Oldie Parade, Volume 4

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Medium 2: The tracks are numbered with year dates: 1961, 1967, 1963, 1980, 1983, 1983, 1983, 1976, 1974, 1972, 1982, 1984, 1974, 1968, 1968, 1968, 1964, 1972, 1967, 1968

Annotation last modified on 2012-07-05 17:30 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Making Your Mind Up
recording of:
Making Your Mind Up
lyricist and composer:
John Danter and Andy Hill (English producer & songwriter)
publisher:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz2:39
2The Race Is On
recording of:
The Race Is On
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Suzi Quatro3:57
3Dancing in the City
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:45
4Short People
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
bass:
Klaus Voorman (from 1977-07 until 1977-09)
congas:
Milt Holland (from 1977-07 until 1977-09)
drums (drum set):
Jim Keltner (from 1977-07 until 1977-09)
guitar:
Waddy Wachtel (from 1977-07 until 1977-09)
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (from 1977-07 until 1977-09), J.D. Souther (from 1977-07 until 1977-09) and Tim Schmit (from 1977-07 until 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (from 1977-07 until 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 41)
recording of:
Short People (from 1977-07 until 1977-09)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Hightree Music (in 1977)
Randy Newman42:56
5Welcome Back
recording of:
Welcome Back (70’s Song by John Sebastian)
lyricist and composer:
John Sebastian
John Sebastian52:49
6Chequered Love
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Chequered Love (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde53:22
7Maid of Orleans
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Orchestral Manoeuvres in the Dark3:32
8Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
9Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:33
10Never Ending Song of Love
The New Seekers3:09
11Banks of the Ohio
engineer:
Peter Vince (engineer, producer)
producer:
John Farrar and Bruce Welch (English guitarist, singer, songwriter and producer)
bass:
Herbie Flowers (in 1971) and Dave Richmond (in 1971)
drums (drum set) [drums] and percussion:
Brian Bennett (Shadows drummer/library music composer) (in 1971)
guitar [all guitars]:
John Farrar (in 1971)
keyboard [keyboards]:
Alan Hawkshaw (British pianist, composer and producer.) (in 1971)
strings [string] arranger:
Alan Hawkshaw (British pianist, composer and producer.)
arranger:
John Farrar and Bruce Welch (English guitarist, singer, songwriter and producer)
phonographic copyright (℗) by:
Festival Records International Ltd. (company; do NOT use as release label) (in 1971)
cover recording of:
Banks of the Ohio (in 1971)
writer:
[traditional] (special purpose artist)
publisher:
Bienstock Publishing Company (ASCAP affiliated), Blue Gum Music, Ltd and John Farrar Music
part of:
Roud Folk Song Index (number: 157)
Olivia Newton‐John43:16
12Jesus Is a Soul Man
Lawrence Reynolds2:48
13Green Green Grass of Home
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
cover recording of:
Green, Green Grass of Home
lyricist and composer:
Claude “Curly” Putman, Jr.
publisher:
Burlington Music, Burlington Music Ltd. and Tree Music
translated version of:
Ik ben weer in m’n dorpje
Tom Jones43:04
14I’m the Leader of the Gang
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Snapper Music (in 1973) and Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
composer:
Gary Glitter and Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:27
15The Witch Queen of New Orleans
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
The Witch Queen of New Orleans (1971 song)
writer:
Lolly Vegas and Pat Vegas
publisher:
EMI Songs Ltd.
Redbone4.252:44
16Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.62:48
17Co‐Co
recording of:
Co‐Co
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Ariola (company mostly named as distributor in Europe)
Sweet3:09
18No Hollywood Movie
Lesley Hamilton3:16
19I Am… I Said (live)
live recording of:
I Am… I Said
lyricist and composer:
Neil Diamond (in 1971)
Neil Diamond5:09
2▶CD

Credits