Love: The Best Romantic Selection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1When a Man Loves a Woman
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler
arranger:
Paul A. Rothchild
live cover recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Bette Midler5:00
2Baby I’m‐a Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Screen Gems–EMI Music Ltd.
Bread42:31
3Stand by Me (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
4Lady
recording of:
Lady
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:46
5Just Don’t Want to Be Lonely
Techniker(in):
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) und Joe Tarsia (engineer)
Produzent(in):
Alan Rubens
arranger:
Vincent Montana
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
cover recording of:
Just Don’t Want to Be Lonely
Verfasser(in):
Vinnie Barrett, Bobby Eli und John Freeman (co writer of Just Don't Want To Be Lonely)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Magic7:13
6I Don’t Have the HeartJames Ingram4:14
7My Eyes Adored You
recording of:
My Eyes Adored You
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation und TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Frankie Valli3:33
8Hard to Say I’m Sorry / Get Away
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Mix:
Bill Schnee
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. und Little Sacha Songs
Medley von:
Hard to Say I’m Sorry
Medley von:
Get Away
Chicago55:06
9Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
10Songbird
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
aufgenommen bei:
Zellerbach Auditorium in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1976-03-03)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Songbird (am 1976-03-03)
Texter und Komponist(in):
Christine McVie
arranger:
Glyn Johns
publisher:
BMG Publishing und Gentoo Music, Inc.
Fleetwood Mac3.653:18
11Biggest Part of Me
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones, David Pack und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 16)
recording of:
Biggest Part of Me
Texter und Komponist(in):
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ambrosia5:24
12Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:25
13And I Love Her
cover recording of:
And I Love Her
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sarah Vaughan4:11
14How Am I Supposed to Live Without You
assistierende(r) Techniker(in):
John Kovorek (Engineer) und John Van Nest
Techniker(in) und Mix:
Jürgen Koppers (engineer, producer)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
Bassgitarre:
Dennis Belfield (in 1982)
Gitarre:
Michael Landau (in 1982)
Perkussion:
Lenny Castro (in 1982)
Schlagzeug:
Doane Perry (in 1982) und Carlos Vega (in 1982)
Synthesizer:
Michael Boddicker (in 1982)
Hintergrundgesang:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) und Joe Pizzulo (in 1982)
Sologesang:
Laura Branigan (in 1982)
aufgenommen bei:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten (in 1982) und Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten und Rusk Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
How Am I Supposed to Live Without You (in 1982)
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Laura Branigan4:23
15Glory of Love (remastered)
Peter Cetera4:20
2Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
2Stars
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red34:05
3Something Real
Phoebe Snow3:51
4You and Me
recording engineer:
Brian Christian
Produzent(in):
Bob Ezrin
Mix:
John Stephens (engineer?)
Bassgitarre:
Babbitt
Gitarre:
Steve Hunter (rock guitarist) und Dick Wagner
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
arranger:
Al MacMillan und Bob Ezrin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You and Me
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975–present) und Dick Wagner
publisher:
Early Frost Music Corp., Ezra Music, Ezra Music Corp., Spirit One Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper45:07
5Steal Away
Techniker(in):
Gary Brandt
Conga:
Miguel Rivera (percussionist)
Gitarre:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) und Brian Ray
Keyboard:
Rick Chudacoff und Bill Elliott (keyboardist/composer)
Marimba:
Alan Estes
Mundharmonika:
Robbie Dupree
Perkussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas und Miguel Rivera (percussionist)
Saxophon:
Jerry Peterson
Synthesizer:
Michael Boddicker und Bill Elliott (conductor, producer)
Hintergrundgesang:
Kal David, Bill LaBounty, Arno Lucas und Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 64)
recording of:
Steal Away
Texter:
Rick Chudacoff
Komponist(in):
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Robbie Dupree3:27
6Never Be the Same
recording of:
Never Be the Same
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4:10
7Got a Hold on MeChristine McVie33:51
8Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.54:48
9I Love You Always Forever (edit)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis33:20
10Real Love
recording of:
Real Love
Verfasser(in):
Cher und Tor Erik Hermansen
Cher3:55
11Easy
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1992)
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1992-03)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More3.73:08
12No One Is to Blame
recording engineer und Mix:
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bass:
Mo Foster
Gitarre:
Phil Palmer (guitarist)
Schlagzeug:
Phil Collins (of Genesis)
Hintergrundgesang:
Afrodiziak
vocals:
Phil Collins (of Genesis) und Howard Jones (English singer, songwriter)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
No One Is to Blame
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:14
13Romantic
recording engineer und Mix:
Steve Hodge (engineer and producer)
Koproduzent(in):
Karyn White
Produzent(in):
Jimmy Jam & Terry Lewis
Instrumente:
Jimmy Jam, Terry Lewis
Hintergrundgesang:
Andre Shepard, Darron Story und Karyn White
Sologesang:
Karyn White
arranger:
Jimmy Jam, Terry Lewis
vocals arranger:
Jimmy Jam (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Karyn White
aufgenommen bei und mixed at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
recording of:
Romantic
Verfasser(in):
Jimmy Jam (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) und Karyn White
Karyn White3.54:07
14Kiss Me
Techniker(in) und Mix:
Russ Long (engineer)
Schlagzeug und Perkussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1998)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 15)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.43:29

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Warner Music México, S.A. de C.V. (not for release label use!) (in 2012)
zum Herunterladen kaufen:https://itunes.apple.com/mx/album/id525307977 [Info]
kostenlos streamen:https://www.deezer.com/album/2658011 [Info]