 / Étienne Marcel
19▶CD: Instrumental Music: Complete Solo Organ Works I: Marche religieuse / Trois Rhapsodies / 3 Fantaisies / Trois Préludes et fugues, op. 99
20▶CD: Instrumental Music: Complete Solo Organ Works II: Trois Préludes et fugues, op. 109 / Bénédiction nuptiale / Sept Improvisations / Cyprès et lauriers / Élévation
21▶CD: Vocal and Choral Music: Songs for voice and piano / Two choruses for mixed chorus / Saltarelle
22▶CD: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
23▶CD: Opera: Samson et Dalila (beginning)
24▶CD: Opera: Samson et Dalila (end)
25▶CD: Transcriptions & Arrangements 1
26▶CD: Transcriptions & Arrangements 2
27▶CD: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
28▶CD: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
29▶CD: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
30▶CD: Historical Recordings: Piano Concertos nos. 1-3
31▶CD: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
32▶CD: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
33▶CD: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
34▼CD: Historical Recordings: Samson et Dalila (end)
#TitleRatingLength
1Samson et Dalila, opera in 3 acts, op. 47: Act II. Prélude
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II. Prélude (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:40
2Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, recherchant ma présence … Amour ! viens aider ma faiblesse » (Dalila)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:14
3Samson et Dalila, opera in 3 acts, op. 47: Act II. « J'ai gravi la montagne » (Le Grand Prêtre, Dalila)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 2. « J’ai gravi la montagne » (Le grand prêtre, Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:30
4Samson et Dalila, opera in 3 acts, op. 47: Act II. « Qu'importe à Dalila ton or ? » (Dalila, le Grand Prêtre)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 2. « Qu’importe à Dalila ton or ? » (Dalila, le grand prêtre) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:45
5Samson et Dalila, opera in 3 acts, op. 47: Act II. « Il faut, pour assouvir ma haine » (Dalila, le Grand Prêtre)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 2. « Il faut, pour assouvir ma haine » (Dalila, le grand prêtre) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:05
6Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, me disais-tu, dans ces lieux doit se rendre ? » (Le Grand Prêtre, Dalila)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 2. « Samson, me disais‐tu, dans ces lieux doit se rendre ? » … « Se pourrait‐il que sur son cœur » (Le grand prêtre, Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:25
7Samson et Dalila, opera in 3 acts, op. 47: Act II. « En ces lieux, malgré moi, m'ont ramené mes pas » (Samson)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « En ces lieux » (Samson, Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:21
8Samson et Dalila, opera in 3 acts, op. 47: Act II. « Qu'importe à mon coœur désolé » (Dalila, Samson)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Qu’importe à mon cœur désolé » (Dalila, Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:41
9Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mon coœur s'ouvre à ta voix » (Dalila, Samson)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:46
10Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mais ! … non ! que dis-je ? hélas, la triste Dalila ! » (Dalila, Samson)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte II, scène 3. « Mais ! Non ! Que dis-je ? Hélas ! La triste Dalila » (Dalila, Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:57
11Samson et Dalila, opera in 3 acts, op. 47: Act III. Introduction - « Vois ma misère, hélas ! vois ma détresse ! » (Samson, les Hébreux)
choir vocals [Les Hébreux]:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
9:32
12Samson et Dalila, opera in 3 acts, op. 47: Act III. « L'aube qui blanchit déjà les coteaux » (Les Philistins)
choir vocals [Les Philistins]:
Chœurs du Théâtre national de l’Opéra (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 2. Chœur des Philistins « L’aube qui blanchit déjà les coteaux » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:28
13Samson et Dalila, opera in 3 acts, op. 47: Act III. Bacchanale
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 2. Bacchanale (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
7:20
14Samson et Dalila, opera in 3 acts, op. 47: Act III. « Salut ! Salut au juge d'Israël » (Le Grand Prêtre, les Philistins)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Salut ! Salut au juge d’Israël » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:09
15Samson et Dalila, opera in 3 acts, op. 47: Act III. « Laisse-moi prendre ta main » (Dalila, les Philistins)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Laisse‐moi prendre ta main » (Dalila, les Philistins) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:50
16Samson et Dalila, opera in 3 acts, op. 47: Act III. « Allons, Samson, divertis-nous » (Le Grand Prêtre, Samson, les Philistins)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Allons, Samson, divertis-nous » (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:19
17Samson et Dalila, opera in 3 acts, op. 47: Act III. « Viens, Dalila, rendre grâce à nos dieux … Gloire à Dagon vainqueur ! » (Le Grand Prêtre, Dalila, les Philistins)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Viens, Dalila, rendre grâce à nos dieux … Gloire à Dagon vainqueur ! » (Le Grand Prêtre, Dalila, les Philistins) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
4:22
18Samson et Dalila, opera in 3 acts, op. 47: Act III. « Guidez ses pas vers le milieu du temple » (Le Grand Prêtre, Samson, les Philistins, Dalila)
baritone vocals [Le Grand Prêtre de Dagon]:
Paul Cabanel (bass-baritone) (from 1946-09-17 until 1946-09-27)
choir vocals [Les Philistins]:
Chœurs du Théâtre National de l’Opéra de Paris (Paris National Opera Chorus) (from 1946-09-17 until 1946-09-27)
mezzo-soprano vocals [Dalila]:
Hélène Bouvier (French operatic mezzo-soprano) (from 1946-09-17 until 1946-09-27)
tenor vocals [Samson]:
José Luccioni (tenor) (from 1946-09-17 until 1946-09-27)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1946-09-17 until 1946-09-27)
conductor:
Louis Fourestier (French conductor and composer) (from 1946-09-17 until 1946-09-27)
chorus master:
Jacques Duclos (from 1946-09-17 until 1946-09-27)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1946-09-17 until 1946-09-27)
recording of:
Samson et Dalila : Acte III, scène 3. « Guidez ses pas vers le milieu du temple » (Le Grand Prêtre, Samson, les Philistins, Dalila) (from 1946-09-17 until 1946-09-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
4:10