Oldie Parade, Volume 4

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Medium 2: The tracks are numbered with year dates: 1961, 1967, 1963, 1980, 1983, 1983, 1983, 1976, 1974, 1972, 1982, 1984, 1974, 1968, 1968, 1968, 1964, 1972, 1967, 1968

Annotazione modificata l'ultima volta il 2012-07-05 17:30 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Making Your Mind Up
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz2:39
2The Race Is On
registrazione di:
The Race Is On
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Suzi Quatro3:57
3Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:45
4Short People
tecnico:
Loyd Clifft e Lee Herschberg
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
basso :
Klaus Voorman (dal 1977-07 al 1977-09)
batteria :
Jim Keltner (dal 1977-07 al 1977-09)
chitarra :
Waddy Wachtel (dal 1977-07 al 1977-09)
congas :
Milt Holland (dal 1977-07 al 1977-09)
voce di accompagnamento:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (dal 1977-07 al 1977-09), J.D. Souther (dal 1977-07 al 1977-09) e Tim Schmit (dal 1977-07 al 1977-09)
direttore d'orchestra:
Randy Newman (American singer‐songwriter and score composer) (dal 1977-07 al 1977-09)
arrangiatore:
Randy Newman (American singer‐songwriter and score composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
remixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 41)
registrazione di:
Short People (dal 1977-07 al 1977-09)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Hightree Music (nel 1977)
Randy Newman42:56
5Welcome Back
registrazione di:
Welcome Back (70’s Song by John Sebastian)
paroliere e compositore:
John Sebastian
John Sebastian52:49
6Chequered Love
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Chris North (UK drummer of The Enid) (dal 1980 al 1981)
chitarra :
Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981)
tastiera :
Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce di accompagnamento:
Ricky Wilde (dal 1980 al 1981)
voce principale:
Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Chequered Love (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
Kim Wilde53:22
7Maid of Orleans
registrazione di:
Joan of Arc (Maid of Orleans)
paroliere e compositore:
Andy McCluskey
editore:
April Musikverlag GmbH (publisher), Dinsong Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
Orchestral Manoeuvres in the Dark3:32
8Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
9Yes Sir, I Can Boogie
produttore:
Rolf Soja
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1977) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1977)
registrazione di:
Yes Sir, I Can Boogie (original English version)
paroliere:
Frank Dostal
compositore:
Rolf Soja
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music e Peermusic (UK) Ltd.
Baccara4.754:33
10Never Ending Song of Love
The New Seekers3:09
11Banks of the Ohio
tecnico:
Peter Vince (engineer, producer)
produttore:
John Farrar e Bruce Welch (English guitarist, singer, songwriter and producer)
basso :
Herbie Flowers (nel 1971) e Dave Richmond (nel 1971)
batteria [drums] e percussione :
Brian Bennett (Shadows drummer/library music composer) (nel 1971)
chitarra [all guitars] :
John Farrar (nel 1971)
tastiera [keyboards] :
Alan Hawkshaw (British pianist, composer and producer.) (nel 1971)
arrangiatore archi [string] :
Alan Hawkshaw (British pianist, composer and producer.)
arrangiatore:
John Farrar e Bruce Welch (English guitarist, singer, songwriter and producer)
diritti fonografici (℗) detenuti da:
Festival Records International Ltd. (company; do NOT use as release label) (nel 1971)
registrazione cover di:
Banks of the Ohio (nel 1971)
autore:
[traditional] (special purpose artist)
editore:
Bienstock Publishing Company (ASCAP affiliated), Blue Gum Music, Ltd e John Farrar Music
parte di:
Roud Folk Song Index (numero: 157)
Olivia Newton‐John43:16
12Jesus Is a Soul Man
Lawrence Reynolds2:48
13Green Green Grass of Home
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrazione cover di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music, Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
Tom Jones43:04
14I’m the Leader of the Gang
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Snapper Music (nel 1973) e Snapper Music plc (parent company of Snapper Music) (nel 1973)
registrazione di:
I’m the Leader of the Gang (I Am!) (nel 1973)
compositore:
Gary Glitter e Mike Leander
editore:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:27
15The Witch Queen of New Orleans
