The Flash

~ Release by Shirley Walker (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Main Title Theme
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Main Title Theme
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:35
2The Flash - Pilot Main Title Theme / Street Danger
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash - Pilot Main Title Theme / Street Danger
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:44
3Explosion
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Explosion
composer:
Shirley Walker
Shirley Walker1:48
4Dark Rider Den / Rick Dies
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Dark Rider Den / Rick Dies
composer:
Shirley Walker
Shirley Walker2:20
5Meeting Tina / Treadmill
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Meeting Tina / Treadmill
composer:
Shirley Walker
Shirley Walker2:11
6Riders Embarrass Police
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Riders Embarrass Police
composer:
Shirley Walker
Shirley Walker1:31
7Track Running Test
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Track Running Test
composer:
Shirley Walker
Shirley Walker1:21
8Barry's Brother
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Barry's Brother
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker3:55
9Funeral / Father & Son
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Funeral / Father & Son
composer:
Shirley Walker
Shirley Walker1:22
10First Flash Attack
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
First Flash Attack
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker4:36
11Tina Meets Iris / Iris Comes Over
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Tina Meets Iris / Iris Comes Over
composer:
Shirley Walker
Shirley Walker2:34
12The Flash Toys With Riders
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Toys With Riders
composer:
Shirley Walker
Shirley Walker1:29
13Barry's Breakdown
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Barry's Breakdown
composer:
Shirley Walker
Shirley Walker1:29
14Invasion / The Fighting Starts
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Invasion / The Fighting Starts
composer:
Shirley Walker
Shirley Walker2:34
15The Flash Joins the Fight
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Joins the Fight
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:37
16Pike Beats The Flash / Flash Beats Pike
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Pike Beats The Flash / Flash Beats Pike
composer:
Shirley Walker
Shirley Walker5:24
17Barry & Tina / Barry & Sean
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Barry & Tina / Barry & Sean
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:59
18The Flash: Pilot End Credits
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash: Pilot End Credits
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:08
19Hot Spell
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Hot Spell
composer:
Shirley Walker
Shirley Walker0:46
20Solid Stiffs / Bomb Squad / The Cold Hand of Death
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Solid Stiffs / Bomb Squad / The Cold Hand of Death
composer:
Shirley Walker
Shirley Walker3:00
21Snow Dome / Iced Stiff / Hypothermia
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Snow Dome / Iced Stiff / Hypothermia
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker3:14
22No Witnesses
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
No Witnesses
composer:
Shirley Walker
Shirley Walker0:45
23The Ice Man Cometh / The Frozen Bus & Frozen Cops / The Big Chill / Julio, THE FLASH?
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Ice Man Cometh / The Frozen Bus & Frozen Cops / The Big Chill / Julio, THE FLASH?
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:12
24Car Phone Call / Megan in Distress
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Car Phone Call / Megan in Distress
composer:
Shirley Walker
Shirley Walker2:37
25The Flash Saves Megan
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Saves Megan
composer:
Shirley Walker
Shirley Walker1:37
26Hypertoss and Turn / Not Too Tired for Hyperlove / Tricky Escape
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Hypertoss and Turn / Not Too Tired for Hyperlove / Tricky Escape
composer:
Shirley Walker
Shirley Walker3:13
27Skitoid Trickster
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Skitoid Trickster
composer:
Shirley Walker
Shirley Walker1:24
28Gag Me With a Flash
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Gag Me With a Flash
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:05
29The Lounge Lizard
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Lounge Lizard
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:35
30Barry Gets Hung Up
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Barry Gets Hung Up
composer:
Shirley Walker
Shirley Walker3:30
31Murph The Flash
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Murph The Flash
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker0:29
32The Real Flash
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Real Flash
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker0:57
33Baked You a Cake / Flash Struggles / That's All Folks
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Baked You a Cake / Flash Struggles / That's All Folks
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:36
34The Flash Shot Down
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Shot Down
composer:
Shirley Walker
Shirley Walker1:21
35The Flash: End Credits
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash: End Credits
composer:
Danny Elfman (American singer and score composer)
Danny Elfman0:59
2▼CD
#TitleArtistRatingLength
1Main Title Theme (w. FX)
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Main Title Theme (w. FX)
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:02
2Megan Lockhart, P.I.
