The Flash

~ Veröffentlichung von Shirley Walker (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Main Title Theme (w. FX)
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Main Title Theme (w. FX)
Komponist(in):
Danny Elfman (American singer and score composer)
Danny Elfman1:02
2Megan Lockhart, P.I.
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Megan Lockhart, P.I.
Komponist(in):
Shirley Walker
Shirley Walker1:46
3Fire / Rescue / Megan’s Theme
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Fire / Rescue / Megan’s Theme
Komponist(in):
Shirley Walker
Shirley Walker1:57
4Lounge Lizard / Man Behind the Mask
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Lounge Lizard / Man Behind the Mask
Komponist(in):
Shirley Walker
Shirley Walker1:44
5Star Labs Van / The Lock / Megan Installs Camera
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Star Labs Van / The Lock / Megan Installs Camera
Komponist(in):
Shirley Walker
Shirley Walker1:47
6Casino / Everybody Wins
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Casino / Everybody Wins
Komponist(in):
Shirley Walker
Shirley Walker1:08
7Nice PJ's /Get It / Take Out Megan Lockhart
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Nice PJ's /Get It / Take Out Megan Lockhart
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker1:42
8Campaign Worker / Watch for Radiation
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Campaign Worker / Watch for Radiation
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker1:41
9The Fire Bug / Megan Gets Caught / Flash to the Rescue / Secret Lives
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
The Fire Bug / Megan Gets Caught / Flash to the Rescue / Secret Lives
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker3:03
10That's All for Now
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
That's All for Now
Komponist(in):
Shirley Walker
Shirley Walker0:54
11At the Stroke of Twelve
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
At the Stroke of Twelve
Komponist(in):
Shirley Walker
Shirley Walker4:41
12It’s About Time
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
It’s About Time
Komponist(in):
Shirley Walker
Shirley Walker0:30
13The Ghost Show / Nightshade
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
The Ghost Show / Nightshade
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker1:48
14Special Bulletin / Get on With the Show
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Special Bulletin / Get on With the Show
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker2:17
15Flash Meets The Nightshade
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Flash Meets The Nightshade
Komponist(in):
Shirley Walker
Shirley Walker1:17
16On Line / Just a Memory / Wired
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
On Line / Just a Memory / Wired
Komponist(in):
Shirley Walker
Shirley Walker3:04
17The Flash Gets Programmed / Don't Touch That Dial / Nightshade Hangs Up His Gun
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
The Flash Gets Programmed / Don't Touch That Dial / Nightshade Hangs Up His Gun
Komponist(in):
Shirley Walker
Shirley Walker3:25
18Beautiful Battery / Barry Gets Kissed / She's Got the Touch
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Beautiful Battery / Barry Gets Kissed / She's Got the Touch
Komponist(in):
Shirley Walker
Shirley Walker2:58
19Two Bit Town / Urban Cowboy
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Two Bit Town / Urban Cowboy
Komponist(in):
Shirley Walker
Shirley Walker2:40
20Crystal Caper / No Smoke, No Fire
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Crystal Caper / No Smoke, No Fire
Komponist(in):
Shirley Walker
Shirley Walker1:47
21Double Jeopardy
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Double Jeopardy
Komponist(in):
Shirley Walker
Shirley Walker3:11
22Mothers, Got to Love' Em / Anything but The Mime
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Mothers, Got to Love' Em / Anything but The Mime
Komponist(in):
Shirley Walker
Shirley Walker1:01
23Back to the Future
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Back to the Future
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker2:58
24Pike City / Where Did You Get That Red Suit? / Barry Finds Tina / Cops From Hell
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Pike City / Where Did You Get That Red Suit? / Barry Finds Tina / Cops From Hell
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker5:17
25Maximum Power / On the Move / Flash, the Legend
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Maximum Power / On the Move / Flash, the Legend
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker2:33
26The Flash Returns / I’m Back
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
The Flash Returns / I’m Back
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker2:50
27Back Through Time / Pike’s Confession / Words to Live By
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Back Through Time / Pike’s Confession / Words to Live By
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker4:29
28Center City Crime
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Center City Crime
Komponist(in):
Shirley Walker
Shirley Walker1:54
29When You Care Enough / The Trickster Bear
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
When You Care Enough / The Trickster Bear
Komponist(in):
Shirley Walker
Shirley Walker2:17
30Clark Toys / Bigger Kicks / Prank
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Clark Toys / Bigger Kicks / Prank
Komponist(in):
Shirley Walker
Shirley Walker2:48
31The Merry-Go-Round Broke Down
recording of:
The Merry‐Go‐Round Broke Down (best known as the Looney Tunes theme, 1937–69)
Verfasser(in):
Dave Franklin (Tin Pan Alley songwriter) (in 1937) und Cliff Friend (US composer, lyricist & pianist) (in 1937)
Komponist(in):
Milt Franklyn, William Lava und Carl Stalling
Shirley Walker0:20
32Flash, The Executioner / The Great Trickster Escapemobile / Exploding Cars
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Flash, The Executioner / The Great Trickster Escapemobile / Exploding Cars
Komponist(in):
Danny Elfman (American singer and score composer) und Shirley Walker
Shirley Walker4:09
33Padded Cell / Home of The Flash
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
Padded Cell / Home of The Flash
Komponist(in):
Shirley Walker
Shirley Walker1:12
34The Flash: End Credits (w. FX)
Editing:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) und Abby Treloggen
conductor:
Shirley Walker
phonographisches Urheberrecht (℗) von:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, Vereinigte Staaten
recording of:
The Flash: End Credits (w. FX)
Komponist(in):
Danny Elfman (American singer and score composer)
Danny Elfman1:01