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
The Witch Queen of New Orleans (1971 song)
autore:
Lolly Vegas e Pat Vegas
editore:
EMI Songs Ltd.
Redbone4.252:44
16Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970), NEMS (UK label, 1976–1983) (nel 1976) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.62:48
17Co‐Co
registrazione di:
Co‐Co
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Ariola (company mostly named as distributor in Europe)
Sweet3:09
18No Hollywood Movie
Lesley Hamilton3:16
19I Am… I Said (live)
registrazione dal vivo di:
I Am… I Said
paroliere e compositore:
Neil Diamond (nel 1971)
Neil Diamond5:09
2▼CD
#TitoloArtistaValutazioneDurata
1Ain’t She Sweet
registrazione cover di:
Ain’t She Sweet
paroliere:
Jack Yellen
compositore:
Milton Ager
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Beatles2:13
2Mighty Quinn
Manfred Mann2:51
3Da Doo Ron Ron
registrazione cover di:
Da Doo Ron Ron
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Searchers2:24
4The Tide Is High
assistente tecnico:
Gary Boatner (engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:34
5Moonlight Shadow
tecnico:
Nigel Luby
produttore:
Mike Oldfield e Simon Phillips (rock drummer)
batteria :
Simon Phillips (rock drummer) (dal 1982-11 al 1983-04)
chitarra acustica, chitarra elettrica e sintetizzatore :
Mike Oldfield (dal 1982-11 al 1983-04)
chitarra basso :
Phil Spalding (dal 1982-11 al 1983-04)
voce:
Maggie Reilly (dal 1982-11 al 1983-04)
diritti fonografici (℗) detenuti da:
Mike Oldfield (nel 2013)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrata presso:
Denham Studios (dal 1982-11 al 1983-04)
registrazione di:
Moonlight Shadow (dal 1982-11 al 1983-04)
paroliere e compositore:
Mike Oldfield
editore:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music Publishing Ltd. (nel 1983)
Mike Oldfield feat. Maggie Reilly3.93:34
6Only You
registrazione cover di:
Only You
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing e Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets3:21
7Wishful Thinking
produttore:
Mike Howlett
voce:
Eddie Lundon (China Crisis)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
registrazione di:
Wishful Thinking
paroliere:
Eddie Lundon (China Crisis)
compositore:
Gary Daly e Eddie Lundon (China Crisis)
editore:
EMI/Virgin Music Publishing Ltd.
China Crisis4:40
8Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:53
9The Man Who Sold the World
esecutore:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
registrazione di:
The Man Who Sold the World
paroliere:
David Bowie (English singer‐songwriter) (il 1970-05-22)
compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (nel 1974) e MainMan (nel 1974)
Lulu & David Bowie3:46
10Pop Corn
diritti fonografici (℗) detenuti da:
Musicor (American record label) (nel 1972)
registrazione cover di:
Popcorn (nel 1972)
compositore:
Gershon Kingsley
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
11Don’t Turn Me Loose
Greenfield and Cook2:18
1299 Red Balloons (club mix)
produttore:
Reinhold Heil (dal 1982 al 1983) e Manfred Praeker (dal 1982 al 1983)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23)
registrata presso:
Spliff in Berlin, Germania (dal 1982 al 1983)
remix di:
99 Red Balloons di Nena (the band, until 1987)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena54:43
13Rock Me Gently
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 1992)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 91)
registrazione di:
Rock Me Gently
paroliere e compositore:
Andy Kim (pop singer & songwriter)
Andy Kim53:31
14The Ballad of Bonnie & Clyde
registrazione di:
The Ballad of Bonnie and Clyde
paroliere:
Peter Callander
compositore:
Mitch Murray
editore:
Intune Ltd. (publisher)
Georgie Fame3:09
15Lazy Sunday
registrazione di:
Lazy Sunday
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Partnership Music Ltd. (conclusa) e EMI United Partnership Ltd.
Small Faces3:05
16Pictures of Matchstick Men
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3:12
17Ferry Cross the Mersey
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry & the Pacemakers2:24
18Hello A
registrazione di:
Hello-A
paroliere e compositore:
Hans van Hemert
Mouth & MacNeal3:59
19Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Nilsson3.92:44
20Love Is All Around
diritti fonografici (℗) detenuti da:
Mercury Ltd (London) (for copyrights use only) (nel 1967)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.52:57

Accreditamenti

Pubblicazione

altri database:https://www.musik-sammler.de/media/730258/ [info]