Highlights From the Complete Soundtrack of “American Graffiti”

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1(We’re Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:12
2Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:20
3Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:20
4That’ll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly4.62:18
5Almost Grown
produttore:
Leonard & Phil Chess (legendary US production duo)
basso e contrabbasso :
Willie Dixon (il 1959-02-17)
batteria :
Jasper Thomas (il 1959-02-17)
chitarra :
Chuck Berry (il 1959-02-17) e Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1959-02-17)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1959-02-17)
voce:
Chuck Berry (il 1959-02-17)
voce di accompagnamento:
Chuck Barksdale (il 1959-02-17), Harvey Fuqua (il 1959-02-17), Marvin Gaye (il 1959-02-17), Etta James (il 1959-02-17), The Marquees (il 1959-02-17), The Moonglows (1950s Cleveland R&B group) (il 1959-02-17), James Nolan (Second Tenor, Baritone singer) (il 1959-02-17), Reese Palmer (First Tenor singer) (il 1959-02-17) e Chester Simmons (il 1959-02-17)
voce principale:
Chuck Berry (il 1959-02-17)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1959-02-17)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 6)
registrazione di:
Almost Grown (il 1959-02-17)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher) e Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:21
6Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:40
7Little Darlin’
registrazione cover di:
Little Darlin’
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Campbell Connelly & Co. Ltd. e Excellorec Music
The Diamonds2:09
8Barbara Ann
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 35)
registrazione di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adattamenti:
Bomb Iran (Vince Vance & the Valiants parody)
adattamenti:
Bomb Iran (Paul Shanklin parody)
adattamenti:
Bomb Iraq
The Regents2:09
9Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:03
10Ain’t That a Shame
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino2:27
11Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:41
12I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:23
13To the Aisle
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
registrazione di:
To the Aisle
autore:
Billy Smith (1950s Ohio rockabilly artist) e Stuart Wiener
editore:
Wemar Music Corp.
The Five Satins2:45
14Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings42:42
15You’re Sixteen – You’re Beautiful (and You’re Mine)
registrazione di:
You’re Sixteen
autore:
Bob Sherman (American songwriter) e Dick Sherman
editore:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1960)
Johnny Burnette41:58
16Love Potion No.9
registrazione di:
Love Potion No. 9
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
The Clovers1:53
17Since I Don’t Have You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 18)
registrazione di:
Since I Don’t Have You
autore:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
compositore:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
editore:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. e Southern Music Publ. Co. Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:38
18Only You (and You Alone)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:42
19Goodnight, Well It’s Time to Go
registrazione di:
Goodnight, Well It’s Time to Go
autore:
Calvin Carter e James Hudson (American clarinetist and saxophonist)
editore:
Conrad Music (publisher; do NOT use as release label)
The Spaniels2:45
20All Summer Long
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Al Jardine (guitarist and singer) (dal 1964-05-06 al 1964-05-07)
batteria :
Dennis Wilson (Beach Boys) (dal 1964-05-06 al 1964-05-07)
chitarra elettrica [electric rhythm guitars] :
Carl Wilson (Beach Boys) (dal 1964-05-06 al 1964-05-07)
fiffaro e ottavino :
Jay Migliori (dal 1964-05-06 al 1964-05-07)
marimba e xilofono :
Brian Wilson (Beach Boys co‐founder) (dal 1964-05-06 al 1964-05-07)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (dal 1964-05-06 al 1964-05-07)
voce di accompagnamento:
Al Jardine (guitarist and singer) (dal 1964-05-06 al 1964-05-07), Brian Wilson (Beach Boys co‐founder) (dal 1964-05-06 al 1964-05-07), Carl Wilson (Beach Boys) (dal 1964-05-06 al 1964-05-07) e Dennis Wilson (Beach Boys) (dal 1964-05-06 al 1964-05-07)
voce di basso e voce principale:
Mike Love (Beach Boys) (dal 1964-05-06 al 1964-05-07)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
All Summer Long (dal 1964-05-06 al 1964-05-07)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc.
The Beach Boys3.42:06