Love: The Best Romantic Selection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1When a Man Loves a Woman
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce principale:
Bette Midler
arrangiatore:
Paul A. Rothchild
registrazione dal vivo cover di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Bette Midler5:00
2Baby I’m‐a Want You
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
registrazione di:
Baby I’m‐a Want You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher) e Screen Gems–EMI Music Ltd.
Bread42:31
3Stand by Me (single version)
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
4Lady
registrazione di:
Lady
paroliere e compositore:
Lionel Richie, Jr.
editore:
Brockman Music
Kenny Rogers33:46
5Just Don’t Want to Be Lonely
tecnico:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) e Joe Tarsia (engineer)
produttore:
Alan Rubens
arrangiatore:
Vincent Montana
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione cover di:
Just Don’t Want to Be Lonely
autore:
Vinnie Barrett, Bobby Eli e John Freeman (co writer of Just Don't Want To Be Lonely)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Magic7:13
6I Don’t Have the Heart
registrazione di:
I Don't Have the Heart
autore:
Jud Friedman e Allan Rich
editore:
Music By Candlelight, Nelana Music, Songs of Peer, Ltd. (ASCAP) e Spirit One Music
James Ingram4:14
7My Eyes Adored You
registrazione di:
My Eyes Adored You
autore:
Bob Crewe e Kenny Nolan
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation e TannyBoy Music
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Frankie Valli3:33
8Hard to Say I’m Sorry / Get Away
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Jack Goudie, Lee Loughnane e Walter Parazaider
tecnico di missaggio:
Bill Schnee
arrangiatore archi :
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Danny Seraphine
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982, nel 2010)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Hard to Say I’m Sorry / Get Away
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. e Little Sacha Songs
medley di:
Hard to Say I’m Sorry
medley di:
Get Away
Chicago55:06
9Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
10Songbird
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 2004)
registrata presso:
Zellerbach Auditorium in Berkeley, California, Stati Uniti (il 1976-03-03)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Songbird (il 1976-03-03)
paroliere e compositore:
Christine McVie
arrangiatore:
Glyn Johns
editore:
BMG Publishing e Gentoo Music, Inc.
Fleetwood Mac3.653:18
11Biggest Part of Me
produttore:
Ambrosia (L.A. prog rock band) e Freddie Piro
basso :
Joe Puerta
batteria :
Burleigh Drummond
chamberlin , clavinet , minimoog e organo elettrico :
Christopher North
chitarra :
David Pack
percussione :
Burleigh Drummond e Royce Jones
voce:
Burleigh Drummond, Royce Jones, David Pack e Joe Puerta
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 16)
registrazione di:
Biggest Part of Me
paroliere e compositore:
David Pack
editore:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Ambrosia5:24
12Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:25
13And I Love Her
registrazione cover di:
And I Love Her
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sarah Vaughan4:11
14How Am I Supposed to Live Without You
assistente tecnico:
John Kovorek (Engineer) e John Van Nest
tecnico e tecnico di missaggio:
Jürgen Koppers (engineer, producer)
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
batteria :
Doane Perry (nel 1982) e Carlos Vega (nel 1982)
chitarra :
Michael Landau (nel 1982)
chitarra basso :
Dennis Belfield (nel 1982)
percussione :
Lenny Castro (nel 1982)
sintetizzatore :
Michael Boddicker (nel 1982)
voce di accompagnamento:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (nel 1982), Jon Joyce (vocalist) (nel 1982) e Joe Pizzulo (nel 1982)
voce principale:
Laura Branigan (nel 1982)
registrata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti (nel 1982) e Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1982)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti e Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
How Am I Supposed to Live Without You (nel 1982)
autore:
Michael Bolton e Doug James (Songwriter / Composer / Keyboards)
editore:
EMI Blackwood Music Inc., EMI Songs Ltd. e Is Hot Music Ltd.
sub-editore:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Laura Branigan4:23
15Glory of Love (remastered)
Peter Cetera4:20
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Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Warner Music México, S.A. de C.V. (not for release label use!) (nel 2012)
scaricare a pagamento:https://itunes.apple.com/mx/album/id525307977 [info]
streaming gratuito:https://www.deezer.com/album/2658011 [info]