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Megan Lockhart, P.I.
composer:
Shirley Walker
Shirley Walker1:46
3Fire / Rescue / Megan’s Theme
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Fire / Rescue / Megan’s Theme
composer:
Shirley Walker
Shirley Walker1:57
4Lounge Lizard / Man Behind the Mask
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Lounge Lizard / Man Behind the Mask
composer:
Shirley Walker
Shirley Walker1:44
5Star Labs Van / The Lock / Megan Installs Camera
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Star Labs Van / The Lock / Megan Installs Camera
composer:
Shirley Walker
Shirley Walker1:47
6Casino / Everybody Wins
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Casino / Everybody Wins
composer:
Shirley Walker
Shirley Walker1:08
7Nice PJ's /Get It / Take Out Megan Lockhart
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Nice PJ's /Get It / Take Out Megan Lockhart
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:42
8Campaign Worker / Watch for Radiation
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Campaign Worker / Watch for Radiation
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:41
9The Fire Bug / Megan Gets Caught / Flash to the Rescue / Secret Lives
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Fire Bug / Megan Gets Caught / Flash to the Rescue / Secret Lives
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker3:03
10That's All for Now
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
That's All for Now
composer:
Shirley Walker
Shirley Walker0:54
11At the Stroke of Twelve
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
At the Stroke of Twelve
composer:
Shirley Walker
Shirley Walker4:41
12It’s About Time
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
It’s About Time
composer:
Shirley Walker
Shirley Walker0:30
13The Ghost Show / Nightshade
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Ghost Show / Nightshade
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker1:48
14Special Bulletin / Get on With the Show
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Special Bulletin / Get on With the Show
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:17
15Flash Meets The Nightshade
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Flash Meets The Nightshade
composer:
Shirley Walker
Shirley Walker1:17
16On Line / Just a Memory / Wired
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
On Line / Just a Memory / Wired
composer:
Shirley Walker
Shirley Walker3:04
17The Flash Gets Programmed / Don't Touch That Dial / Nightshade Hangs Up His Gun
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Gets Programmed / Don't Touch That Dial / Nightshade Hangs Up His Gun
composer:
Shirley Walker
Shirley Walker3:25
18Beautiful Battery / Barry Gets Kissed / She's Got the Touch
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Beautiful Battery / Barry Gets Kissed / She's Got the Touch
composer:
Shirley Walker
Shirley Walker2:58
19Two Bit Town / Urban Cowboy
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Two Bit Town / Urban Cowboy
composer:
Shirley Walker
Shirley Walker2:40
20Crystal Caper / No Smoke, No Fire
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Crystal Caper / No Smoke, No Fire
composer:
Shirley Walker
Shirley Walker1:47
21Double Jeopardy
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Double Jeopardy
composer:
Shirley Walker
Shirley Walker3:11
22Mothers, Got to Love' Em / Anything but The Mime
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Mothers, Got to Love' Em / Anything but The Mime
composer:
Shirley Walker
Shirley Walker1:01
23Back to the Future
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Back to the Future
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:58
24Pike City / Where Did You Get That Red Suit? / Barry Finds Tina / Cops From Hell
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Pike City / Where Did You Get That Red Suit? / Barry Finds Tina / Cops From Hell
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker5:17
25Maximum Power / On the Move / Flash, the Legend
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Maximum Power / On the Move / Flash, the Legend
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:33
26The Flash Returns / I’m Back
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash Returns / I’m Back
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker2:50
27Back Through Time / Pike’s Confession / Words to Live By
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Back Through Time / Pike’s Confession / Words to Live By
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker4:29
28Center City Crime
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Center City Crime
composer:
Shirley Walker
Shirley Walker1:54
29When You Care Enough / The Trickster Bear
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
When You Care Enough / The Trickster Bear
composer:
Shirley Walker
Shirley Walker2:17
30Clark Toys / Bigger Kicks / Prank
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Clark Toys / Bigger Kicks / Prank
composer:
Shirley Walker
Shirley Walker2:48
31The Merry-Go-Round Broke Down
recording of:
The Merry‐Go‐Round Broke Down (best known as the Looney Tunes theme, 1937–69)
writer:
Dave Franklin (Tin Pan Alley songwriter) (in 1937) and Cliff Friend (US composer, lyricist & pianist) (in 1937)
composer:
Milt Franklyn, William Lava and Carl Stalling
Shirley Walker0:20
32Flash, The Executioner / The Great Trickster Escapemobile / Exploding Cars
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Flash, The Executioner / The Great Trickster Escapemobile / Exploding Cars
composer:
Danny Elfman (American singer and score composer) and Shirley Walker
Shirley Walker4:09
33Padded Cell / Home of The Flash
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
Padded Cell / Home of The Flash
composer:
Shirley Walker
Shirley Walker1:12
34The Flash: End Credits (w. FX)
editor:
Thomas Milano (soundtrack composer, editor), James Nelson (film score editor/mastering engineer/producer) and Abby Treloggen
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
edited at:
Digital Outland in Tacoma, Washington, United States
recording of:
The Flash: End Credits (w. FX)
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:01