Trauerode, BWV 198

~ Release by Johann Sebastian Bach; Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 1, Laß, Fürstin, laß noch einen Strahl
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:42
2Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 2, Dein Sachsen, dein bestürztes Meißen
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:32
3Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 3, Verstummt, verstummt, ihr holden Saiten!
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:46
4Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 4, Der Glocken bebendes Getön
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:50
5Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 5, Wie starb die Heldin so vergnügt!
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:11
6Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 6, Ihr Leben ließ die Kunst zu sterben
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:09
7Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 1: No. 7, An dir, du Fürbild großer Frauen
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:56
8Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 2: No. 8, Der Ewigkeit saphirnes Haus
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
tenor vocals:
Makoto Sakurada (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:41
9Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 2: No. 9, Was Wunder ists? Du bist es wert
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
bass vocals:
Dominik Wörner (bass) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:17
10Laß, Fürstin, laß noch einen Strahl, BWV 198, Pt. 2: No. 10, Doch, Königin! du stirbest nicht
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 2015-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:33
11Schlage doch, gewünschte Stunde
sound engineer:
Thore Brinkmann (in 2015-02)
producer, mixer and editor:
Hans Kipfer
alto vocals:
Robin Blaze (countertenor) (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-02)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2015)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2015-02)
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (in 2015-02)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Georg Melchior Hoffmann7:09
12Tilge, Höchster, meine Sünden, BWV 1083: Tilge, Höchster, meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach4:25
13Tilge, Höchster, meine Sünden, BWV 1083: Ist mein Herz in Missetaten
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:08
14Tilge, Höchster, meine Sünden, BWV 1083: Missetaten, die mich drücken
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:31
15Tilge, Höchster, meine Sünden, BWV 1083: Dich erzürnt mein Tun und Laßen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:02
16Tilge, Höchster, meine Sünden, BWV 1083: Wer wird seine Schuld verneinen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:11
17Tilge, Höchster, meine Sünden, BWV 1083: Siehe! Ich bin in Sünd empfangen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach0:45
18Tilge, Höchster, meine Sünden, BWV 1083: Sieh, du willst die Wahrheit haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:50
19Tilge, Höchster, meine Sünden, BWV 1083: Wasche mich doch rein von Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:00
20Tilge, Höchster, meine Sünden, BWV 1083: Laß mich Freud und Wonne spüren
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:19
21Tilge, Höchster, meine Sünden, BWV 1083: Schaue nicht auf meine Sünden
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach5:56
22Tilge, Höchster, meine Sünden, BWV 1083: Öffne Lippen, Mund und Seele
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:32
23Tilge, Höchster, meine Sünden, BWV 1083: Denn du willst kein Opfer haben
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:12
24Tilge, Höchster, meine Sünden, BWV 1083: Laß dein Zion blühend dauern
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:52
25Tilge, Höchster, meine Sünden, BWV 1083: Amen
producer:
Jens Braun (classical engineer)
countertenor vocals:
Robin Blaze (countertenor) (in 2005-09)
soprano vocals:
Carolyn Sampson (soprano) (in 2005-09)
orchestra:
Bach Collegium Japan (in 2005-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2005-09)
balance engineer:
Uli Schneider (producer/engineer)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2014)
recorded at:
Kobe Shoin Women’s University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2005-09)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2005-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:26